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Viewpoint: Global media's Nigeria abductions coverage 'wrong' – BBC News

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.css-14iz86j-BoldTextfont-weight:bold;In our series of letters from African writers, Nigerian novelist Adaobi Tricia Nwaubani criticises international media coverage of the abduction of schoolchildren in Nigeria – from that of the “Chibok girls” in 2014 to that of the “Kankara boys” last month.

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The frenzied journalism that followed the 2014 abduction by militant Islamist group Boko Haram of more than 200 girls from their school in Chibok, north-east Nigeria, may have been well-meaning but it led to some unfortunate outcomes.

Prior to the Chibok incident, Boko Haram leader Abubakar Shekau was just a fringe figure that Nigerians saw on TV once in a while.

When he stabbed at the camera with his fingers and guffawed wildly while threatening everyone from Nigeria’s then-President Goodluck Jonathan to the US president at the time, Barack Obama, with death and destruction, many of us wondered: Who did this unkempt man really think he was?

But, in the aftermath of Chibok media organisations around the world broadcast and rebroadcast Shekau’s slightest remark.

And he kept them supplied with material, such as videos of the kidnapped schoolgirls whom he promised to sell.

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Nigeria"s President Muhammadu Buhari (L) addresses the 82 rescued Chibok girls during a reception ceremony at the Presidential Villa in Abuja, on May 7, 2017.

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Those who were abducted have subsequently described how the militants who held them captive revelled in any news about the incident. The Chibok coverage inflated Shekau’s value as a media commodity, making it increasingly rewarding to keep him on the airwaves.

It also distorted the story itself.

Despite the way it was covered by the international media, the Chibok kidnappings had nothing to do with “an attack on girls’ education”, rather it was banditry gone wrong.

When they were released after more than two years in Boko Haram captivity, some of those held described how the militants who attacked their school were simply on a mission to loot and steal.

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‘Militants build a global brand’

After emptying out the school’s storeroom of food, they were then left with the problem of what to do with the students and began arguing.

One suggested that that they lock the girls in a dormitory and set them on fire. Another suggested that they use the girls to gain access to their parents’ homes nearby and then steal some more food.

Eventually, one man came up with the idea that would lead to infamy: “Let us take them to Shekau. He will know what to do.”

Michelle Obama

The Office of First Lady

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Although published a few months after the incident, little attention was paid to that detail.

Determined to make the Boko Haram attacks about the irresistible theme of terrorists targeting female education, some media outlets ignored any thread that did not fit this narrative.

Just a few weeks before the Chibok incident, Boko Haram had attacked a school in the north-east town of Burni Yadi and allowed female students to flee before slaughtering 40 boys in their dormitory.

The Burni Yadi incident attracted little media attention until after the Chibok kidnappings, but this additional knowledge did nothing to sway the direction of reporting.

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In many cases the media insisted on viewing the Chibok incident through the lens of gender violence, unwittingly providing Boko Haram with the guidance they needed to build their global brand.

Boko Haram’s use of women as suicide bombers skyrocketed after the Chibok kidnappings, according to a 2017 report by Combating Terrorism Center at West Point and Yale University, suggesting that the group adopted the tactic to grab headlines and elicit shock and awe.

It soon became the first terror group in history to use more female suicide bombers than male, sending at least 80 women to their deaths in 2017 alone.

“Through the global response to the Chibok abductions, the insurgents learned the potent symbolic value of young female bodies… that using them as bombers would attract attention,” said Hilary Matfess, co-author of the report.

‘Celebrity monster’

In February 2018, another 110 girls were kidnapped by Boko Haram from their school in the north-east town of Dapchi.

In the past few years, the government of President Muhammadu Buhari has severely curtailed Boko Haram’s impact in north-east Nigeria.

Its attacks are much fewer, their hold on international headlines lasting for hours rather than what used to be days or months. But another security crisis has risen elsewhere.

Gunmen, popularly referred to by government officials and local media as “bandits”, have been terrorising north-west Nigeria with robberies and kidnappings.

