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Saucy Bears returning early to collector

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I couldn’t tell if Miss Chief is a dominatrix deliberately trying to inflict pain or attempting to break up the scene. Is she upset that the bears are so intimate with the colonial newcomers? Is she angry that the settlers are moving into her landscape so easily? Or is she furious at herself for liking what she’s doing?

The painting won’t be in the exhibition for much longer. It’s being taken down during the week of Sept. 7, not because of any complaint but because of delays caused by COVID-19.

The painting by Monkman, a Cree artist now living in Toronto, has been on tour with Shame and Prejudice: A Story of Resilience since it premiered at the University of Toronto in January, 2017. The MOA exhibition is the last on its cross-country tour.

Shame and Prejudice was supposed to open earlier in May at MOA but was postponed because of the pandemic. Since the exhibition is going much longer than expected, the collector who loaned the work wants it back.

Jennifer Kramer, associate professor in the department of anthropology and curatorial liaison for the exhibition, said in an email that the Kent Monkman Studio has decided to replace the painting with “a line drawing of the painting’s frame with a framed small-size giclée print of the painting, accompanied by a placard explaining that the loan period has ended and thanking the collectors for their generosity throughout the exhibition.”

Shame and Prejudice: A Story of Resilience by Kent Monkman continues to Jan. 3, 2021 at the Museum of Anthropology.

Source:- Vancouver Sun

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com

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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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