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Art Galleries Report Steep Revenue Drops Amid Closure – Barron's

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Count art dealers among the cultural groups across the U.S. that are hurting amid the coronavirus pandemic. 

A broad survey of galleries across the country conducted by the Art Dealers Association of America (ADAA) reveals that these small businesses expect a gross revenue loss of 73% in the second quarter of this year, following a 31% drop in the first quarter. 

The survey of 168 galleries included ADAA members, as well as members of other national and regional art dealer associations. The results provide concrete data to support concerns galleries have raised about the difficulties of closing their doors, and shifting a relationship-driven business completely to the virtual world. 

No one is expecting a pick up as the year goes on, either. As a result, more than a quarter of the 168 respondents don’t plan to participate in an art fair this year, while another quarter are undecided. Only 47% expect to take part in at least one fair, the survey found.

Bowing out of art fairs is understandable, given the expense of participating, and the difficulties amid gearing up for a fair that may not take place at all. But not participating may also be devastating. Last year, 45% of gallery sales by value  occurred at the approximately 300 art fairs worldwide, according to the Art Basel and UBS Global Art Market Report 2020.

Since March, art fairs have either been canceled, postponed, or moved online. 

Despite gallery closures, and the resulting sharp revenue drops, dealers have retained 85% of their full-time staff. Still, they no longer employ 74% of the contractors they regularly worked with, the survey found. Before the pandemic-related closures began in mid-March, galleries responding to the survey had 1,035 full-time staffers and 521 contractors. 

But galleries don’t just support their employees and contractors—they also support artists. In a news release on the survey results, the ADAA points out that artists “rely heavily on galleries” for income and “as a major force in fostering their careers by sponsoring the creation of new work; helping to place their works in collections of major institutions; and developing exhibitions and scholarship about their practices.” 

Galleries surveyed represent 2,421 living artists and 340 artist estates, the release said. 

A difficulty galleries face is one all small businesses are dealing with: how to pay for their physical spaces. Among those surveyed, 80% rent their galleries and only 51% had received some type of accommodation from their landlords. For those who own their galleries and have a mortgage, only 14% had received accommodation from their lenders, the survey said.

Among various efforts by the ADAA, the group has been pushing in New York—home to many U.S. galleries—for a state senate bill that would provide rent and mortgage relief to galleries, artists, freelancers, and contractors.

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Oilers' Draisaitl reflects on Art Ross Trophy win: 'You dream of these things' – CKPGToday.ca

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Davies, meanwhile, the Canadian refugee-turned-soccer-phenom, is turning more heads each week for Bayern Munich in the Germany’s Bundesliga, with his matches becoming must-see-TV for many fans back home.

The pair — elite talents from non-traditional countries in their sports — have stayed in touch since the 19-year-old Davies dropped the ceremonial puck at an Oilers’ game in December.

“I kind of know what he’s going through right now with soccer being so big back home and hockey being big in Canada,” Draisaitl said on a video conference call with reporters Thursday. “Coming over and trying to adjust and find your rhythm, find your game, find your life a little bit.

“He’s becoming a very, very good player. It’s very fun to watch, fun to see.”

After a stuttering start to his NHL career, Oilers fans feel the same way about Draisaitl.

The 24-year-old finished the regular season with 43 goals and 110 points in 71 games, 13 clear of teammate and fellow star Connor McDavid.

Draisaitl was on pace for 127 points — one short of Nikita Kucherov’s mark last season — a total that came on the heels of the 105 he put up in 2018-19.

“I’m proud of it,” he said of the Art Ross. “It’s a cool story for myself personally, no question.”

That story, however, had a somewhat rocky beginning.

The No. 3 pick at the 2014 draft got a 37-game audition with Edmonton as a teenager before getting sent back to junior. Draisaitl arrived at training camp the following September looking to stick, but was shipped to the minors for six games.

While it might not have seemed like it in the moment, that extra seasoning was important.

“I don’t think I was ready at the time,” Draisaitl said of playing in the NHL as a teenager. “It’s OK to maybe take a step down. That was the case with me. In the long run, that was probably the best thing for me, to go back down to junior and start the next year in the AHL.

“Sometimes it’s not a bad thing to take a step back and go at your own pace.”

Draisaitl’s pace has certainly ramped up drastically since those difficult first few seasons.

Along with McDavid, he’s been at the forefront of the Oilers’ resurgence that saw the team sitting second in the Pacific Division with 83 points when the COVID-19 pandemic forced the NHL to pause play March 12.

McDavid is the face of the franchise and one of the faces of the league — but it’s their team.

“It’s been great to stick around the same group of guys for so many years now and see them grow and watch the team grow, watch the organization grow,” Draisaitl said. “It’s definitely a lot of fun to be a part of. We still have a lot of upside.”

He’s also keenly aware he’s become the face of German hockey, which continues to produce high-end talent, including projected top-5 draft pick Tim Stutzle.

“We’re heading in the right spot as a country,” Draisaitl said. “Germany just isn’t a big hockey country. That’s just how it is, but we can still become a very solid hockey country.”

The NHL unveiled its return-to-play plan earlier this week — there’s still lots of hurdles to overcome for the games to actually resume this summer — but the Oilers know if that happens, they’ll face the Chicago Blackhawks in one of eight best-of-five qualifying round series for a right to make the playoffs.

Draisaitl and McDavid started the season on the same line, as they had in the past, but were split up in December to give the team a different look. Draisaitl then carried the load himself when McDavid went down with an injury in February.

“What he’s done for our group has been great,” said McDavid, who along with Draisaitl are in the running for the Hart Trophy as league MVP. “He’s helped both our team and me personally out a ton.”

