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Elaine Maimon On The Power Of Public Art During The Pandemic – Forbes

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We are in the era of the open-air museum. Many sculpture parks are seeing a rise in visitors amid the pandemic. In fact, all outdoor attractions where people can safely participate in culture, while social distancing, will be popular in the coming months and years to come.

Just take the Nathan Manilow Sculpture Park at Governors State University in University Park, Illinois, which has seen a spike in visitors over the past year. Visitors have been perusing the sprawling sculpture park with 30 sculptures, from an artwork by Mark Di Suvero called “Yes, for Lady Day,” which was inspired by jazz legend Billie Holiday, to “Phoenix,” an artwork made of steel beams by Latvian artist Edvins Strautmanis.

“The sculpture park is a remarkable public service, it taps into the power of public art and higher education,” said Elaine Maimon, an arts enthusiast, author and the former president of Governors State University.

“To be an educated person, I believe very strongly that you have to be someone who understands what it means to live in the midst of art,” she adds. “You can’t just be someone who moves through the world but one who understands the artistry of the world.”

In fact, this very university was a place for public art, long before it became a learning ground. It all started when Chicago art patron Lew Manilow had a summer house on the site and invited sculptors to visit him. In the 1960s, Di Suvero created his sculpture here and several followed, as Manilow established the sculpture park in 1975, in memory of his father.

It taps into the creativity and imagination we need to get beyond the pandemic and how we will experience culture, going forward.

“We’re going to see a greater integration of outdoor and outdoor culture,” said Maimon. “We’re going to be seeing more destination planning. That’s going to be inevitable. Things like sculpture parks, which are contiguous with universities, are going to be more likely.”

While there are countless sculpture parks across the country—like Storm King Art Center in upstate New York, the Walda Besthoff Sculpture Garden in New Orleans and the Tippet Rise Art Center in Fishtail, Montana—several universities across the country have sculpture parks on their grounds, too. They’re free to visit.

“Especially at public universities, we have an obligation to promote public art, it’s part of what our mission is, in terms of educating the general public,” said Maimon.

It isn’t just the visual arts, but the performing arts, music and literature are clearly being affected by the pandemic, too.

“Right now, the need for reform, change and new thinking has been accelerated because of Covid-19,” said Maimon. “We can go in one of two directions: it can lead to paralysis and everyone just freezes in place and does the next easy thing, or it can be a motivation for accelerating the kinds of transformational change that will lead to a better world.”

She adds: “I want to be part of doing the very best I can to have that transformational pathway taken. We’re at a turning point. The difficult transformative pathway is the one to take.”

Her philosophy of ‘living in the midst of art,’ as an art and education advocate, is a learning curve for us all right now—with entertainment, nightlife and cinemas shuttered, we’re forced to explore our own urban and natural environments.

The rise of visiting sculpture parks could teach us to look at things differently after becoming desensitized by our computer screens and smartphones. “From grade school to grad school, one of the most important goals of education is to teach students to see—really see,” said Maimon.

As a former English professor, she would take her students outside of the classroom by organizing trips to art galleries and museums.

“Students who are taught to see will become better scientists, making more astute observations; better accountants, seeing an error that others missed; better civic leaders, seeing solutions that are not obvious,” said Maimon. “Living in the midst of art provides a setting for constant improvement in how we see the world.”

Doing simple things like going on walks to discover new public artworks in our cities could be better for society and keep us sharp and curious.

“Northrop Frye, the literary critic, talks about ‘educating the imagination,’” she said, “which is essential, especially now.”

“We can’t predict the future, we don’t have algorithms for the future, but the people who are going to be successful are the people who know how to use their imagination. The arts are essential to that.”

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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Sudbury art, music festival celebrating milestone

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Sudbury’s annual art and music festival is marking a significant milestone this year, celebrating its long-standing impact on the local cultural scene. The festival, which has grown from a small community event to a major celebration of creativity, brings together artists, musicians, and visitors from across the region for a weekend of vibrant performances and exhibitions.

The event features a diverse range of activities, from live music performances to art installations, workshops, and interactive exhibits that highlight both emerging and established talent. This year’s milestone celebration will also honor the festival’s history by showcasing some of the artists and performers who have contributed to its success over the years.

Organizers are excited to see how the festival has evolved, becoming a cornerstone of Sudbury’s cultural landscape. “This festival is a celebration of creativity, community, and the incredible talent we have here in Sudbury,” said one of the event’s coordinators. “It’s amazing to see how it has grown and the impact it continues to have on the arts community.”

With this year’s milestone celebration, the festival promises to be bigger and better than ever, with a full lineup of exciting events, workshops, and performances that will inspire and engage attendees of all ages.

The festival’s milestone is not just a reflection of its past success but a celebration of the continued vibrancy of Sudbury’s arts scene.

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