Archaeologists are hearing for the first time how humans made music some 12,000 years ago, by recreating a flute that was likely used to hunt ducks and other small birds in northern Israel.
On Friday, a team of Israeli and French researchers published an article about the recreated bone flute in the peer-reviewed Nature Scientific Report, offering an auditory window into how early humans shifted from hunter-gatherers to more settled villages, creating the earliest known musical instruments ever discovered in the Middle East.
The French-Israeli team of archaeologists discovered fragments of seven different flutes, dating to around 10,000 BCE, which is the largest collection of prehistoric sound-producing instruments ever found in the Levant. The pieces were found at the Eynan/Ain Mallaha site, a small village some 35 km (20 miles) north of the Sea of Galilee. The site was inhabited from 12,000 BCE to 8,000 BCE, around the time when humans were undergoing a massive revolution from nomadic hunter-gatherers to more sedentary, semi-settled communities.
Dr. Laurent Davin, a post-doctoral fellow at Hebrew University, was examining some of the bones recovered from the site when he noticed tiny holes drilled at regular intervals along a few of the bones. At first, experts had dismissed the holes as regular wear and tear on the delicate bird bones. But Davin examined the bones more closely and noticed that the holes were at very even intervals, and clearly created by humans.
“One of the flutes was discovered complete, and so far as is known it is the only one in the world in this state of preservation,” Davin said in a press release that accompanied the article’s publication.
Dr. Hamoudi Khalaily, a senior researcher with the IAA, spent 10 years excavating at the Eynan site and was instrumental in creating a replica of the extant flute.
“There were a lot of doubts that this was even possible [to recreate], but the replica was created exactly [in the same way] as the original and it allowed us to hear what people would have heard 12,000 years ago,” Khalaily told The Times of Israel.
“When we first heard it, it gave us this feeling like, we are really doing something for history,” Khalaily said.
The recreated flute produces a screeching, breathy whistling sound that Khalaily and the team believe could be an imitation of predator birds, including falcons, which eat small waterfowl.
“The sound could have attracted predator birds, which creates chaos with the other birds, and then it’s very easy to catch them, even with your hands,” explained Khalaily.
Previously, nomadic hunter-gathers had focused on bigger game such as gazelles, rabbits, or foxes. But when humans began settling in the Hula Valley for the first time, they started taking advantage of new food sources, including fish and smaller waterfowl in the lake that used to stretch across the Hula Valley.
Today, the Hula Valley is still a major conduit for bird migration in the late fall when tens of thousands of birds pass through Israel on their way from Europe to Africa. The Hula Valley was once covered by water, with a 13 square kilometer (5 square mile) lake and 47 square kilometers (18 square miles) of seasonal swamps. Early Zionist pioneers drained the swamp in the early 20th century as a major infrastructure project to create more agricultural land and to combat malaria.
A trove of bird bones
At the Eynan site, archaeologists are excavating a small Natufian village, which was a Mesolithic culture in the Levant and Western Asia around 9000 BCE. It’s a unique time because the culture emerged when humans started living a semi-sedentary lifestyle predating the agricultural revolution, meaning they had to find regular food sources in the same area even before they knew how to cultivate them. Once humans became more settled, their culture underwent dramatic societal change including the appearance of burial practices, art, and durable structures.
The Eynan site was first excavated by a French mission in 1955 and later from 1996–2005 by a joint team from Israel and France directed by François Valla of the Centre Nationale de Recherche Scientifique (CNRS) and Khalaily of the Israel Antiquities Authority.
Excavations at the site are ongoing and it can take years to methodically sift through all of the earth removed from a site and search for fragments of tools, animal bones, or other detritus from daily life thousands of years ago. Over the past two decades, careful sifting has yielded 1,112 bird bones from the Eynan site.
Dr. Hamoudi Khalaily holds the original 12,000-year-old flute discovered in a Natufian village in northern Israel. (Hamoudi Khalaily/IAA)
The bone flute was researched and recreated by a team of French and Israeli experts, consisting of archaeologists and archaeozoologists, who study animal bones, ethnomusicologists, paleo-organologists (the research of ancient sound-making instruments), and technical experts that were able to find ways to recreate the exact placement of the finger holes.