Oilers defenceman Darnell Nurse said Draisaitl’s breakout the last two seasons after 50-, 77- and 70-point campaigns was part of a natural progression.

“He’s always been very confident, he’s always been an unbelievable hockey player, and he just continues to work,” Nurse said. “He didn’t change much. He just kept playing.”

Never one keen to talk about himself, Draisaitl was more than happy to share the credit for his Art Ross.

“There’s always people that help you get there,” he said. “You dream of these things.

“But until you do it, it always seems so far away.”

A certain Canadian soccer star probably feels the same way.

This report by The Canadian Press was first published May 29, 2020.

___

Follow @JClipperton_CP on Twitter

Joshua Clipperton, The Canadian Press

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Senior art now being showcased by Allied Arts Council of Spruce Grove – Spruce Grove Examiner

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Their online show began Monday and is set to conclude June 12.

Elementum l by Suzan Berwald.

The Allied Arts Council of Spruce Grove knows seniors can create and intends to showcase that in their current exhibition.

To coincide with the province’s Seniors Week, which runs from June 1-7, the organization which oversees the art gallery within the public library in the city is running a 2020 Open Online Seniors Competition and Show. It began Monday, is set to conclude June 12, and, similar to other shows they have done during the COVID-19 pandemic, will see the variety of work ranging from paintings to drawings to 3D pieces and photographs posted on their websites and individually on social media feeds across Facebook and even through Instagram as well.

“We do have quite a few local people,” gallery manager Rebecca New said. “The show has always been Alberta-wide and we will have a judge who will score the pieces before we announce results Saturday in a Zoom call. People will see with this how talented local artists are and how accessible local art is. We hope that people will choose local art for their homes and it is an excellent level of work that we are seeing.”

New and the Allied Arts Council’s peers at the Multicultural Heritage Centre in Stony Plain have been running a version of digital shows during this time as well. They are debating whether to continue on with online offerings as seriously as they have now once they reopen and, for New, in the wake of this show and others they are doing, that is something the Spruce Grove Art Gallery will end up debating, too.

“I think having a digital presence is something that this will eventually shift to,” she said. “Whether or not we still have digital entries to contests, we are not sure how we will proceed with that. We are talking through a lot of options for the future that lies ahead of us.”

More information about the current show and future events can be found on the council’s website.

epretzer@postmedia.com

twitter.com/EvanJPretzer

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Grimes is selling a piece of her ‘soul’ at an art exhibit. SÆriously. – Globalnews.ca

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FOR SALE: One soul piece, slightly used. About 32 years old. Speaks and sings in English and made-up languages. May or may not have belonged to Elon Musk. Name your price. SERIOUS INQUIRIES ONLY.

Grimes is offering up a little part of herself at her very first art gallery show, an online exhibition called Selling Out which features several of her artistic works — and one piece of her supposed “soul.”


READ MORE:
Elon Musk, Grimes keep it weird with name change for baby X Æ A-12

The Canadian-born singer, whose real name is Claire Elise Boucher, opened her online art show on Thursday, less than a month after giving birth to her first child, X Æ A-12 X Æ A-Xii Musk. The exhibition is presented by the Gallery Platform Los Angeles and Maccarone Los Angeles, and it features various “rarities” from her career, including album art, a poem about artificial intelligence and some of Grimes paintings.

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Oh, and a piece of her soul.

Selling Out is executed as a contract in which Grimes sells a fraction of her soul, formalizing the idea that every time an artist sells a piece of their art, part of the soul is sold with it,” the online exhibit says. “The purchaser will enter into a contractual agreement that outlines the terms of ownership and ultimately the connection to the joy of artistic expression.”

It’s unclear what that contractual agreement includes, or whether it restricts the buyer from doing certain things with the soul, such as playing soldiers with it.


A supposed image of Grimes‘ soul is shown.


Maccarone Los Angeles

Grimes initially planned to put a US$10-million price tag on her soul, Rolling Stone reports. However, she ultimately decided to go with whoever makes the best offer.

That means Grimes’ soul could be yours — if you want it. You just have to shoot the art gallery an email to make your pitch.


READ MORE:
YouTube mom Myka Stauffer says she gave up adopted son with autism

Grimes told Bloomberg that she’s excited to put on her first visual art show, after honing her skills by making all of her album covers herself.

“I see myself as a visual artist first and foremost,” she said. “I’ve always felt strange that people know me for music.”

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‘WarNymph Prototype #1: Battle of the WarNymphs,’ by Grimes, is show in this image from Maccarone Los Angeles.

‘WarNymph Prototype #1: Battle of the WarNymphs,’ by Grimes, is show in this image from Maccarone Los Angeles.


Grimes via Maccarone Los Angeles

She describes her artistic style as “edgy-looking, anime horror,” although she wanted to go for something more “philosophical” with selling a piece of her soul.

“The idea of fantastical art in the form of legal documents just seems very intriguing to me.”

Grimes supposedly tapped into her artistic talents to come up with X Æ A-12, the name she and Musk gave their first child after he was born earlier this month. Musk told podcaster Joe Rogan that the name was largely Grimes’ idea.

“Yeah, she’s great with names,” Musk said.

The couple later changed the “12” to Roman numerals to conform with California naming laws.


READ MORE:
Grimes explains why she and Elon Musk named their baby ‘X Æ A-12’

Grimes’ artwork is being sold for between $500 and $15,000, depending on the piece.

The online exhibit is open now, and it runs until Aug. 31 at Maccarone Los Angeles.

© 2020 Global News, a division of Corus Entertainment Inc.

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