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COVID-safe art viewing – The Kingston Whig-Standard

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The Gaskin Lion, build to commemorate John Gaskin who advocated to create Macdonald Park in 1891, boasts a historical and cultural City of Kingston plague on Sunday June 21, 2015. Steph Crosier/Kingston Whig-Standard/Postmedia Network

It’s a good thing that not all art resides indoors, otherwise art lovers would really be in for it right now. Even if you have art decorating your home, it’s probably getting a little stale at this point – so what a wonderful thing it is that we can get outside and also enjoy some safe art viewing.

It’s true. Many of us are probably guilty of assuming that art is principally enjoyed indoors when viewed on the walls of galleries (public and commercial), businesses and institutions, and/or in peoples’ homes. While this is probably true a large percentage of the time, it is certainly possible to enjoy art in a variety of environments, and it is a welcome diversion to do so. Now – as the weather warms but before the heat of summer hits and while we are still practising social distancing – is the perfect time to discover some outdoor sculptural art.

The Kingston area has, you may be surprised to know, a good amount of outdoor, or Public Art (though not nearly enough, yet). Public Art is pretty much the norm in many European cities, so we have a lot of catching up to do, but the city is apparently working on it if the Public Art Master Plan is anything to go by. What we have so far is worth exploring, and herewith are a few suggestions.

East of Kingston on the west side of Gananoque is a little-known but captivating sculpture garden, just past the bridge if you drive in from Kingston on Highway 2 east, in Confederation Park. While much of the work dates from the late ‘60s, the 70’s, and into the ‘80s and will not appeal to everyone’s taste (which is OK), there is enough here to fill everyone’s cup of artistic enjoyment – particularly with the inclusion of work by local and regional artists. These latter works, such as Rick Lapointe’s “Pitch Pine,” celebrate the beauty and history of the local area through the unique perspective of the artist’s eye.

Within Kingston, there is an array of opportunities to view individual sculptures and sculptural groups. At Queen’s University (including the Agnes), there are at least nine outdoor sculptural works scattered across the campus. All of these are contemporary artworks, each very different from the other. You can find a map and some summary information at www.queensu.ca/planningandbudget/university-planning/outdoor-sculptures, and other internet searches will reward you with some unique interpretations of these Public Art objects.

Along Kingston’s waterfront, you can enjoy both the scenery and some large works – which you may have seen so often that you no longer notice them. It’s time to take another look, friends. The biggies are “Tetra,” at Portsmouth Olympic Harbour, “Pollution,” in MacDonald Park and “Time,” in Breakwater Park. While these may not appeal to everyone, they do have a story to tell. With respect to myth-busting, however, the two arms of “Time” are not designed to eventually touch on the basis of its materials degrading (which is an oft-told story). Rather, the two pillars may eventually touch because the sculpture is built on a fault line, which puts a completely different spin on things. On a smaller scale is the beloved Gaskin Lion in MacDonald Park, featured in many family photos. While it may look like an animal left behind from a carousel, this majestic lion is a quite detailed bronze sculpture (restored in 2010), a media that requires some skill to achieve a good result.

In the core of downtown Kingston, you have to look a little harder to spy out some of our outdoor sculpture. An easy one is the Brock Street Art Project, with works by local sculptor Stefan Duerst. As for the others, I’ll give you a hint – look up! There is another work by Duerst on the exterior of Studio 22 on Market Square, but there are works by other artists scattered around on various buildings and in alleyways, many of which add an aspect of whimsey to their environment. If you want a little help in your sculpture scavenger hunt, check out the website of Martello Alley artist collective and watch the videos created by proprietor David Dossett, who himself recently sought out many of the sculptures in and around Kingston: www.martelloalley.com/pages/walk-about-kingston-with-martello-alley.

If bronzes are your thing, across the LaSalle Causeway on the campus of Royal Military College you will find at least two – the life-size bronze of a cadet, fondly known as “Brucie,” and a bronze and cast stone sculpture titled “To Overcome,” which has some resonance in present circumstances. There are also bronzes in City Park, including (yes) the large Sir John A. Macdonald memorial, and the 21st Battalion War Memorial. Memorials have an interesting place in sculptural art history – much too involved to get into here – because so much Public Art is memorial in nature. For example, Celtic Crosses (at least four in Kingston) are highly decorative memorial works but have a poignancy and depth of cultural history that goes far beyond their surface appearance.

This is just an overview of outdoor sculptural works that it’s possible to view in these days of social distancing. It’s the perfect time to get out there and explore them. Stay well, everyone!

And kudos to those folks who spotted the error in one of the image captions for my last column. The figure in the Ravenna mosaics is, of course, the Empress Theodora (not Isabella). The fault was mine – I can’t imagine where my mind was at the time.

Kamille Parkinson earned a PhD in art history from Queen’s University and is currently a freelance writer and art historian at large. You can find her writing at Word Painter Projects on Facebook, and can contact her at artabouttownygk@gmail.com.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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