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Sony PS5's reveal inspired us to showcase the best gaming designs to up your gamerlife! – Yanko Design

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Sony revealed the PS5 just a few days back and the design community is still split into two groups – one who is totally digging the futuristic Storm Trooper vibe while the other one group thinks the design resembles a ‘wifi router’ to say the least! This debate got me thinking over the gaming designs – consoles, handheld’s and accessory designs we featured over the years and one thing came across strongly – love them, hate them, we can’t ignore them! Featured here are the best of gaming designs to help you get inspired, debate thoughtfully, and find a common trend in the direction of gaming designs. Also, some eye candy to help you pass time while we wait for the PS5 sales to begin!

The Nintendo Flex by YJ Yoon is to the Gameboy what Daniel Craig is to Sean Connery. Same James Bond, but modern. (Sames Bond?) The Flex comes with a few very welcome updates. The bigger screen on a device that’s the same handy size (albeit thinner). The screen’s also mildly curved, giving you a slightly panoramic experience and adding just a tiny couple of more display inches into the same framework. The Flex retains the same keys and controls, but gives them a makeover too, opting for flushed surfaces rather than the original GameBoy’s chunky keys that stood out from the surface. The Flex’s biggest overhaul, however, is the change in Nintendo’s cartridge system. Flex ditches the large squarish cartridges for something much sleeker and thinner, looking almost like a stylus. The stylus-sized cartridge slides conveniently into a slot in the Flex’s base, locking in place and becoming impossible to remove while in the middle of gameplay.

Oliver Perratta designed an all-black version of the PS5 and we can’t help admiring it, maybe more than the original all-white design. As designer Michael DiTullo explains about the original PS5, “Strategically, xBox and Nintendo are circling the same aesthetic space that I call the Dieter Rams cul-de-sac. Nice B+ designs that don’t really cause a stir. I think Sony was smart to try something different. The market should have multiple different options if you draw out a 2×2 with geometric to complex curvature on one axis and minimal to complex on the other. Third, gesturally, the design is pretty iconic, it says leave me out. Sure it looks a bit like a router, but I’d say router designs have gotten out of hand, they should look more like an Xbox.”

Slated for a debut at CES2020, this is the Samsung Odyssey G9, an ultra-wide QLED gaming screen with a 49-inch diagonal and a mind-bending 1000R curvature. Launched under Samsung’s Odyssey tag, the G9 is targeted towards gamers, with a ridiculous 32:9 aspect ratio, 5120×1440 resolution, ultra-fast 240Hz refresh rate and 1ms response time. While it isn’t really 4K, the G9 is the world’s first Dual Quad High-Definition monitor (basically the equivalent of eight 720p screens arranged in 4*2). The G9 is so incredibly wide, it practically covers your periphery, and with a curvature so tight, it gives you more screen in a smaller footprint. In fact, with a radius of 1000mm, it might be perhaps the most curved PC monitor we’ve ever seen.

Designed to fit well around the contour of your palms, the Fixture S1 by Austin Stark & Craig Ovans feels more like a true-blue controller, giving you the experience of a Playstation or Xbox in a portable format. Dock the Switch screen in the S1’s grip and you’re ready to go. Its folding grip for the Switch allows you to angle-adjust the screen to prevent neck or wrist strain, while the Screen-mount’s folding design lets you achieve the perfect balance, for hours of stress-free gaming. Moreover, the S1’s mount is detachable from the controller too, allowing you to achieve ‘tabletop mode’, where the screen stands on any flat surface like a mini desktop monitor, letting you game in ways never imagined before.

Sushant Vohra developed the EXEO 2.0 to refine the series of plug-together-and-play gaming controllers he designed last year. Retaining the three pillars of controller design, the Velox, Brutus, and Terra, Sushant decided to refine them, visually and ergonomically, sticking to the core design but making each product slightly slimmer, and with more character. They still snap together, allowing you to build more complex controllers from rifles, to bazookas, to steering wheels or hockey sticks.

