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Chris Knight: Cunningham is a bold 3D try at capturing one art form in the frame of another – TheChronicleHerald.ca

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Depending on how you slice it, Cunningham is either the second-best film in its very particular genre, or the worst.

That’s because it exists in the rarefied realm of 3D-documentary-about-deceased-mid-20th-century-choreographer. The only other example is Pina, a 2011 film about Pina Bausch by Wim Wenders.

For dance aficionados and neophytes alike, there is something thrilling about watching one of the most spatially dependent art forms delivered on the big screen in three dimensions. And Merce Cunningham, who died in 2009 at the age of 90, created some amazing works.

Perhaps the best suited to the screen is Summerspace, where the performers dance in spotted costumes in front of a similarly painted backdrop; the effect is like leonine camouflage. (Apologies if that phrase gives you Cats flashbacks.)

But while writer/director Alla Kovgan covers Cunningham’s philosophy and contemporary reactions to his work, she can’t quite convey its raw emotional content. Too often she reverts to old (2D) black-and-white footage of the choreographer. And when modern dancers perform, the camera is too eager to move and cut rather than just stay still and observe.

It’s a bold attempt to capture one art form in the frame of another, but it ends up a mild second place to anyone wowed by Pina.

2.5 stars

Cunningham opens Jan. 10 in Toronto, and Jan. 17 in Vancouver and Montreal, with other cities to follow.

Copyright Postmedia Network Inc., 2020

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com

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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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