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H'art Centre opting for phased-in approach to reopening – Kingston News – Kingstonist

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A H’art artist and his family during a recent tour of the facility to learn about the phased-in approach to reopening H’art Centre. Photo via H’art Centre.

Like many services, businesses, and charities, H’art Centre in downtown Kingston has faced a number of challenges and changes during the COVID-19 pandemic – and according to those with the organization, their staff met those challenges and changes head on.

The not-for-profit community arts hub, which provides artists with disabilities and those facing barriers the opportunity to create and study art with qualified community artists, was forced to close its doors in March of this year due to the pandemic. Now, as Ontario is in Stage Three of the Provincial Framework for Reopening, H’art Centre is phasing in its return to normalcy.

However, during the time the Centre was closed, the talented artists it serves were able to continue their work and studies through new online programming, which will be available until at least March 2021, thanks to new funding.

After the Centre closed its on-site workshops, the organization began to offer an online version of its H’art Studio program, employing Zoom, social media, email, and personal phone calls to reach out to registered artists. According to the organization, a satisfaction survey conducted in June of 2020 found that 88.9 per cent of responding artists liked the workshops on Zoom and enjoyed the activities. Additionally, more than half of the respondents (and their parents and caregivers) want the online program to continue even after the return of on-site programming.

According to Tracy Ryan, Marketing and Communications Director for H’art Centre, the unexpected change to offering programming online brought about some unexpected exciting new developments. For the first time since its inception well over a decade ago, H’art Centre was able to include artists with developmental disabilities from outside the Kingston area in its activities – participants included those from Godfrey and Ottawa, and H’art has since received interest from those in the Toronto area.

“Right now, we see the virtual program as an enhancement to our H’art Studio program but it may lead to a future expansion of programming at H’art Centre. We plan on continuing to offer the virtual programming at least until March 2021 thanks to a recent grant and it will help with the transition phase,” Ryan said, noting the organization will assess whether to keep the online programming going or expand it to a stand-alone program based on the feedback they receive over the coming months.

“It is a promising new area that we had not considered until the pandemic and we will be looking at it closely. It did open up new opportunities for us to explore since we received interest from people outside of Kingston asking to join our online activities and it could have exciting implications for our outreach and training programs.”

Another new development during the pandemic closure was H’art’s initiation of a new study of its online inclusive arts programming for artists with developmental disabilities with the support of two occupational therapy field placement students from the School of Rehabilitation Therapy at Queen’s University. The best practices discovered through this study will be shared with artists and art educators through H’art’s MixAbilities Inclusive Arts Training Program. This will allow more local volunteers, artists, and arts educators to prepare to deliver virtual inclusive arts programming in the future, the organization said.

Phased-in reopening

H’art Centre has started to offer limited on-site programming while continuing the new online programming thanks to the support of the community and a grant from the federal government’s Emergency Community Support Fund, which is administered through the United Way.

“This has been a challenging time and the COVID-19 pandemic has had a profound effect on all of us,” said Katherine Porter, Executive Director of H’art Centre, in a statement. “As most of Ontario is now entering Stage 3 of the Framework for Reopening our province, we wanted to thank all of Kingston for supporting us and to let them know everything that we have been doing to meet this challenge.”

In order to support the return of on-site programming, the following have been put in place:

  • New tools, procedures, and protocols, developed with direction and guidance from Kingston, Frontenac, Lennox and Addington (KFL&A) Public Health inspectors and nurses, including sanitization stations, barriers, physical distancing decals, and a new cleaning regiment.
  • Strict limits on the number of artists who can return through this phased-in approach, which began in late July. The organization hopes to accommodate most H’art artists by late fall as restrictions ease.
  • Resources to continue new virtual programming until at least March 2021 for those H’art artists who cannot return to on-site programming, thanks to the Emergency Community Support Fund administered through the United Way, and early support from the Harry E. Foster Foundation.

“I’m very proud that our staff, volunteers, and field placement students responded to this unprecedented challenge and how they uncovered new opportunities,” said Porter.

And while the grants and funding they have received has been incredibly helpful in allowing H’art Centre to continue delivering programming and reopen to its artists, the organization can still use the support of the local community to help make up for lost opportunities and continue the return to offering their award-winning programs, Ryan expressed.

“It has been a challenging time. We don’t anticipate most H’art Studio artists will be back for full-time, on-site programming until late Fall based on our phased-in approach and government guidance. Also, we were unable to stage our major performance, Small Things, that was scheduled for late April 2020. So yes, we would be happy to accept donations to help us through this tough time,” she said.

For more information about H’art Centre and the variety of programs they offer, or to make a donation, click here.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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