Rafael Rubio’s Wood-e is a gaming console created from, well, wood! It’s an emulation system based on Raspberry which basically means its software has been programmed to operate and behave like the hardware of an older video game system. Inspired by the Nintendo tabletop arcade machines of the ’80s, Rubio wanted to bring back the style of some of the older video games. However, he wanted to create a design that would withstand the passage of time and could be easily maintained and repaired. Machine CNC-milled wood was his choice of material. Boasting a strong wooden structure, the console features bright red arcade-style buttons and a traditional joystick that evokes nostalgia! However, the red buttons are neutralized by the matte black and warm wood elements, creating a design that could double up as a decorative piece in your home.

The latest from gaming console enthusiast Joseph Dumary, this PS5 concept explores what we might be able to expect from the next generation of Sony systems. Less of an external aesthetic departure from previous models, the PS5 is focused on new guts that set it apart from the rest. For starters, the Smart Console records and adapts gamers’ behavior to provide preferred controller settings, applies game options automatically, and installs necessary apps to enhance the gaming experience.

Project Stream occurred as a one-time test-run for Google, allowing just a handful of people to play Assassin’s Creed Odyssey on Chrome. However, if recent patent-files are any indication, Google is planning on taking this seriously. Here’s a look at the Project Stream controller, a visualized concept based on Google’s patented design… a concept, if executed perfectly, that could tank XBox and PS sales, and even kill the gaming laptop industry. The Project Stream helps integrate quite a few community features into the gaming experience too.

Following Dieter Rams’ footsteps, Love Hultén has designed one of the most simple and clear cut retro gaming consoles I’ve seen: the R-Kaid-R SK-4. Though Rams’ list of ingenious pieces is long, Love Hultén has carefully taken their pick adding little sneak peeks of the SK-4 record player and T3 pocket radio, sending us on a trip down memory lane. Sleek, simple, with arcade-style controls, the R-Kaid-R SK-4’s looks may have a vintage appeal but its functionality is deeply rooted within the 21stcentury with its ability to store 10,000 emulated games. Accompanied by its own screen and a built-in speaker, the console closes up like a briefcase, providing us with a ‘playful’ travel-sized sidekick wherever we go!

XBox Cloud Controller

Based on patented designs, these conceptual Xbox Cloud controllers give us an idea of what the real thing would feel like. Two controller-halves clip onto either side of the phone, turning it into a handheld gaming console, complete with everything you need to play Xbox’s signature titles. The controllers come in a variety of colors, just like the original Xbox ones, and feature all the keys, buttons, and joysticks, including BOTH the left and right triggers on the top! Designed for immersive landscape gaming, the controllers come with two flippers that hold your phone gently but securely from the sides, while memory-foam pads make sure they don’t press any buttons. These side flippers are ideal for phones with no bezel, because this makes sure the controllers don’t overlap the screen from the left or right.

Designed to be at the very center of your life at home, the Project Oris lets you play games, listen to music, and even watch media. You could hook it to a screen, or you could just point it at a blank wall and let its in-built projector broadcast an 8K HDR display. For music and gaming, the display is complemented by the console’s in-built 5 audio drivers that deliver rich bass as well as crisp highs in all directions. The speakers even come with 4 omnidirectional microphones that pick up voice commands, because the console has a voice assistant built right into it. Tied probably to Microsoft’s services, the Project Oris runs Cortana, allowing you to set up gaming match reminders, as well as other functions, like dimming the lights or playing your favorite tracks.

Outwardly, the Mutrics GB-30 is a pair of really cool, chunky, vintage-gaming-inspired glasses. On the inside, however, the sleek glasses are fitted with open-ear audio drivers or bone-conducting earphones that provide a private audio-listening experience, especially for gamers, without the need for a cumbersome pair of gaming headphones. The GB-30’s open-ear audio drivers are arguably perfect for gaming. Whether you’re on Twitch, streaming your kill-streak or on the subway with your Nintendo Switch, the GB-30 is a pretty voguish way to listen to gameplay audio, while the open-ear technology means you can hear stuff around you too. The drivers are calibrated to deliver rich, directional sound so you can listen to and identify where a gunshot is coming from, or dialogues from a non-playable character. The smart wearables gamer-friendly design extends to the glasses too, by equipping you with blue-light blocking lenses that allow you to game for longer without the visual strain.

