Paris+ par Art Basel has named the 154 galleries that will take part in its upcoming second edition, scheduled to run October 20–22, with two VIP preview days beginning October 18 at the Grand Palais Éphémère.
Among the 140 galleries taking part in the main Galleries section are mega-galleries Gagosian, Hauser & Wirth, Pace Gallery, and David Zwirner, as well as blue-chip enterprises like Blum & Poe, Sadie Coles HQ, Paula Cooper, Massimo De Carlo, Gladstone Gallery, Marian Goodman Gallery, Taka Ishii Gallery, David Kordansky Gallery, Galerie Lelong & Co., LGDR, Lisson Gallery, Galerie Eva Presenhuber, Thaddaeus Ropac, and White Cube.
In addition to the Galleries section, Paris+ will feature a Galeries Émergentes section, which will feature 14 emerging galleries mounting solo artist presentations. Among the galleries in that section are Bank, Lyles & King, Marfa’, and Seventeen, as well as two Paris galleries, Parliament and Sans Titre.
Fifty-eight of the exhibitors have locations in France, with 30 of them having their operations wholly based in the country. Among the French galleries taking part are Air de Paris, Balice Hertling, Galerie Chantal Crousel, Galerie Frank Elbaz, Fitzpatrick Gallery, Loevenbruck, Mennour, and Sultana. Additionally, four galleries that participated in the Galeries Émergentes section last year have been elevated to the main section: Antenna Space, Galerie Anne Barrault, Carlos/Ishikawa, and Edouard Montassut.
The fair will also include 16 galleries that will participate for the first time, including Bortolami, Kurimanzutto, Jan Mot, and P.P.O.W. Three of them are taking part in their first Art Basel fair: Fanta-MLN, Felix Gaudlitz, and Gianni Manhattan, who will all be included in the Galeries Émergentes section.
Last year, Art Basel made headlines when it announced it would mount a new fair in Paris that takes place every year in October, which is normally when the reigning French fair, FIAC, mounts its edition each year. Art Basel won the contract for the Grand Palais from FIAC, which ended up not mounting a 2022 edition as a result. This iteration at the Grand Palais Éphémère is expected to be the fair’s last there, as the Grand Palais will reopen after renovations in preparation for the 2024 Summer Olympics in Paris.
Clément Delépine, the director of Paris+ par Art Basel, said in a statement, “The 2023 show will confirm the defining features of Paris+ par Art Basel: a wealth of exceptional works by Modern and contemporary artists, a high density of precisely conceived presentations, a commitment to the French gallery community, and a lively Galeries Émergentes sector in tune with contemporary discourse, supported generously by the Galeries Lafayette group.”
The full exhibitor list follows below.
Galleries
Exhibitor
Location(s)
303 Gallery
New York
A Gentil Carioca
Rio de Janeiro, São Paulo
Miguel Abreu Gallery
New York
Acquavella Galleries
New York, Palm Beach
Air de Paris
Romainville | Grand Paris
Galerie Allen
Paris
Antenna Space
Shanghai
Applicat-Prazan
Paris
Art : Concept
Paris
Alfonso Artiaco
Napoli
Balice Hertling
Paris
Galerie Anne Barrault
Paris
christian berst art brut
Paris
Blum & Poe
Los Angeles, New York, Tokyo
Bortolami
New York
Galerie Isabella Bortolozzi
Berlin
Ellen de Bruijne Projects
Amsterdam
Galerie Buchholz
Berlin, Cologne, New York
Campoli Presti
Paris, London
Capitain Petzel
Berlin
Cardi Gallery
Milan, London
Carlos/Ishikawa
London
Ceysson & Bénétière
Paris, Saint-Etienne, Lyon, Koerich, New York
Clearing
New York, Los Angeles, Brussels
Sadie Coles HQ
London
Galleria Continua
San Gimignano, São Paulo, Beijing, La Habana,
Boissy-le-Châtel, Paris, Roma, Dubai
Paula Cooper Gallery
New York, Palm Beach
Pilar Corrias
London
Galleria Raffaella Cortese
Milan
Galerie Chantal Crousel
Paris
MassimoDeCarlo
Milan, London, Paris, Hong Kong, Bejing
dépendance
Brussels
mfc-michèle didier
Paris, Brussels
Dvir Gallery
Tel Aviv, Paris, Brussels
Andrew Edlin Gallery
New York
galerie frank elbaz
Paris
Essex Street/Maxwell Graham
New York
Galerie Cécile Fakhoury
Abidjan, Dakar, Paris
Selma Feriani Gallery
Tunis, London
Konrad Fischer Galerie
Berlin, Dusseldorf
Fitzpatrick Gallery
Paris
Foksal Gallery Foundation
Warsaw
Fortes D’Aloia & Gabriel
Rio de Janeiro, São Paulo
Peter Freeman, Inc.
