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Contemporary And Antique Jewels To Sparkle At ‘TEFAF Online’ Art Fair – Forbes

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The European Fine Art Foundation (TEFAF) will be hosting an online fair November 1 – 4 with two preview days on October 30 – 31. The virtual show takes the place of TEFAF New York Fall, which was canceled because of the global Coronavirus pandemic. More than 300 exhibitors are taking part in this event titled, “TEFAF Online,” including a number of contemporary jewelry designers and antique jewelry dealers. Some of the jewelers will be exhibiting for the first time in this prestigious setting.

Those who attend TEFAF Online will have the option of live and immediate interactions with all exhibitors, who will be available for discussion and to conduct business. To virtually attend the event, go to the signup page to pre-register. The participating jewelers are as follows:

Contemporary jewelry designers and artists

Wallace Chan

The Hong Kong-based high jewelry artist has earned high praise throughout the world for his dreamlike artistic creations and his groundbreaking techniques as a craftsman. He remains one of the few, likely the only, high jewelry artist who designs and crafts his pieces. He’s become a popular lecturer and he attracts the largest crowds at the most prestigious art fairs. His pieces have been featured in world renowned museums.

For TEFAF Online, Chan is unveiling the “In Love with Spring” butterfly brooch (top photo), which highlights both his technical genius and his gift for storytelling. Created in 2014, the jewel conveys Chan’s vision of “flying colors” with meticulous gemstone settings. The gemstones on the butterfly’s wings are angled to convey a sense of life and movement. Swirling lines and patterns come together, forming a labyrinth of colors and fantasies that resemble a butterfly’s utopia of trees and flowers. The piece features an 8.24-carat imperial topaz emerald for the butterfly’s body. The wings are made of swirling patterns of, rubies, yellow diamonds, orange sapphires, tsavorite garnets and diamonds set in titanium.

Cindy Chao The Art Jewel

The Taiwanese high jewelry artist now based in Hong Kong has earned international acclaim for her sculptural gem-encrusted creations. A few of her pieces end up at auction where they command high prices and some others are exhibited in museums.

One of the jewels she is featuring is the 2020 Black Label Masterpiece III Green Plumule Brooch. This piece features 487 fancy-cut emeralds of several shapes and sizes, totaling 172.58 carats. Seventeen of them come from Colombia, with the largest being 30.06 carats. The emeralds are set in an interlaced- and embossed-like manner to create a three-dimensional contour for the brooch that portrays an airy appearance. A total of 14 barbs, all linked to the yellow diamond-paved rachis with flexible joints provide motion. The rachis on the back of the brooch is painted with a layer of black enamel with white and yellow diamonds. All of the gems are set on lightweight and strong titanium so despite being 15 centimeters long (6 inches) and filled with gems. It weighs less than 49 grams (1.7 ounces).

Hemmerle

The Munich, Germany, based high jeweler is known for its unique, exceptionally crafted pieces that can combine anything from ancient artifacts to high-tech materials. For this virtual event, the brand has included a one-of-a-kind tassel pendant necklace. The tassel is made of small natural pearls suspended from a base of silver and white gold paved with reverse-set diamonds. The cord is made of smoky quartz beads that have been knitted into the round using a revived near-extinct Austrian technique from the early 19th century of woven, knitted, precious gem beads. Each bead is hand-hewn and carved, hand-drilled, matched for color, and carefully calibrated and graduated to achieve a silky gem-mesh knitted in the round, on hand-dyed silk thread.

Otto Jakob

The German goldsmith specializes in miniature jewels depicting lifelike flora and fauna themes, enduring geometric shapes, and realistic depictions of tools and weapons from the Renaissance and Middle Ages. Everything he does showcases artistic details and artisan techniques that combine gold with enamel and a variety of colored gemstones. His pieces for the fair include “Lale VII,” made of yellow and white gold; diamonds; and red, green and black vitreous enamel.

Gismondi 1754

It will be the first time this family owned Italian jeweler will be participating in TEFAF. For its introduction the Genoa-based company will unveil the Genesi (Genesis) Collection. The nature-influenced pieces are inspired by the helix spiral shell of the Nautilus. Massimo Gismondi, the latest family member to head the company was inspired by 500-year-old fossils of the sea creature he saw at the Natural History Museum of Genoa.