The original flutes, also called aerophones because they are an instrument that produces sound due to vibrating air, were made from the hollow wing bones of the Eurasian teal and the Eurasian coot. The current replica was made from the wing bones of two female mallard ducks “because of the difficulty in obtaining carcasses of Eurasian coot (Fulica atra) used by the Natufians,” the article stated.
The tinier the bone, the more difficult it is to play. The researchers believe the bones were chosen specifically to mimic the calls of the Eurasian Sparrowhawk and the Common Kestrel, two birds of prey that were widespread in the Hula Valley.
Migrating Gray Cranes at the Agmon Hula Lake in the Hula Valley in northern Israel, November 16, 2017. (AFP Photo/Menahem Kahana)
The flute represents the oldest musical instrument found locally, but it is not the oldest aerophone that has been discovered. Most of the known Paleolithic sound-making instruments are found in Europe, and the oldest dates to around 40,000 years ago, which was found in southwestern Germany, made from bird bone and mammoth ivory.
Previous to this discovery, the only known “music” or sound production during the Paleolithic and Neolithic periods in the Levant was from a few studies suggesting that humans could have developed a belt of bone pendants that clacked and rattled, or possibly a bone whistle (flute with no fingerholes).
Fragments of seven flutes discovered in northern Israel that were likely used for hunting birds some 12,000 years ago. (Hamoudi Khalaily/IAA)
The flute represents an important discovery, but it’s not music to everyone’s ears.
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“I heard it for the first time on Youtube, and it’s really a terrible tone, it’s high and pitchy and not nice at all to my ear,” said Prof. Rivka Rabinovich, the scientific director of archeozoological collections at the National Natural History Collections at the Hebrew University. Rabinovich, an expert in studying and interpreting the remains of ancient mammal bones has been studying the discoveries from the Eynan site for years.
Rabinovich added that there’s no way of knowing whether ancient humans had a similar cringe reaction when they heard it; whether it was used for hunting, communication, or making music.
But it opens a window into a fascinating point in human development, the complexity of society and their ability to make tools. The small finger holes in the flute were drilled with the talon of a larger bird, likely a falcon. Archaeologists believe that talons also had spiritual significance to early humans, Khalaily said.
The tiny finger holes drilled with talons at regular intervals in the 12,000-year-old flute discovered in northern Israel (Hamoudi Khalaily/IAA)
“It’s very interesting because this is just at the starting point of people becoming more sedentary,” Rabinovich said. “It’s a very exciting period at which to understand the day-to-day life and also larger questions beyond day-to-day life, and why they did certain things.”
She credited the discovery to the large and varied French-Israeli team, which united researchers and archaeologists with areas of expertise in niche areas like reconstructing bone tools and interpreting scratches made in animal bones.
“The message from this is that you really need to save everything [excavated from a site] because you always see these things with new eyes and new tools,” she said. “It takes a long time to sift through things, and when you look at it anew, you can see it differently. That’s because there’s continually new research, there’s continually new technology, and new ways to investigate new information. And it all works together to create a more complete picture of what happened there.”
Part of the research team, from left to right, Laurent Davin, Julien Navas, and Aurelia Bourbon with the recreated 12,000-year-old flute. (Laurent Davin)
The Eynan site hosted continuous human presence for around 4,000 years, with people living in round houses made of stones with animal hides or branches for roofs. In 8,000 BCE, when the agricultural revolution was well underway, humans abandoned the site, moving around 500 meters closer to the Hula Lake, whose contours had changed with time.
One of the most important tests on the flute is yet to come: In late fall, when the annual bird migration through the Hula Valley takes place, Khalaily plans to take the replicated flute to the Eynan site and play it there, in the same spot where humans created it 12,000 years ago.
“I want to go and see if we can make these voices, in hopes of attracting a hawk or falcon,” he said. “I’m naturally an optimistic person, but I do really think it will work. If we were able to replicate this sound, I’m certain it will bring those birds to us.”
More than 40 trillion gallons of rain drenched the Southeast United States in the last week from Hurricane Helene and a run-of-the-mill rainstorm that sloshed in ahead of it — an unheard of amount of water that has stunned experts.
