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Richmond art exhibit focuses on Indigenous and Black identities – Richmond News

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 Richmond Art Gallery has re-opened its doors with its first exhibit addressing Indigenous and Black identities.

The exhibition, Labour’s trace, is a duo-artist exhibition highlighting Karin Jones and Amy Malbeuf’s “historical narratives” that shape their identities.

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Jones has eight installations featuring metalsmithing artworks, the art of turning metal into jewellery, with each piece referencing restraints from the period of African enslavement in North America.

“The functions of jewelry are artfully contrasted with the intended purposes of objects of restraint to create an unsettling tension in these spare, handcrafted works,” said a media statement.

Meanwhile, Metis artist Malbeuf is showcasing individual traditional Indigenous artworks that “reflect contemporary ideas and concerns.”

Malbeuf’s works uses polyethylene tarpaulin as a substitute for animal hide as well as beadwork and animal hair tufting to honour skills learned from other women sharing their cultural knowledge.

Labour’s trace exhibit will be on view until Aug. 8.

In order to maintain a safe environment, the art gallery has put in place safety protocols:

  • Maximum of 10 people in the gallery at a time
  • Visitors and staff are to maintain a two-metre distance. Household groups can stay together.
  • Hand sanitizer is provided at the entrance.
  • Cleaning practices will be in place
  • Face coverings are appreciated.

Richmond Art Gallery has a new temporary entrance at the northeast side of the Richmond cultural Centre (7700 Minoru Gate) and opening hours Wednesday to Saturday from noon to 4:30 p.m.

Visitors are encouraged to pre-book their visits by calling 604-247-8363 or email gallery@richmond.ca

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com

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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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