He said he saw a link among science, nature, history and mathematics. “I marveled in the perfection of its shape and its power, repeated a multitude of times in nature from galaxies to petals or seeds of the sunflowers in a range of sizes and proportions,” said Massimo, CEO and creative director.

The curvaceous 18k rose gold strands are paved with diamonds and topped with a row of white ceramic in tear-drop shapes edged in gold.

Taffin

James Taffin de Givenchy is a French native who opened the New York high jewelry house, Taffin, in 1996. Since then he had gained a growing and glowing reputation for his contemporary one-of-a-kind art creations that are unlike no other in terms of shapes, materials and color. The necklace pictured is an example of the types of jewels he creates. Here he pairs a 57.55-carat blue oval tanzanite with oval and round shaped pebbles, and sets the materials on platinum and 18k rose gold.

Vendorafa

Also is making its first appearance at TEFAF, the Valenza, Italy, jeweler specializes in gold creations that combine a number of old world goldsmith techniques with modern technological advances. The Onda ring is an example of this. The jewel combines hammering with high polish finishing techniques. The edge of the ring is lined with diamonds.

Nicholas Lieou

The Hong Kong based high jewelry designer began his career as an apprentice for the avant-garde London jeweler, Shaun Leane. He also worked for several luxury houses, including Louis Vuitton, Georg Jensen and Shanghai Tang, before being appointed director of Design for High Jewelry and Custom Design at Tiffany & Co. In 2019, he launched his eponymous brand. He most recently launched a capsule collection in partnership with Sotheby’s Diamonds, the retail boutique specializing in the statement diamonds. One of the pieces in the collection is the “Pod Ring,” in which a 4.40-carat fancy deep bluish-green cushion-cut diamond weighing glimmers from a cocoon of reverse-set pavé diamonds in platinum.

Tatiana Verstraeten

The Belgian native learned her high jewelry skills at Chanel under the tutelage of Karl Lagerfeld’s watchful eye. It’s where the longtime artist began making jewelry and it’s where she discovered the exceptional skills of French master craftsmen. Her reputation quickly grew and a year ago she opened a showroom on Place Vendôme. Recently, she donated the sale of her “Pearl Pearl Rain Fringe Earrings” to UN Women France to promote gender equality and the empowerment of women. The long elegant diamond and pearl earrings have been worn by celebrities that include Cate Blanchett and Eva Longoria.

Antique jewelry dealers

Didier Ltd

This London firm owned by Didier and Martine Haspeslagh has a unique niche among collectors and dealers of antique and vintage jewelry. It specializes in jewels created by painters, sculptors, architects and designers from the late 19th to the end of the 20th century. For this virtual fair, one of its pieces is the “Poseidon” necklace by Georges Braque. The 20th century French artist, who works in a number of media, is best known for his alliance with Fauvism and the role he played in the development of Cubism with his colleague Pablo Picasso. This ornate piece is made of 18k yellow gold and platinum set with diamonds

Marjan Sterk

The Amsterdam-based firm is one of the leading Dutch dealers in antique jewelry and silver. One of the pieces she is presenting is the “toi et moi” ring set signed and numbered by Cartier. One ring is in platinum with pavé set brilliant cut diamonds centered with a pear-shaped emerald; and the other is in 18k yellow gold spotted with emeralds and centered with a pear-shaped diamond.

Siegelson

The third-generation gem and jewelry dealer is based in New York. One of the pieces the firm is offering for the virtual show is an Art Moderne gold, platinum, and diamond necklace (Paris, circa 1940) by celebrated French jewelry artist, Suzanne Belperron. Inspired by African neck pieces, the necklace is layered with alternating strands of smooth high polished yellow gold and platinum paved with diamonds. The corners are fixed with rivets of polished yellow gold with diamond-set slices in the shape of a highlight.

Wartski

The famed London dealer is one of a select few Royal jewelers. It specializes in historic Fabergé creations and has pieces and has a detailed collection that spans from the 18th to 20 century. One piece it is highlighting at the fair is a “Medusa brooch” (Paris 1870) made of carved agate and yellow gold.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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