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Annie Wong's collaborative art conjures up the spirit of her ancestors – ThePeterboroughExaminer.com

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It is a time of year when we move from one season to the next, respecting the harvest in anticipation of rebirth next year. It’s a time where we are concerned with souls.

The image above is of an altar, a familiar sight in Chinatown, says Annie Wong, the creator of the work of art, “一百鬼 / 100 Ghosts.” Often contained in those altars is a piece of joss paper, also known as ghost or spirit money, which is burned in prayer as a way of acknowledging ancestors.

“I usually pull from Chinese ancestral worship practices, a long cultural practice of recognizing ancestors through different types of rituals involving home shrines and burning rituals,” she says.

At Open Studio Gallery, Wong took part in a visiting artists residency, working with printmaker Meggan Winsley to create images on joss paper.

Wong sees a parallel between creating her art and printmaking; both require a certain process, a ritual. “The process of print is very rigid and you have to engage with the paper and print in a specific way. If you mess up the ritual you mess up the image.”

Here, the image she and Winsley created becomes part of her own home altar. It leans against a statue of Guan Yin, the Chinese goddess of mercy. The image on the joss paper of the spirit, or ghost, comes from a character in Chinese eschatology in which 100 ghosts, often female, servants to the goddess, are burned.

“The little orange is an offering to that spirit,” says Wong. These simple spiritual practices are embedded in everyday life — they are sacred as much as they are profane, she says.

To bring the art full circle, you can “buy” the print but, Wong says, “you have to sign a contract that you will burn it when I die. You can’t own it forever.”

And so the cycle of life is echoed in the ritual, as it is in the seasons. Birth, death, rebirth. They are a reminder that we are, each of us, occupying our place in the long continuity of life.

The Open Studio Gallery Visiting Artists’ Residency Exhibition begins Oct. 16 and runs until Nov. 14. Go to openstudio.ca for more information and to discover the other artists involved.

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com

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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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