Art
Mann Art Gallery receives $10000 bequest from late artist's estate – Prince Albert Daily Herald
Staff at the Mann Art Gallery were surprised to learn that late Prince Albert artist, Andrée Felley-Martinson had left the gallery $10,000 in her estate.
Director/curator Marcus Miller said he received the news through an email sent by the executors of the will.
“We’re ecstatic to have her beautiful paintings and we’re ecstatic that this was just a complete surprise to all of us,” Miller added that the gallery is grateful.
Felley-Martinson lived in Europe and later moved to Saskatchewan in 1963 with her husband. Former director/curator Jesse Campbell described her work as still life but said Felley-Martinson saw beyond certain subjects and her work came naturally to her.
“It was very much a part of her spiritual life. She saw God in art and the two go hand in hand for her, you can’t have one without the other. I think that her art, regardless of what we might be seeing as something like a bouquet of flowers, or a lemon, or a plate it’s beautiful but for her it’s very much a vehicle towards something deeper and more spiritual,” she said.
Campbell met Felley-Martinson in 2012 during an internship at the Mann Art Gallery. She was assigned to visit her studio and get to know her work. From that, the two became friends. Campbell said that they had a lot in common and kept in touch over the years, even after her internship ended.
Campbell returned to Prince Albert in 2014 as the director/curator at the gallery and curated Andrée Felley-Martinson: A Retrospective.
“It’s a curators job to understand what art is being made and what artists are working in the city, that’s how I knew her. But we also did develop a deep friendship,” she said.
Felley-Martinson was known to be a good host, making sure her guests were comfortable. Campbell said she had a lot of conversations with her about art, life, spirituality, Prince Albert and Saskatchewan.
“We had many visits that were many hours long. I don’t think there was such a thing as a short visit with Andrée.”
Felley-Martinson lived in Switzerland, Ireland and England before moving to Saskatchewan.
Campbell believes this demonstrates “how place shapes a person,” for Felley-Martinson to make such an adjustment in her life. She added that she thinks Felley Martinson had a difficult time adjusting to Saskatchewan, but friendships with George Glenn and Margaret Van Welsh, “transformed her”.
Campbell was also surprised to hear about the bequest.
“It very much goes to show how Andée valued the arts and wants artists in Prince Albert and area to be supported through the purchase of their work.”
Another artist, George Glenn, became friends with Felley-Martinson when he moved to Prince Albert in 1975.
Glenn described her as “vivacious” and said she loved people, animals and nature.
“She had a sense of wonder that enabled her to connect to people of any age,” Glenn said.
He added that she was a very good cook and if she had the time and energy and knew in advance guests were coming over, she would have a meal prepared for them.
Glenn was added as a trustee on Felley-Martinson’s estate and responsible for looking after her art collection.
“I would see that the paintings were well-placed, that they went to people who loved her work and loved her.”
He said this is the reason why the gallery received some of Felley-Martinson’s work. He added that he knew she had the gallery in mind for the monetary bequest.
As for how the gallery plans to spend the funds, Miller said they will be used to purchase new art that he’s keeping under wraps.
Felley-Martinson’s bequest will be acknowledged when that art is displayed or reproduced.
“Most galleries across the country have no budget for acquisitions and they rely completely on donations. We’re so lucky and so grateful to have this money to play with. We’ll honour her for years, and years to come with the art we buy there.”
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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”
On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.
Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”
The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.
Blaze in the West Wing
The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.
About Somerset House
Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.
Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.
Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.
Sudbury’s annual art and music festival is marking a significant milestone this year, celebrating its long-standing impact on the local cultural scene. The festival, which has grown from a small community event to a major celebration of creativity, brings together artists, musicians, and visitors from across the region for a weekend of vibrant performances and exhibitions.
The event features a diverse range of activities, from live music performances to art installations, workshops, and interactive exhibits that highlight both emerging and established talent. This year’s milestone celebration will also honor the festival’s history by showcasing some of the artists and performers who have contributed to its success over the years.
Organizers are excited to see how the festival has evolved, becoming a cornerstone of Sudbury’s cultural landscape. “This festival is a celebration of creativity, community, and the incredible talent we have here in Sudbury,” said one of the event’s coordinators. “It’s amazing to see how it has grown and the impact it continues to have on the arts community.”
With this year’s milestone celebration, the festival promises to be bigger and better than ever, with a full lineup of exciting events, workshops, and performances that will inspire and engage attendees of all ages.
The festival’s milestone is not just a reflection of its past success but a celebration of the continued vibrancy of Sudbury’s arts scene.
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