New York
Gagosian
New York, Los Angeles, Beverly Hills, Hong Kong,
Paris, Athens, Rome, Basel, Geneva, Saanen, London
Galerie Christophe Gaillard
Paris
Galerie 1900-2000
Paris, New York
gb agency
Paris
François Ghebaly
Los Angeles, New York
Gladstone Gallery
New York, Brussels, Roma, Seoul
Marian Goodman Gallery
New York, Paris
Galerie Bärbel Grässlin
Frankfurt
Greene Naftali
New York
Galerie Karsten Greve
Paris, Cologne, St. Moritz
Hauser & Wirth
Zurich, Gstaad, St Moritz, London, Somerset,
Los Angeles, New York, Hong Kong, Monaco,
Ciutadella de Menorca
Galerie Max Hetzler
Berlin, Paris, London, Marfa
High Art
Paris, Arles
Hannah Hoffman
Los Angeles
Xavier Hufkens
Brussels
Taka Ishii Gallery
Tokyo
Galerie Jousse Entreprise
Paris
Annely Juda Fine Art
London
Karma
New York, Los Angeles
Karma International
Zürich
kaufmann repetto
Milan, New York
Anton Kern Gallery
New York
David Kordansky Gallery
Los Angeles, New York
Andrew Kreps Gallery
New York
Galerie Krinzinger
Vienna
Kukje Gallery
Seoul, Busan
kurimanzutto
Mexico City, New York
LambdaLambdaLambda
Prishtina
Landau Fine Art
Montreal
Layr
Vienna
Galerie Le Minotaure
Paris
In Situ – fabienne leclerc
Romainville
Galerie Lelong & Co.
Paris, New York
LGDR
New York, Hong Kong, London, Paris
Lisson Gallery
London, New York, Beijing, Shanghai, Los Angeles
Loevenbruck
Paris
Luhring Augustine
New York
Magnin-A
Paris
Mai 36 Galerie
Zurich
Marcelle Alix
Paris
Matthew Marks Gallery
New York, Los Angeles
Mendes Wood DM
São Paulo, Brussels, Paris, New York
Mennour
Paris
Meyer Riegger
Berlin, Karlsruhe
Victoria Miro
London, Venice
Edouard Montassut
Paris
mor charpentier
Paris, Bogotá
Jan Mot
Brussels
Galerie nächst St. Stephan
Rosemarie Schwarzwälder
Vienna
Richard Nagy Ltd.
London
Nahmad Contemporary
New York
Galerie Neu
Berlin
Neue Alte Brücke
Frankfurt am Main
neugerriemschneider
Berlin
Galleria Franco Noero
Turin
Galerie Nathalie Obadia
Paris, Brussels
P.P.O.W
New York
Pace Gallery
New York, Los Angeles, Palm Beach,
Hong Kong, Seoul, Geneva, London
Galerie Papillon
Paris
Peres Projects
Berlin, Milano, Seoul
Perrotin
Paris, New York, Hong Kong,
Shanghai, Tokyo, Seoul, Dubai
Galerie Francesca Pia
Zurich
Galeria Plan B
Cluj, Berlin
Galerie Jérôme Poggi
Paris
Galerie Eva Presenhuber
Zürich, New York, Vienna
ProjecteSD
Barcelona
Almine Rech
Paris, Brussels, Shanghai, London, New York
Regen Projects
Los Angeles
Michel Rein
Paris, Brussels
Rodeo
London, Pireas
Thaddaeus Ropac
Paris, Pantin, Salzburg, Seoul, London
Salle Principale
Paris
Esther Schipper
Berlin, Seoul, Paris
Semiose
Paris
Skarstedt
New York, Paris, London
Société
Berlin
Galerie Pietro Spartà
Chagny
Sprüth Magers
Berlin, London, Los Angeles, New York, Hong Kong
Galeria Luisa Strina
São Paulo
Simone Subal Gallery
New York
Sultana
Paris, Arles
Take Ninagawa
Tokyo
Templon
Paris, Brussels, New York
Tornabuoni Art
Paris, Florence, Forte dei Marmi,
Milan, Rome, Crans Montana
LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.
More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.
The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.
They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.
“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”
It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.
Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”
Rebecca Yorke, director of the Brontë Society, welcomed the restoration.
“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.
