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Estevan is to see a new carved art project attracting attention to contemporary soldiers

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Beloved chainsaw sculpture artist Darren Jones has been back in the Energy City bringing more art into the community.

Some of his local historical art pieces, such as the Soldiers’ Tree and Forever in the Clouds monuments, are well known not only in the province but also attracted attention from all across the country. Other creations such as tributes to Estevan’s industries and sports along with other private projects Jones completed became locals’ favourite sites.

This time he came to fulfill another valuable project, that is meant to bring light to the contemporary soldiers coming back from missions and living among us, often carrying emptiness and trauma inside.

Lester Hinzman, a man behind the ideas for the Soldiers’ Tree, Forever in the Clouds and now this piece, said that to him this monument is about love.

“Soldiers’ Tree is a story of war. Forever in the Clouds is the story of a terrible accident. And this is a story of love,” said Hinzman.

He went on to explain that the soldiers today fight for others and the Canadian values in peacekeeping missions, and they need help returning to normal life after they come back. But often they can’t ask for it, struggling with it in the silence of their own lives. So Hinzman wanted to do something to tell their story, as he saw what it takes for a man to come back from war first hand.

“This man fought for his country and his belief system,” said Hinzman explaining his idea of the project.

Hinzman came up with an idea to attract more attention to contemporary soldiers and the trauma they deal with a while ago. Then the wheels started turning and things started coming together like a puzzle. Jones came to Estevan to work on this and a few other projects about a month ago, and going by Hinzman’s idea and passion, he developed the idea and created a unique monument that tells a story of love, trauma and ignorance at the same time.

“I’m doing a returning soldier memorial to show appreciation for what they do,” Jones said. “They need assistance and we need to bring some awareness to veterans and returning soldiers and problems that they have. And we need to take care of them.”

Through his art, Jones wanted to show the real feeling behind Hinzman’s idea. He wanted to make something bigger than just a memorial.

“I’m doing the returning soldier and there is an Afghan child giving him a hug for giving him a book because we don’t make war, we should be peacekeepers. That’s the first part that you are going to see, a returning soldier getting appreciation from people he helped when he was overseas.

“But I also wanted to bring to attention to that the fellow sitting in the very front on the bench that you can sit with. He is the one that’s already returned and that’s been forgotten,” Jones explained.

Thus, the new monument consists of two parts. There is a soldier with a prostatic leg that is planned to be made out of steel hugging the Afghan child with a book in his hands, which represents the service and feats of Canadian soldiers. In front of them, there is a smaller monument of another contemporary soldier, who came back from a mission and ended up on the street, alone and forgotten, with a little help board in his hands. The bench next to the monument will allow people to sit next to the forgotten soldier and look closer at him, reminding them that it’s everybody’s part to remember and help the soldiers who’ve been protecting others paying a very high price.

Jones added that he’ll make the top part look like a real-life scene, and the bottom will be an actual monument, bringing the big idea down to earth and raising awareness about a serious problem that exists in the society.

“We need to support them and they don’t get the support. There is a lot of them that have problems dealing with the horror of it all, and the nightmares that they get. Sometimes they can’t tell the nightmare from reality. And they drink or (use drugs), which doesn’t help. It’s the way to escape it for a while, but they need help,” said Hinzman.

Jones used a picture of an Estevan man, who served in Canadian troops and was a part of one of the Canadian peacekeeping missions, as a prototype for the contemporary military working uniform.

The idea of the monument was inspired by a quatrain poem Hinzman wrote, which will be a part of the carved statue.

“The scars run deep, not all you see,

But like a root it’s still a part of the tree.

The pain is there, it’s part of life

It’s our duty to help with the strife,” Hinzman’s poem reads.

Hinzman explained that the monument represents what contemporary soldiers do and also different levels of trauma soldiers deal with.

“You can see the loss of a leg, but you can’t see the pain that’s in his heart and his soul. And like the root, it’s still part of that tree, and you don’t see it, but it’s an intercut part of that tree … And the pain is there every day. And it’s our job to help with that,” Hinzman said.

Jones added that the forgotten soldier monument at the base of the composition represents that inner trauma.

“There is going to be an underlying theme between the tree and the soldiers, and the memorial,” Jones said.

Even though Jones had some pictures that he is using as an idea, he is trying to keep both soldiers’ faces pretty generic as they represent many returning soldiers and their stories.

“I want it to really touch some people’s hearts. And maybe that’s going to inspire someone to stand up and do something for them,” Jones said.

For the monument, Jones used a dry, 108-year-old black poplar that was leaning over the road in the Estevan area. When the carving work is done, Jones will stain and colour the wood, making a transition between the real-life and the monument parts of the composition.

At the time of the interview, it wasn’t decided where the monument will be located after it’s completed. Follow the Mercury for more updates on the progress on the monument and its future.

And while Jones spent about a month in Estevan so far, the work on the soldier monument has been going pretty slow. Jones said that first, the emotion and passion behind the monument has to be captured and performed properly.

“I’m not rushing this one, but it’s coming out beautifully,” Jones said.

But the popular in this area artist also had several other projects to accomplish. Jones brought the refurbished benches back to Estevan Soldiers’ Tree site and together with some community members placed themn where they belong by the courthouse. He also worked on private projects in Hitchcock, Manor and Estevan.

“Since I got here I’ve done well over a hundred feet (30 metres) of curved sculpture. I worked every single day. I’ve carved a tattoo. I’ve carved a memorial bench for a lady in Manor for her husband that passed. It’s actually a tribute to their farm from trees that were on the farm,” Jones said.

Another person asked him for a totem pole, and he made a statue with wildlife, a lot of which was inspired by local animals he saw while driving around the area. There is also a bench at the bottom, making it functional. Jones also carved an eagle and a crocodile for other community members.

Once Jones is done with projects in the area, he will head back to Alberta, but he said he is going to be back again as he has really warm feelings for Estevan and the people here.

Source: – Estevan Mercury

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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