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Anishinaabe artist turns everyday garbage into beaded pieces of art – CBC.ca

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One man’s trash is another man’s beadwork.

Nico Williams, an Anishinaabe contemporary artist, is turning pieces of garbage that he found lying on the ground in Montreal into beaded works of art for a new exhibition.

He said that In the past, Indigenous peoples used baskets and basketry to hold things, and passed these items down from generation to generation. With his latest work, he hopes to get people thinking about the objects they bring in their home, and how they are temporary pieces which only get used once. 

His newest exhibition, ataason | ils emmagasinent | they store it, opened up at Blouin Division in Quebec City on Nov. 6.

“I’ve been getting contacted from the community and they’re like, oh my gosh, we love this work. And they’re laughing because it’s just so rez,” said Williams, who is from Aamjiwnaang First Nation.

In the past he has beaded lottery scratch tickets, and his newest exhibition features a three-dimensional-style beaded grocery bag, as well as cereal and Kraft Dinner boxes.

Nico Williams said he wants his new exhibition to get people thinking about the types of objects they bring into their homes — things like packaging, for instance. (Nico Williams/Facebook)

“I think there’s always humour within the Indigenous community because it’s like a healing process, and it’s great to have a good laugh with the community,” said Williams.

The artist has also beaded a J Cloth, which he says reminds him of his grandmother’s house.

“It’s just an object that we all had in our household,” said Williams.

“A lot of stuff happened in the kitchen like … when aunties would sit at a table on Sundays or Friday nights all together as a community. So it’s kind of interesting that I’m using these objects in the kitchen to try to have that discussion and that relationship.”

As a multidisciplinary artist, one of Williams’ main inspirations is to get people interested in beadwork.

He has a public art project, a metal beadwork sculpture, coming up in Quebec City in the spring, and has been teaching beading workshops to people interested in learning the craft.

“I just was really interested in how Nico was able to look around in his surroundings and then use that as inspiration for his art,” said Craig Commanda. 

Commanda, who is from Kitigan Zibi Anishinaabeg, has been applying some of the techniques that he learned from Williams and has collaborated with the artist on a couple of projects.

Michelle McGeough, who is an assistant professor at Concordia University in the art history department, visited the exhibition on Saturday and said that she’s impressed by how Williams is taking everyday objects and turning them into pieces of art.

“I think that artists like Nico open up the possibilities for us to see and explore the materials that we work with in really different ways,” said McGeough.

The exhibit at Blouin Division is on until Jan. 22, 2022.

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com

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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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