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AI could help scale humanitarian responses. But it could also have big downsides

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NEW YORK (AP) — As the International Rescue Committee copes with dramatic increases in displaced people in recent years, the refugee aid organization has looked for efficiencies wherever it can — including using artificial intelligence.

Since 2015, the IRC has invested in Signpost — a portfolio of mobile apps and social media channels that answer questions in different languages for people in dangerous situations. The Signpost project, which includes many other organizations, has reached 18 million people so far, but IRC wants to significantly increase its reach by using AI tools — if they can do so safely.

Conflict, climate emergencies and economic hardship have driven up demand for humanitarian assistance, with more than 117 million people forcibly displaced in 2024, according to the United Nations refugee agency. The turn to artificial intelligence technologies is in part driven by the massive gap between needs and resources.

To meet its goal of reaching half of displaced people within three years, the IRC is testing a network of AI chatbots to see if they can increase the capacity of their humanitarian officers and the local organizations that directly serve people through Signpost. For now, the pilot project operates in El Salvador, Kenya, Greece and Italy and responds in 11 languages. It draws on a combination of large language models from some of the biggest technology companies, including OpenAI, Anthropic and Google.

The chatbot response system also uses customer service software from Zendesk and receives other support from Google and Cisco Systems.

If they decide the tools work, the IRC wants to extend the technical infrastructure to other nonprofit humanitarian organizations at no cost. They hope to create shared technology resources that less technically focused organizations could use without having to negotiate directly with tech companies or manage the risks of deployment.

“We’re trying to really be clear about where the legitimate concerns are but lean into the optimism of the opportunities and not also allow the populations we serve to be left behind in solutions that have the potential to scale in a way that human to human or other technology can’t,” said Jeannie Annan, International Rescue Committee’s Chief Research and Innovation Officer.

The responses and information that Signpost chatbots deliver are vetted by local organizations to be up to date and sensitive to the precarious circumstances people could be in. An example query that IRC shared is of a woman from El Salvador traveling through Mexico to the United States with her son who is looking for shelter and for services for her child. The bot provides a list of providers in the area where she is.

More complex or sensitive queries are escalated for humans to respond.

The most important potential downside of these tools would be that they don’t work. For example, what if the situation on the ground changes and the chatbot doesn’t know? It could provide information that’s not just wrong, but dangerous.

A second issue is that these tools can amass a valuable honeypot of data about vulnerable people that hostile actors could target. What if a hacker succeeds in accessing data with personal information or if that data is accidentally shared with an oppressive government?

IRC said it’s agreed with the tech providers that none of their AI models will be trained on the data that the IRC, the local organizations or the people they are serving are generating. They’ve also worked to anonymize the data, including removing personal information and location.

As part of the Signpost.AI project, IRC is also testing tools like a digital automated tutor and maps that can integrate many different types of data to help prepare for and respond to crises.

Cathy Petrozzino, who works for the not-for-profit research and development company MITRE, said AI tools do have high potential, but also high risks. To use these tools responsibly, she said, organizations should ask themselves, does the technology work? Is it fair? Are data and privacy protected?

She also emphasized that organizations need to convene a range of people to help govern and design the initiative — not just technical experts, but people with deep knowledge of the context, legal experts, and representatives from the groups that will use the tools.

“There are many good models sitting in the AI graveyard,” she said, “because they weren’t worked out in conjunction and collaboration with the user community.”

For any system that has potentially life-changing impacts, Petrozzino said, groups should bring in outside experts to independently assess their methodologies. Designers of AI tools need to consider the other systems it will interact with, she said, and they need to plan to monitor the model over time.

Consulting with displaced people or others that humanitarian organizations serve may increase the time and effort needed to design these tools, but not having their input raises many safety and ethical problems, said Helen McElhinney, executive director of CDAC Network. It can also unlock local knowledge.