Politicians, entrepreneurs, commuters and even schoolchildren have been kidnapped at various times and released after a ransom was paid, although not on the scale seen in December when more than 300 boys were abducted from their boarding school on the outskirts of Kankara town last month.

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Nigerian security agents and officials of the Kankara community stated that the boys were taken by bandits.

But when the international media swooped in and amplified the apparent link to the Chibok incident of more than six years before, Shekau must have seen an opportunity.

A whole three days after the Kankara kidnapping, Boko Haram said it was behind the attack. And, once again, many international outlets presented their platforms for this celebrity monster to dance and display. And, in the process, ran wild with a faulty narrative, ignoring all evidence to the contrary.

‘Shekau’s megalomaniac commentary’

The numerous headlines that unquestioningly attributed the Kankara kidnappings to Boko Haram failed to consider by what miracle the group had expanded from its decimated operations in the north-east to the north-west, two regions that are vast and separate.

Not even in its prime did Boko Haram brazenly operate in the north-west.

The most the militants achieved was a few, albeit deadly, suicide bomb attacks.

In a similar manner by which he fanned his popularity in 2014, Shekau fed the media with megalomaniac commentary and a video allegedly of the Kankara boys.

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Adaobi Tricia Nwaubani

Adaobi Tricia Nwaubani
The voices of the parents were drowned in the sea of global media coverage, which appeared unbending in the determination to connect this incident with Chibok”
Adaobi Tricia Nwaubani
Novelist and journalist

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Local media, while worried about the increasing insecurity in Nigeria, was more sceptical about the Boko Haram angle.

When Nigeria’s Cable newspaper took the time to show the video to some of the parents, many of whom do not have internet facilities and so had to rely on secondary sources to view it, they described the recording as fake.

“Why are they playing tricks on us?” the parents asked. “This video is not genuine. It does not show our children.”

Nevertheless, the voices of the parents were drowned in the sea of global media coverage, which appeared unbending in the determination to connect this incident with Chibok.

Sandals sit in the dirt following an attack on a Nigerian school

Reuters

Some international security experts suggested that while direct Boko Haram involvement seems to have been discounted, Boko Haram training, help and encouragement were involved.

Many Nigerians believe that Boko Haram took interest only after the international media covered the story. The government insisted no ransom was paid to the kidnappers, who it continued to describe as “bandits”.

Media coverage of such heinous acts is important: governments need to be encouraged to act, victims need to be remembered and memorialised and the public needs to be warned.

But all this can be done without inspiring more criminals and without providing them tutorials.

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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Arizona man accused of social media threats to Trump is arrested

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Cochise County, AZ — Law enforcement officials in Arizona have apprehended Ronald Lee Syvrud, a 66-year-old resident of Cochise County, after a manhunt was launched following alleged death threats he made against former President Donald Trump. The threats reportedly surfaced in social media posts over the past two weeks, as Trump visited the US-Mexico border in Cochise County on Thursday.

Syvrud, who hails from Benson, Arizona, located about 50 miles southeast of Tucson, was captured by the Cochise County Sheriff’s Office on Thursday afternoon. The Sheriff’s Office confirmed his arrest, stating, “This subject has been taken into custody without incident.”

In addition to the alleged threats against Trump, Syvrud is wanted for multiple offences, including failure to register as a sex offender. He also faces several warrants in both Wisconsin and Arizona, including charges for driving under the influence and a felony hit-and-run.

The timing of the arrest coincided with Trump’s visit to Cochise County, where he toured the US-Mexico border. During his visit, Trump addressed the ongoing border issues and criticized his political rival, Democratic presidential nominee Kamala Harris, for what he described as lax immigration policies. When asked by reporters about the ongoing manhunt for Syvrud, Trump responded, “No, I have not heard that, but I am not that surprised and the reason is because I want to do things that are very bad for the bad guys.”

This incident marks the latest in a series of threats against political figures during the current election cycle. Just earlier this month, a 66-year-old Virginia man was arrested on suspicion of making death threats against Vice President Kamala Harris and other public officials.

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