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New Indigenous art curator set to start at Remai Modern in the fall – CBC.ca

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Saskatoon’s Remai Modern has announced a new member to their curatorial team.

Tarah Hogue will join the museum as its inaugural Indigenous art curator in October, coming to Saskatoon from the Vancouver Art Gallery (VAG). Most recently she was inaugural senior curatorial fellow of Indigenous art at the VAG.

Hogue, a citizen of the Métis Nation of Alberta originally from Red Deer, said she is excited about coming back to the Prairies.

“I’m really looking forward to returning to that setting and being able to focus on artists from Treaty 6 territory and from the prairies more broadly,” she said.

Hogue said she grew up surrounded by art and culture thanks to her mother, who had a career working in textiles. Although she has worked in Vancouver for her entire career, she said she has travelled to museums in Europe and the U.S. since she was a child and has a feeling for the behind-the-scenes environment of art. 

Local artist hopes gallery improves outreach

Hogue hasn’t started developing any projects yet for the Remai Modern, but a Saskatoon artist said he hopes Hogue’s position will be an opportunity for local Indigenous talent.

Kevin L. Pee-Ace, who is a member of the Yellowquill and Peter Chapman First Nations, paints full time in Saskatoon. He said there is a lack of connection between the art gallery and artists in the community.

“I have nothing against what they are bringing in in terms of world class art and artists,” Pee-Ace said. “But I do believe that they do lack local flavour.”

Artist Kevin L. Pee-Ace is an artist in Saskatoon. On his website he describes his current style as a modern fusion of traditional and contemporary, depicting traditional floral motifs reminiscent of beadwork. (Submitted by Kevin L. Pee-Ace)

Relationship building part of new job

Hogue said her work in Saskatoon will include research, working alongside artists, planning exhibitions at the Remai Modern, publishing catalogues, building collections of Indigenous art and building relationships with the community.

“Indigenous art is near and dear to my heart,” Hogue said.

“Any exhibition that brings a new lens or a deeper focus to that work in those art histories, that’s really what excites me.”

Pee-Ace said Remai Modern made a good first step bringing on a curator for Indigenous art and that the museum could be a stepping stone for local talent and their careers.

“Those possibilities exist in a small community like Saskatoon,” Pee-Ace said.

“We all need to be included in getting work in there to do exhibitions … but it remains to be seen if this is the direction that the gallery wants to pursue.”

Reopening of art museum

Remai Modern is scheduled to open its doors to the public on August 13. (Guy Quenneville/CBC)

Remai Modern, which has been closed for months due to COVID-19, will reopen its doors to the public on August 13. Members of the museum will get exclusive access a week earlier. 

With files from Saskatoon Morning

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com

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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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