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Stanley Février receives the MNBAQ Contemporary Art Award – Canada NewsWire

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“RBC Foundation is pleased to have supported this award, which truly makes a difference to the lives of artists here, since 2013,” noted André Labbé, Regional Vice-president, Québec/Beauce/Centre-du-Québec/Mauricie, RBC. “In addition to celebrating their accomplishments, the award affords the winner an outstanding showcase through an important exhibition in a Québec institution that offers visitors extensive facilitation, and an incisive study and analysis of the artist’s career in a major publication,” he added.

Art is a genuine vector for change

Stanley Février perceives art as an agent for social change. The artist says that his works “reflect on the human condition in the 21st century and the value of life against the backdrop of globalization.” He is “keenly interested in the psychological and physical frailty of human beings.” Current environmental and human dramas are themes present throughout his practice, especially police brutality, mental health, citizen disarmament, mass migrations, and questions related to overconsumption. Faced with these key questions related to the political, racial, human, and cultural challenges that are racking societies the world over, Stanley Février’s work vibrates with an aptness that the jury members wished to acknowledge. The artist’s work spans an array of practices ranging from performance to photography and including sculpture and drawing, and his increasingly astounding reflections on the state of the world. The denunciation of violence that is central to Stanley Février’s practice and his grasp of difficult social issues resonate with the MNBAQ’s vision. The addition to the MNBAQ’s collection of works by Stanley Février will reflect the formal, social and artistic dimensions of the works that it encompasses.

A changing collection

“The MNBAQ has, for several years, adopted concrete measures to enhance the representativeness of its collection from the standpoint of contemporary Québec. Consequently, it has sought to strike a better balance in genres, generations, and artistic practices, and to achieve a broader presence of racialized artists, artists of different cultural origins, the First Nations, Métis and Inuit,” noted Annie Gauthier, Director of Collections and Exhibitions at the MNBAQ. “Stanley Février’s practice attracted the attention of MNBAQ teams long before the jury convened to award the MNBAQ Contemporary Art Award. What is more, we will work extensively with the artist, who tackles topical issues head-on, and thus draw parallels with historic works in the collection,” Ms. Gauthier added enthusiastically.

The jury of the fourth edition of the award comprised Eunice Bélidor, Director of the FOFA Gallery at Concordia University and a member of the MNBAQ’s external acquisition committee; Marie-Hélène Audet, Mediation Service Manager, MNBAQ; Annie Gauthier, Director of Collections and Exhibitions, MNBAQ; and Bernard Lamarche, Head of Collection Development and Curator of Contemporary Art (2000 to the present), MNBAQ. The jury members would also like to congratulate the finalists, Chun Hua Catherine Dong, Chloë Lum and Yannick Desranleau, Marigold Santos, and Walter Scott. The artists’ captivating work sustained the jury’s discussions throughout the process. Each one raised striking questions on the social body, the construction of identity, inclusion, and the artistic environment. It goes without saying that the choice was a daunting task, given the vivid nature of each artist’s work.

Biographical note on Stanley Février

Stanley Février was born in 1976 in Port-au-Prince. He is a multidisciplinary Québec artist who has lived for over 20 years in Longueuil, near Montréal. He first worked as a social worker before gradually turning to art. He became a full-time artist in 2012. The two practices are now indissociable. In 2018, he obtained a master’s degree in visual and media arts from the Faculté des arts at the Université du Québec à Montréal. The artist’s practice encompasses photography, digitization, drawing, installations and assemblages, sculpture, and participatory art and performance. Since 2007, he has presented more than 20 solo exhibitions and participated in 15 group exhibitions in several cities in Québec and in Ottawa, and in the United States (New York), Cuba, France, Germany, Spain, Bulgaria, and China. He has also been present in public spaces outside exhibition venues in Québec, Greece, and Spain. Moreover, since 2012, he has participated in 10 contemporary art festivals in Québec, Mexico, Bulgaria, Serbia, and China.

The MNBAQ Contemporary Art Award is granted every two years to a Québec artist through a remarkable partnership between the MNBAQ and the RBC Foundation. The Musée national des beaux-arts du Québec is a government corporation subsidized by the Québec government.

SOURCE Musée national des beaux-arts du Québec

For further information: 418 643-2150 or 1 866 220-2150 /mnbaq.org

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https://www.mnbaq.org/

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com

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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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