Art
The Language of Art: a presentation by the Assiniboia Arts Council – Assiniboia Times
Art is nuanced with subjective language. People often struggle to define the terms of art. Is art a banana duct-taped to a wall? Or, does art represent the ultra-realism of Robert Bateman – the Salt Spring-based artist famed for rendering natural scenes decorating hotel lobbies, restaurants and T-shirts across the world?
Assiniboia Arts Council President, Alison Lewis and Visual Arts Coordinator, Crystal Thorburn gave a presentation on the language used in art at the Shurniak Gallery on October 1. The hour and half meeting began at 10:15 a.m. with the attendance limited to eight people. Mask wearing was encouraged in the gallery, along with social distancing measures.
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Another Language of Art seminar was planned later in the afternoon from 1:30-3 p.m.
“What is the definition of art?” Lewis asked the audience. “It is expression,” she answered.
“What is art supposed to look like?” Thorburn asked. “What is art supposed to be?”
Through an ensuing discussion, everyone agreed about art having many functions. Yet, art is especially known for giving viewers pleasurable and interactive encounters through its various mediums, including visual, performance and literary arts.
“Art can tell a story. It could be a description of something,” Lewis inserted.
Certainly, since art is subjective, the beauty of artistic expression exists in the eye of the beholder. Art is also defined by the age when the piece was created, because of guiding trends and cultural mores. Is art décor? Is art expression? Or, does art represent both of these factors?
“Art brings the community together to enjoy that experience as a whole,” Thorburn maintained. “Art is a stable factor we can rely on,” she added then described art as having a therapeutic factor for both the creators and the patrons visiting galleries.
“Some people will buy art to decorate their home,” an audience member said.
“But art can also give social commentary,” Lewis pointed out then elaborated on Salvador Dali’s painting Soft Construction with Boiled Beans – his response to the Spanish Civil War of the 1930s.
Banksy’s street was also discussed by the group, specifically when his painting Girl With Balloon was destroyed inside a self-shredding frame moments after the art piece was auctioned for £1,042,000 at Sotheby’s Auction House in London in 2018.
“This was shock and awe in the art world,” Thorburn commented.
“We need to learn the language of art. Not all art is created to be loved,” Lewis recounted. “Go around the room,” she instructed the audience. “See if you can find different mediums to look at.”
When everyone returned after studying different paintings, drawings, photographs and sculptures in the gallery, they reported on what they’d seen.
The conversation on art continued – this time the discussion centred on techniques, such as diaganol lines which create energy and movement. The use of textures to relay physical sensations was also conversed over. The names of artworks themselves was brought up in the discourse, since titles are important for establishing narratives.
The employment of distinctive colours and compositions in certain pieces might indicate when the piece of art was created – numerous schools of the art from realism to expressionism have been fashionable in different historical periods and employ dissimilar methods of creation.
“Why do people buy art?” Lewis asked.
“Because of the value,” an audience member said. “It’s something you want to live with.”
“It boils down to personal taste,” Thorburn said, adding “When people are buying art, they are also buying the experience of creating the art as well.”
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Ukrainian sells art in Essex while stuck in a warzone BBC.com
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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”
On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.
Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”
The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.
Blaze in the West Wing
The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.
About Somerset House
Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.
Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.
Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.
Sudbury’s annual art and music festival is marking a significant milestone this year, celebrating its long-standing impact on the local cultural scene. The festival, which has grown from a small community event to a major celebration of creativity, brings together artists, musicians, and visitors from across the region for a weekend of vibrant performances and exhibitions.
The event features a diverse range of activities, from live music performances to art installations, workshops, and interactive exhibits that highlight both emerging and established talent. This year’s milestone celebration will also honor the festival’s history by showcasing some of the artists and performers who have contributed to its success over the years.
Organizers are excited to see how the festival has evolved, becoming a cornerstone of Sudbury’s cultural landscape. “This festival is a celebration of creativity, community, and the incredible talent we have here in Sudbury,” said one of the event’s coordinators. “It’s amazing to see how it has grown and the impact it continues to have on the arts community.”
With this year’s milestone celebration, the festival promises to be bigger and better than ever, with a full lineup of exciting events, workshops, and performances that will inspire and engage attendees of all ages.
The festival’s milestone is not just a reflection of its past success but a celebration of the continued vibrancy of Sudbury’s arts scene.
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