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That art you see on the TTC has a message – Toronto Star

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When creating the piece “Empty,” Toronto artist Julieta Christy channelled themes of vulnerability, instability and self-destruction.

These themes, she said, perfectly encapsulate her battle with depression.

“It depicts the unexplainable emotions of how scary and helpless it can feel,” Christy said. “Because you do forget there is a world beyond depression.”

“Empty” is among 10 artworks — ranging from paintings to photographs to digital illustrations — displayed prominently across 200 posters and 375 screens on the Toronto Transit Commission subway lines until Jan. 16. The artworks, part of a project dubbed “Life on the Line,” aim to bring awareness to themes related to mental health, communicating the struggle of mental illness through visuals when words cannot convey it.

“Unlike physical illnesses that can be measured and scanned, mental health disorders don’t have the same privilege, and that further stigmatizes those who suffer,” said Megan Kee, founder of Toronto creative agency TwentyTwenty Arts, which is behind the project.

“I think art has the potential to cut across boundaries and connect us with one another’s humanity.”

Prints of artworks featured in “Life on the Line” can be purchased through TwentyTwenty Arts, with 70 per cent of proceeds going toward the Canadian Mental Health Association’s Toronto Family Outreach and Response Program, which helps families and friends who have a loved one over age 16 experiencing a mental health issue.

Gillian Gray, the manager of the program, said demand for its services has increased about 10 per cent since the COVID-19 pandemic began in March.

“Our program is pretty unique in that we fill a big gap in the mental health system,” Gray said. “For most of the families we work with, their loved one isn’t actually getting any mental health care whatsoever.”

All 10 pieces in “Life on the Line” channel complex themes of mental illnesses and the path toward acceptance and healing. In “Empty,” a golden hand cradles the face of a sombre man. For Christy, the hand represents the hope she and others struggling with depression hold on to — a hope that she wants viewers struggling with their own mental health to feel by reminding them that they are not alone.

“There are many resources and people they can talk to,” Christy said. “We are all here to listen and empathize with one another.”

Another piece, titled “Agoraphobia” by Toronto artist Seri Stinson, channels the fear of going outside and the artist’s personal journey with this form of anxiety by turning nature and flowers — commonly viewed as serene and pleasant — into something disjointed and disturbing.

“Through COVID-19, (my anxiety disorder) has become a lot more heightened, to the point where I do feel an intense form of anxiety when I do need to go outside,” Stinson said.

While this is the second instalment of the “Life on the Line” project (the first was showcased at the end of 2018), this year has brought a host of unprecedented challenges for Kee, who questioned whether the project was possible this year.

But despite the TTC’s drop in ridership, Kee said there’s no better time to spark a public, widespread conversation about mental health, as the pandemic has led to widespread isolation and loneliness, and a reckoning with inequities faced by vulnerable populations in Toronto.

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“I feel like several different social issues, including mental health, addiction and homelessness have reached a tipping point as a result of COVID,” Kee said. “We’ve seen worsening mental health, rise in the number of encampments and an unprecedented number of overdose deaths.”

The TTC itself also hit a grim record of its second-deadliest year in 2020, with 23 people dying by suicide on TTC property between January and November.

Nadine Yousif is a Toronto-based reporter for the Star covering mental health. Her reporting is funded by the Canadian government through its Local Journalism Initiative. Follow her on Twitter: @nadineyousif_

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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