People receiving services from humanitarian organizations should be told if an AI model will analyze any information they hand over, she said, even if the intention is to help the organization respond better. That requires meaningful and informed consent, she said. They should also know if an AI model is making life-changing decisions about resource allocation and where accountability for those decisions lies, she said.

Degan Ali, CEO of Adeso, a nonprofit in Somalia and Kenya, has long been an advocate for changing the power dynamics in international development to give more money and control to local organizations. She asked how IRC and others pursuing these technologies would overcome access issues, pointing to the week-long power outages caused by Hurricane Helene in the U.S. Chatbots won’t help when there’s no device, internet or electricity, she said.

Ali also warned that few local organizations have the capacity to attend big humanitarian conferences where the ethics of AI are debated. Few have staff both senior enough and knowledgeable enough to really engage with these discussions, she said, though they understand the potential power and impact these technologies may have.

“We must be extraordinarily careful not to replicate power imbalances and biases through technology,” Ali said. “The most complex questions are always going to require local, contextual and lived experience to answer in a meaningful way.”

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The Associated Press and OpenAI have a licensing and technology agreement that allows OpenAI access to part of AP’s text archives.

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Associated Press coverage of philanthropy and nonprofits receives support through the AP’s collaboration with The Conversation US, with funding from Lilly Endowment Inc. The AP is solely responsible for this content. For all of AP’s philanthropy coverage, visit https://apnews.com/hub/philanthropy.

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Ottawa orders TikTok’s Canadian arm to be dissolved

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The federal government is ordering the dissolution of TikTok’s Canadian business after a national security review of the Chinese company behind the social media platform, but stopped short of ordering people to stay off the app.

Industry Minister François-Philippe Champagne announced the government’s “wind up” demand Wednesday, saying it is meant to address “risks” related to ByteDance Ltd.’s establishment of TikTok Technology Canada Inc.

“The decision was based on the information and evidence collected over the course of the review and on the advice of Canada’s security and intelligence community and other government partners,” he said in a statement.

The announcement added that the government is not blocking Canadians’ access to the TikTok application or their ability to create content.

However, it urged people to “adopt good cybersecurity practices and assess the possible risks of using social media platforms and applications, including how their information is likely to be protected, managed, used and shared by foreign actors, as well as to be aware of which country’s laws apply.”

Champagne’s office did not immediately respond to a request for comment seeking details about what evidence led to the government’s dissolution demand, how long ByteDance has to comply and why the app is not being banned.

A TikTok spokesperson said in a statement that the shutdown of its Canadian offices will mean the loss of hundreds of well-paying local jobs.

“We will challenge this order in court,” the spokesperson said.

“The TikTok platform will remain available for creators to find an audience, explore new interests and for businesses to thrive.”

The federal Liberals ordered a national security review of TikTok in September 2023, but it was not public knowledge until The Canadian Press reported in March that it was investigating the company.

At the time, it said the review was based on the expansion of a business, which it said constituted the establishment of a new Canadian entity. It declined to provide any further details about what expansion it was reviewing.

A government database showed a notification of new business from TikTok in June 2023. It said Network Sense Ventures Ltd. in Toronto and Vancouver would engage in “marketing, advertising, and content/creator development activities in relation to the use of the TikTok app in Canada.”

Even before the review, ByteDance and TikTok were lightning rod for privacy and safety concerns because Chinese national security laws compel organizations in the country to assist with intelligence gathering.

Such concerns led the U.S. House of Representatives to pass a bill in March designed to ban TikTok unless its China-based owner sells its stake in the business.

Champagne’s office has maintained Canada’s review was not related to the U.S. bill, which has yet to pass.

Canada’s review was carried out through the Investment Canada Act, which allows the government to investigate any foreign investment with potential to might harm national security.

While cabinet can make investors sell parts of the business or shares, Champagne has said the act doesn’t allow him to disclose details of the review.

Wednesday’s dissolution order was made in accordance with the act.

