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Art Bites: Gustav Klimt Was a Cat Daddy – artnet News

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One indisputable fact about the internet is that it has been taken over by cats. But such feline infatuation has a long history—particularly in the art world. Case in point: renowned Austrian artist Gustav Klimt loved cats so much that he let them take over his studio, too. When art critic Arthur Roessler visited the painter’s studio, he was reportedly shocked by the conditions he met.

“As I sat with Klimt and rummaged around in a heap of papers, surrounded by eight or 10 meowing, purring cats, play fighting with each other, so much so that the rustling study sheets just went flying, I asked him, puzzled, why he tolerated such antics spoiling hundreds of the most beautiful drawings,” Roessler wrote.

Klimt was pointedly unbothered by the chaos around him. “No, my friend, even if they crumple and tear one or the other pieces of paper,” he told the critic. “It doesn’t matter; they only pee on the others, and, you know, it makes the best fixing agent.”

There’s no knowing if Klimt did use cat pee as a fixative on his work. There’s no scientific proof that feline urine is at all useful as a fixation agent. In fact, the substance would more likely ruin artwork than improve it. More believable is that Klimt had made the claim in jest, leaning into his reputation as an obsessive cat-lover.

The painter was equally known for his reclusiveness. Klimt used his art to lift him out of poverty, moving from the Austrian countryside to the glamorous city of Vienna. Though they were buying up his work, Vienna’s wealthy social elite shunned him. His country dialect and mannerisms were deemed unfit for high society. He also never participated in the cafe culture that was central to the lifestyle of European artists.

It’s no surprise, then, that the painter turned to his furry friends for company. An iconic photo, shot by photographer Moriz Naehr, depicted him standing outside his studio, wearing one of the floor-length caftans he painted in, cradling his beloved cat Katze.

Left: Gustav Klimt, The Kiss (1907–1908). Collection of the Belvedere, Vienna. Right: A.I. picture generated on Midjourney by Vienna Tourist Board. Photos: © Belvedere Museum and Vienna Tourist Board.

Left: Gustav Klimt, The Kiss (1907–1908). Collection of the Belvedere, Vienna. Right: A.I. picture generated on Midjourney by Vienna Tourist Board. Photos: © Belvedere Museum and Vienna Tourist Board.

Remarkably, despite his deep affection for them, Klimt never painted cats. Last year, however, the Vienna Tourist Board mashed up the internet’s love of cats with Klimt’s when they launched their campaign titled UnArtificial Art. They used A.I. to reimagine Klimt’s iconic artwork, The Kiss, replacing the lovers in the painting with sorrowful felines in a tender embrace.

What’s the deal with Leonardo’s harpsichord-viola? Why were Impressionists obsessed with the color purple? Art Bites brings you a surprising fact, lesser-known anecdote, or curious event from art history. These delightful nuggets shed light on the lives of famed artists and decode their practices, while adding new layers of intrigue to celebrated masterpieces.

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com

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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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