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Vancouver artist Ken Lum awarded Gershon Iskowitz Prize

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Vancouver artist Ken Lum, who is currently a professor and chair of the Department of Fine Arts at the University of Pennsylvania’s Stuart Weitzman School of Design. Handout

Vancouver born-and-raised artist Ken Lum has been awarded the prestigious Gershon Iskowitz Prize at the AGO. The prize, awarded by the Art Gallery of Ontario and the Iskowitz Foundation to an artist who has made an outstanding contribution to the visual arts in Canada, comes with a solo exhibition at the Toronto gallery and a $50,000 cash award.

“It’s a great honour,” Lum, 63, said from Philadelphia, where he now lives and works. “I never met Gershon Iskowitz, but I admired his work. More importantly, I know something about his biography, which you can’t help but be moved by; he’s an example of a good citizen. It’s just an honour to be associated with someone who has contributed to making the world better.”

Iskowitz, who was born in Poland in 1921, was a survivor of Auschwitz and Buchenwald. While imprisoned as a slave labourer in the concentration camps, he managed to find drawing materials and would sketch late into the night. “I needed it for my sanity,” Iskowitz later said.

After liberation, he studied at the Academy of Fine Arts in Munich and immigrated to Canada in 1949. Iskowitz, who lived in Toronto, understood the great importance that grants play in the development of artists in Canada. In particular, he acknowledged the boost he received from a Canada Council grant in 1967, when he felt his career had stalled. In 1972, he represented Canada at the Venice Biennale, along with Walter Redinger.

The prize was established in 1986, two years before Iskowitz’s death. It is to be awarded to a “professional Canadian visual artist who has achieved maturity and a measure of success as an artist, and who is on the verge of using his or her creative energy to produce a significant body of work, or to continue his or her research.” Previous winners include Rebecca Belmore, Michael Snow, Brian Jungen, Stan Douglas and General Idea.

Lum, who is a professor and chair of the Department of Fine Arts at the University of Pennsylvania’s Stuart Weitzman School of Design, was the unanimous choice of the jury for the 2019 prize. He has exhibited extensively in Canada and internationally, but this will be his first show at the AGO.

The multidisciplinary conceptual artist has exhibited at the Whitney Biennial, Documenta, the Venice Biennale, the Sao Paulo Biennial, the Shanghai Biennale and elsewhere. He has had a long list of solo exhibitions, including a 2011 show at the Vancouver Art Gallery. He has also curated and conceived a number of large-scale exhibitions.

Among his many public art commissions is Monument for East Vancouver, commonly known as the East Van Cross, which has become an iconic symbol in the city.

He has received a Guggenheim Fellowship, a Pew Fellowship, a Hnatyshyn Foundation Visual Arts Award and he is a member of the Order of Canada. He has received numerous other awards, including an honorary doctorate from Simon Fraser University, where he completed his undergraduate degree. He received his MFA in Visual Arts from the University of British Columbia. He has been a professor at UBC and at the Emily Carr University of Art and Design in Vancouver, as well as at Bard College in New York. He moved to Philadelphia from Vancouver in 2012.

It is a busy time for Lum. In addition to his artwork and academic career, he also has a book of essays being published in early 2020, Everything is Relevant: Writings on Art and Life 1991-2018. He has written a screenplay for a feature film. And he has co-founded Monument Lab in Philadelphia, which examines monuments and public art in the context of history and social justice.

He says winning the Iskowitz Prize has been cause for reflection.

“I think back to when I was starting out, making art; it seems like yesterday, but of course it wasn’t,” he said. “It’s like a roller coaster. Sometimes, it careens and you’re in danger of spinning out. And sometimes, you’re going up really slowly. And sometimes, you’re crashing.”

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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