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Web art market to the rescue – St. Albert TODAY

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Visual artists are often told ‘get thee to the Internet’ in order to be more visible and accessible to the public (i.e. sell more paintings). The task of starting up one’s own website is a daunting one at the best of times, however, because of the techno-learning curve. It also tends to go against many painters’ shyness about shameless self-promotion. Alas, the world is filled with such cruel ironies: buy my work but leave me alone.

COVID-19, being the public health curse that it is, also stubbed many artists’ toes by slamming the doors on all of their fave non-WWW places where paintings could physically be hung with little round pricetag stickers for art aficionados to peruse.

“The galleries were closed. We couldn’t have our art shows. We couldn’t even retrieve our artwork that was in galleries. We lost all our teaching gigs, our presentations, everything,” said St. Albert artist Doris Charest as she pondered the pandemic problem with her artist friends, with a not insubstantial degree of commiseration.

Hmm … what to do?

Enter Connor Finlayson, a New Zealand native in Canada. There, he started a website called Unicorn Factory as a one-stop webshop of savvy design, digital marketing and software freelancers.

Here, he heard the cries and saw Charest’s closed doors as a huge window of opportunity. That, plus it was basically the same concept as his previous effort. Think of a phone book but not the ones printed on paper.

“When I finished university, I wanted to start my first little business but I was struggling to make money off that business. The way that I was making money to pay rent and all that kind of stuff was by just helping small local businesses with their websites or their online marketing, but it was quite difficult at the start to find clients,” he related.

“What I realized was that there was no real place where local businesses could go and find locals to work with. I just decided to build this website and initially, it just had me on there and some of my friends: some of them were freelancing, others weren’t, but I figured it would be good to have more than two people on there. Over time, we just started having more and more businesses using it, and then it evolved into what it is now. We have about 500 people based in New Zealand on the website and we have thousands of businesses that use it on a regular basis.”

Using the ‘Unicorn’ model, the art marketplace called ArtByLocals.ca went live last week with a few dozen artists and a modest selection of works by each. There are art categories to search through and each artist gets their own profile, which can link to their own websites, if such a thing exists. It’s firmly based in Alberta and contains enough prominent Edmonton and St. Albert-area artists’ names to make its more precise home obvious, but ArtByLocals strives to encapsulate all of Alberta, nay Canada.

The concept isn’t necessarily new and others have certainly tried it before. A project called Alberta Artography (started up by a Jasper-based organization called IOTAD in 2008) had much the same philosophy, though it focused mostly on producing a comprehensive traveller’s guide to all artists’ studios across the province. With funding hiccups along the way to fight against, it still exists primarily as a Facebook page where new events and other notices get posted.

ArtByLocals doesn’t have to worry about funding: a membership doesn’t cost anything.

“At the moment, it’s free but we’re hoping that people subscribe. If you subscribe, what happens is you will be featured on the front page and then in the future, you’ll have access to different videos, special sponsorship when we do our advertising on Facebook or Instagram or elsewhere,” Charest noted.

“In the first week, the goal was just to get some artists to sign up,” Finlayson continued, “but soon what we’re going to be doing is we’ll be advertising it through different channels. I think that there will be a lot of people out there who are keen to support the local art thing.”

It also does solve that daunting prospect by paving the way for those shy artists to get digital. If they have websites already, ArtByLocals can link to them on each artist’s profile.

“If you’re a painter that doesn’t paint 200 works a year and creates only 10, it’s almost not worth it to have a website but something like this would be good for them because at least they’d have a place to send people to look at their artwork online,” Charest added.

“It caters to everybody, but I think that it’s like a little niche that it might help people too. We’re just hoping that local people help local artists and just shop local.”

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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