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A festival of art and lights for all who need it – The Boston Globe

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Artist Clint Baclawski with his “Brighter Connected” installation in the storefront of Chelsea’s Gallery 456.Jim Davis/Globe Staff

As the long siege of 2020 continues, we enter the darkest time of year.

It’s also, traditionally, the season of miracles, such as this one, the Hanukkah story:

More than two millennia ago, an army sent by a Syrian king plundered Jerusalem, outlawed Judaism, and defiled the temple there. The Jews revolted, beat back the invading army, and rededicated the temple.

For that celebration, the temple’s menorah was to burn through every night, but there was only enough oil on hand to keep it lit for one.

It kept burning, though, for eight.

Jewish Arts Collaborative’s “Brighter Connected,” a series of eight public art installations, illuminates windows in Greater Boston this Hanukkah, bringing light fashioned by local artists to anyone who needs it.

For the past seven years, JArts has celebrated the season with installations at the Museum of Fine Arts. That celebration goes virtual this year (on Dec. 9) but JArts is also taking its holiday art public.

“We thought it would be more impactful where people are living, not in traditionally high-traffic areas like Newbury Street,” said Laura Conrad Mandel, JArt’s executive director. “We want to bring art and light to as many communities as possible.”

“Brighter Connected” isn’t just about putting up art. It’s about weaving it into neighborhoods with community help.

Hanukkah “is significant on a spiritual and on a call-to-action level,” said artist Caron Tabb, who is Jewish. “It’s not just COVID. It’s all the racial injustices. The hunger and poverty. When all is said and done and everyone is vaccinated, there will still be so much work to do.”

For her installation at Dorchester’s Bowdoin Street Health Center, Tabb interviewed health care workers there and enlisted help from nonprofit Artists for Humanity’s teen artists. Her piece, “The Light From Within,” fills 34 of the medical facility’s windows.

Some windows feature Mylar silhouettes of Bowdoin Street staff and AFH teens that glint in the sunlight and are backlit at night, surrounded by colored gels to create a stained-glass effect. Others contain messages of hope in languages of the neighborhood, such as Spanish, Portuguese, and Haitian Creole.

Bowdoin Street has been a hub for COVID-19 testing.

“The people inside the building are doing God’s work, day in and day out, caring for an underserved community in many languages,” said Tabb. “They are unsung heroes who deserve to be celebrated.”

“The Light From Within,” she said, “is a celebration of what we can be, if we can just get it together.”

Before creating his installation “Bough” at Chelsea’s Gallery 456, artist Clint Baclawski learned about the city’s Jewish history from cultural anthropologist and Chelsea historian Ellen Rovner.

“Chelsea was the destination where the Jewish people first settled in Boston,” Baclawski said.

Mandel’s family was among them. “In the early 1900s, it was called ‘little Jerusalem,’ ” she said.

“Bough” features a large-scale photograph of a eucalyptus forest — a tree common in Israel. A center panel coated in deep black paint provides a stark backdrop for nine lights wrapped in photographic transparencies of the trees.

A close-up view of Clint Baclawski’s “Bough” at Chelsea’s Gallery 456.Jim Davis/Globe Staff

“There will be a deep void in the middle of this forest,” Baclawski said, “and then these floating bulbs.”

The meaning is for the viewer to make. “One could surmise this black void could be from the past of the Jewish people,” Baclawski said. Or there’s today.

JArts hosts a Zoom conversation about Chelsea culture with Baclawski and Rovner on Wednesday, Dec. 16.

Back at the MFA, “Black as Light,” a poem by Boston’s poet laureate Porsha Olayiwola, is being illuminated by artist Erik Jacobs in a video projection on the museum’s facade. The poem considers the radiant light of Black identity. It begins

“we stay lit. beacon

doomed to this brunet burning,

body a lighthouse”

“Brighter Connected” is, in the end, about light.

“We were looking for artists who have created art rooted in light to show the universality of these Jewish stories and values so we can connect to each other better,” Mandel said.

And unlike at the MFA, there’s no entry fee.

“We knew it would be a cold, dark, and difficult season,” Mandel said. “This is a community service. We want nothing from you but your participation.”

“Enough with Zoom,” she added. “Let’s get out and see the art.”

BRIGHTER CONNECTED

Jewish Arts Collaborative’s art installations in eight windows around Greater Boston. Dec. 9-18. www.jartsboston.org/hanukkah-2020/


Cate McQuaid can be reached at catemcquaid@gmail.com. Follow her on Twitter @cmcq.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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