That’s enough to fill the Dallas Cowboys’ stadium 51,000 times, or Lake Tahoe just once. If it was concentrated just on the state of North Carolina that much water would be 3.5 feet deep (more than 1 meter). It’s enough to fill more than 60 million Olympic-size swimming pools.
“That’s an astronomical amount of precipitation,” said Ed Clark, head of the National Oceanic and Atmospheric Administration’s National Water Center in Tuscaloosa, Alabama. “I have not seen something in my 25 years of working at the weather service that is this geographically large of an extent and the sheer volume of water that fell from the sky.”
The flood damage from the rain is apocalyptic, meteorologists said. More than 100 people are dead, according to officials.
Private meteorologist Ryan Maue, a former NOAA chief scientist, calculated the amount of rain, using precipitation measurements made in 2.5-mile-by-2.5 mile grids as measured by satellites and ground observations. He came up with 40 trillion gallons through Sunday for the eastern United States, with 20 trillion gallons of that hitting just Georgia, Tennessee, the Carolinas and Florida from Hurricane Helene.
Clark did the calculations independently and said the 40 trillion gallon figure (151 trillion liters) is about right and, if anything, conservative. Maue said maybe 1 to 2 trillion more gallons of rain had fallen, much if it in Virginia, since his calculations.
Clark, who spends much of his work on issues of shrinking western water supplies, said to put the amount of rain in perspective, it’s more than twice the combined amount of water stored by two key Colorado River basin reservoirs: Lake Powell and Lake Mead.
Several meteorologists said this was a combination of two, maybe three storm systems. Before Helene struck, rain had fallen heavily for days because a low pressure system had “cut off” from the jet stream — which moves weather systems along west to east — and stalled over the Southeast. That funneled plenty of warm water from the Gulf of Mexico. And a storm that fell just short of named status parked along North Carolina’s Atlantic coast, dumping as much as 20 inches of rain, said North Carolina state climatologist Kathie Dello.
Then add Helene, one of the largest storms in the last couple decades and one that held plenty of rain because it was young and moved fast before it hit the Appalachians, said University of Albany hurricane expert Kristen Corbosiero.
“It was not just a perfect storm, but it was a combination of multiple storms that that led to the enormous amount of rain,” Maue said. “That collected at high elevation, we’re talking 3,000 to 6000 feet. And when you drop trillions of gallons on a mountain, that has to go down.”
The fact that these storms hit the mountains made everything worse, and not just because of runoff. The interaction between the mountains and the storm systems wrings more moisture out of the air, Clark, Maue and Corbosiero said.
North Carolina weather officials said their top measurement total was 31.33 inches in the tiny town of Busick. Mount Mitchell also got more than 2 feet of rainfall.
Before 2017’s Hurricane Harvey, “I said to our colleagues, you know, I never thought in my career that we would measure rainfall in feet,” Clark said. “And after Harvey, Florence, the more isolated events in eastern Kentucky, portions of South Dakota. We’re seeing events year in and year out where we are measuring rainfall in feet.”
Storms are getting wetter as the climate change s, said Corbosiero and Dello. A basic law of physics says the air holds nearly 4% more moisture for every degree Fahrenheit warmer (7% for every degree Celsius) and the world has warmed more than 2 degrees (1.2 degrees Celsius) since pre-industrial times.
Corbosiero said meteorologists are vigorously debating how much of Helene is due to worsening climate change and how much is random.
For Dello, the “fingerprints of climate change” were clear.
“We’ve seen tropical storm impacts in western North Carolina. But these storms are wetter and these storms are warmer. And there would have been a time when a tropical storm would have been heading toward North Carolina and would have caused some rain and some damage, but not apocalyptic destruction. ”
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It’s a dinosaur that roamed Alberta’s badlands more than 70 million years ago, sporting a big, bumpy, bony head the size of a baby elephant.
On Wednesday, paleontologists near Grande Prairie pulled its 272-kilogram skull from the ground.
They call it “Big Sam.”
The adult Pachyrhinosaurus is the second plant-eating dinosaur to be unearthed from a dense bonebed belonging to a herd that died together on the edge of a valley that now sits 450 kilometres northwest of Edmonton.
