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Punk rocker Art Bergmann on his Order of Canada appointment: 'I just thought it was a joke' – CBC.ca

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Punk musician Art Bergmann has a message for the government that just awarded him its highest civilian honour. 

“The Canadian government should stop taking First Nations to court … and give them fresh water, drinking water, and suitable housing, and to honour the treaties,” says Bergmann, one of the latest inductees to the Order of Canada.

Bergmann, who has spent his life writing anti-establishment songs, was honoured for his “indelible contributions to the Canadian punk music scene, and for his thought-provoking discourse on social, gender and racial inequalities,” said Gov. Gen. Julie Payette.

He made a splash in the Vancouver punk scene in the ’70s and ’80s as the frontman for the K-Tels, which was later renamed the Young Canadians. He now produces solo work from his home in Rocky View County, Alta.

He spoke to As It Happens guest host Helen Mann about what it’s like to win an award from the power he’s spent his life raging against. Here is part of their conversation. 

First of all, congratulations.

Well, a thank you is in order, I suppose. Thank you very much. I’m deeply surprised and humbled.

What first went through your mind when you got the news?

I just thought it was a joke by maybe some friends that have grown up through the years and now work … at the Governor General’s office.

Why would you think it was a joke?

Because I have been toiling in the underground for years, and awards like this are kind of anathema. So, you know, this would be the ultimate leg-pulling, I would think.

Well, the Governor General, in recognizing you, says that … it is for … your “indelible contributions to the Canadian punk music scene” and for [your] “thought-provoking discourse on social, gender and racial inequalities.” How does that sound to you?

That sounds great. That sounds wonderful. It’s a lot better than somebody [who] referred to me in the Edmonton Journal as a “generic rock singer” and which I take great offence to.

Why?

Because rock singers are generally assholes if I may use the term, and narcissists, and I hope not to be that, ever.

When you were in the height of the punk scene, would it have occurred to you that one day you would be honoured with the Order of Canada for being a key part of the punk scene?

No, never. Never, ever, ever, ever, ever.

It almost seems counter to what punk is.

We were against the idea of power and power of the state.

Yeah, and so it’s quite a leap.

It’s quite a leap. I’m sure the screams of “sellout” will be coming fast and furious as we go, but I assure everyone that there’s no 30 pieces of silver involved.

I was radicalized by shows like As It Happens, especially after the Truth and Reconciliation Commission and the Missing and Murdered Indigenous Women and Girls Inquiry.– Art Bergmann, punk musician

What did punk mean to you when you first came across it?

It meant ultimate freedom, ultimate tearing down of status quos wherever they might be.

When you said it meant freedom for you — freedom from what?

Well, at the time, I was just writing songs … and not having any direction, and it taught me that there are things to fight against in this world, and you can use music to do it.

Who were your punk idols? Who first inspired you?

Well, I don’t like the term idol. I prefer the term iconoclasts. Like, the first time I heard maybe the Sex Pistols was a mind-blowing moment to feel that piss and vinegar coming through the speakers. It was a glorious moment.

It’s kind of funny, the Sex Pistols and God Save the Queen, and now you’re getting the Governor General’s award.

Well, I hope to use it as a platform. Does power come with this award? I’m not sure, but I hope to use it to outline several of the problems we still face as a hopefully progressing nation.

Bergmann says he hopes to use the Order of Canada’s platform to highlight inequality. (Kenneth Locke )

Tell us more about that, because that is actually one of the things that you’re being honoured for, fights for social, gender and racial equality. 

Actually, I was radicalized by shows like As It Happens, especially after the Truth and Reconciliation Commission and the Missing and Murdered Indigenous Women and Girls Inquiry. You couldn’t go by a night, I don’t think, [without] another story about it on the CBC, which was news to, I’m sure, 95 per cent of the nation. And it hopefully shocked us out of our reverie as this great democratic and free country, when we were just another empire.

So you want to get your message out. You have the platform now. What’s the key thing you want us to think about today?

Today, the key thing, I think, is the Canadian government should stop taking First Nations to court … and give them fresh water, drinking water, and suitable housing, and to honour the treaties.

Where did this activism, this desire for honesty and equality, come from for you?

From my mother and father.

My dad actually escaped the civil war, the Russian civil war, from the Ukraine. He was actually a settler himself … and they thrived there in their farms, not knowing that they were usurping the land of the Tartars that lived there before them.

They had to escape. And in spite of that, my dad became a small-C Christian socialist. And by the age of six or seven years, he had us stapling together pamphlets for his union. And that’s where I got my first basic education in organizing.

I’m not that big of an organizer, being a punk rocker at first trying to destroy organizations, but I learned a great lesson from my dad, who, in spite of the odds, fought for socialism.

What would your parents think of you getting the Order of Canada?

The music I made was a mystery to my dad, because he was a, you know, a classical churchy kind of musical guy, but I’m sure he’d be very proud at this moment. He’s gone now.

Your path has probably not always been an easy one. The recipe for success for a punk artist is an unusual one. Do you have any regrets, any things you’d like to build on?

How could I regret anything? I mean, this my life. This is what it’s been. I’m doomed to getting not much of a monetary reward. And that’s OK. That’s not the point.

I understand you’ve got a new album coming out. Tell me a little bit about it.

What’s it about? Well, wow. The last four years have been inspiring as far as the president, who shall not be named, letting loose all these racist tropes all over the world and giving fascism new life when it should be destroyed everywhere it’s seen. With fascism uniting with Evangelicals in the United States, the most dangerous combination, and we’ve got to raise our voices to wipe it out.

It’s called Late Stage Empire Dementia — how all empires will eat themselves and destroy themselves. And also about, you know, mass incarceration and genocide, of course, what our own country is built on. And there’s also a song about your Second Amendment gun nuts and basically how to deal with the ignorance and the uneducated masses. I mean, slogans and sloganeering aren’t going to do it. Maybe a song or two will do it.

Obviously, you can’t have the traditional Order of Canada ceremony right now. We hear it’s being delayed until perhaps you can. What would the Art Bergmann in his 20s say if he could see you walk into Rideau Hall and accept this award from the Governor General?

I mean, do I have to wear a penguin suit?


Written by Sheena Goodyear. Interview produced by Kevin Robertson. Q&A has been edited for length and clarity. 

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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