The federal government banned TikTok from its mobile devices in February 2023 following the launch of an investigation into the company by federal and provincial privacy commissioners.

— With files from Anja Karadeglija in Ottawa

This report by The Canadian Press was first published Nov. 6, 2024.

The Canadian Press. All rights reserved.

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Here is how to prepare your online accounts for when you die

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LONDON (AP) — Most people have accumulated a pile of data — selfies, emails, videos and more — on their social media and digital accounts over their lifetimes. What happens to it when we die?

It’s wise to draft a will spelling out who inherits your physical assets after you’re gone, but don’t forget to take care of your digital estate too. Friends and family might treasure files and posts you’ve left behind, but they could get lost in digital purgatory after you pass away unless you take some simple steps.

Here’s how you can prepare your digital life for your survivors:

Apple

The iPhone maker lets you nominate a “ legacy contact ” who can access your Apple account’s data after you die. The company says it’s a secure way to give trusted people access to photos, files and messages. To set it up you’ll need an Apple device with a fairly recent operating system — iPhones and iPads need iOS or iPadOS 15.2 and MacBooks needs macOS Monterey 12.1.

For iPhones, go to settings, tap Sign-in & Security and then Legacy Contact. You can name one or more people, and they don’t need an Apple ID or device.

You’ll have to share an access key with your contact. It can be a digital version sent electronically, or you can print a copy or save it as a screenshot or PDF.

Take note that there are some types of files you won’t be able to pass on — including digital rights-protected music, movies and passwords stored in Apple’s password manager. Legacy contacts can only access a deceased user’s account for three years before Apple deletes the account.

Google

Google takes a different approach with its Inactive Account Manager, which allows you to share your data with someone if it notices that you’ve stopped using your account.

When setting it up, you need to decide how long Google should wait — from three to 18 months — before considering your account inactive. Once that time is up, Google can notify up to 10 people.

You can write a message informing them you’ve stopped using the account, and, optionally, include a link to download your data. You can choose what types of data they can access — including emails, photos, calendar entries and YouTube videos.

There’s also an option to automatically delete your account after three months of inactivity, so your contacts will have to download any data before that deadline.

Facebook and Instagram

Some social media platforms can preserve accounts for people who have died so that friends and family can honor their memories.

When users of Facebook or Instagram die, parent company Meta says it can memorialize the account if it gets a “valid request” from a friend or family member. Requests can be submitted through an online form.

The social media company strongly recommends Facebook users add a legacy contact to look after their memorial accounts. Legacy contacts can do things like respond to new friend requests and update pinned posts, but they can’t read private messages or remove or alter previous posts. You can only choose one person, who also has to have a Facebook account.

You can also ask Facebook or Instagram to delete a deceased user’s account if you’re a close family member or an executor. You’ll need to send in documents like a death certificate.

TikTok

The video-sharing platform says that if a user has died, people can submit a request to memorialize the account through the settings menu. Go to the Report a Problem section, then Account and profile, then Manage account, where you can report a deceased user.

Once an account has been memorialized, it will be labeled “Remembering.” No one will be able to log into the account, which prevents anyone from editing the profile or using the account to post new content or send messages.

X

It’s not possible to nominate a legacy contact on Elon Musk’s social media site. But family members or an authorized person can submit a request to deactivate a deceased user’s account.

Passwords

Besides the major online services, you’ll probably have dozens if not hundreds of other digital accounts that your survivors might need to access. You could just write all your login credentials down in a notebook and put it somewhere safe. But making a physical copy presents its own vulnerabilities. What if you lose track of it? What if someone finds it?

Instead, consider a password manager that has an emergency access feature. Password managers are digital vaults that you can use to store all your credentials. Some, like Keeper,Bitwarden and NordPass, allow users to nominate one or more trusted contacts who can access their keys in case of an emergency such as a death.

But there are a few catches: Those contacts also need to use the same password manager and you might have to pay for the service.

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Is there a tech challenge you need help figuring out? Write to us at onetechtip@ap.org with your questions.

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