It didn’t die alone.
“We have hundreds of juvenile bones in the bonebed, so we know that there are many babies and some adults among all of the big adults,” Emily Bamforth, a paleontologist with the nearby Philip J. Currie Dinosaur Museum, said in an interview on the way to the dig site.
She described the horned Pachyrhinosaurus as “the smaller, older cousin of the triceratops.”
“This species of dinosaur is endemic to the Grand Prairie area, so it’s found here and nowhere else in the world. They are … kind of about the size of an Indian elephant and a rhino,” she added.
The head alone, she said, is about the size of a baby elephant.
The discovery was a long time coming.
The bonebed was first discovered by a high school teacher out for a walk about 50 years ago. It took the teacher a decade to get anyone from southern Alberta to come to take a look.
“At the time, sort of in the ’70s and ’80s, paleontology in northern Alberta was virtually unknown,” said Bamforth.
When paleontogists eventually got to the site, Bamforth said, they learned “it’s actually one of the densest dinosaur bonebeds in North America.”
“It contains about 100 to 300 bones per square metre,” she said.
Paleontologists have been at the site sporadically ever since, combing through bones belonging to turtles, dinosaurs and lizards. Sixteen years ago, they discovered a large skull of an approximately 30-year-old Pachyrhinosaurus, which is now at the museum.
About a year ago, they found the second adult: Big Sam.
Bamforth said both dinosaurs are believed to have been the elders in the herd.
“Their distinguishing feature is that, instead of having a horn on their nose like a triceratops, they had this big, bony bump called a boss. And they have big, bony bumps over their eyes as well,” she said.
“It makes them look a little strange. It’s the one dinosaur that if you find it, it’s the only possible thing it can be.”
The genders of the two adults are unknown.
Bamforth said the extraction was difficult because Big Sam was intertwined in a cluster of about 300 other bones.
The skull was found upside down, “as if the animal was lying on its back,” but was well preserved, she said.
She said the excavation process involved putting plaster on the skull and wooden planks around if for stability. From there, it was lifted out — very carefully — with a crane, and was to be shipped on a trolley to the museum for study.
“I have extracted skulls in the past. This is probably the biggest one I’ve ever done though,” said Bamforth.
“It’s pretty exciting.”
This report by The Canadian Press was first published Sept. 25, 2024.
TEL AVIV, Israel (AP) — A rare Bronze-Era jar accidentally smashed by a 4-year-old visiting a museum was back on display Wednesday after restoration experts were able to carefully piece the artifact back together.
Last month, a family from northern Israel was visiting the museum when their youngest son tipped over the jar, which smashed into pieces.
Alex Geller, the boy’s father, said his son — the youngest of three — is exceptionally curious, and that the moment he heard the crash, “please let that not be my child” was the first thought that raced through his head.
The jar has been on display at the Hecht Museum in Haifa for 35 years. It was one of the only containers of its size and from that period still complete when it was discovered.
The Bronze Age jar is one of many artifacts exhibited out in the open, part of the Hecht Museum’s vision of letting visitors explore history without glass barriers, said Inbal Rivlin, the director of the museum, which is associated with Haifa University in northern Israel.
It was likely used to hold wine or oil, and dates back to between 2200 and 1500 B.C.
Rivlin and the museum decided to turn the moment, which captured international attention, into a teaching moment, inviting the Geller family back for a special visit and hands-on activity to illustrate the restoration process.
Rivlin added that the incident provided a welcome distraction from the ongoing war in Gaza. “Well, he’s just a kid. So I think that somehow it touches the heart of the people in Israel and around the world,“ said Rivlin.
Roee Shafir, a restoration expert at the museum, said the repairs would be fairly simple, as the pieces were from a single, complete jar. Archaeologists often face the more daunting task of sifting through piles of shards from multiple objects and trying to piece them together.
Experts used 3D technology, hi-resolution videos, and special glue to painstakingly reconstruct the large jar.
Less than two weeks after it broke, the jar went back on display at the museum. The gluing process left small hairline cracks, and a few pieces are missing, but the jar’s impressive size remains.
The only noticeable difference in the exhibit was a new sign reading “please don’t touch.”
