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Art Industry News: Did Membership in a New York Cult Contribute to the Demise of Jackson Pollock? + Other Stories – artnet News
Art Industry News is a daily digest of the most consequential developments coming out of the art world and art market. Here’s what you need to know on this Monday, July 3.
NEED TO READ
California Universities Fail to Meet Restitution Requirements – A state audit has revealed that in the three decades since a 1990 federal law established a process for the repatriation of Native American remains or cultural heritage, less than half of California’s 21 campuses have complied. Twelve did not take the initial step of reviewing their collections, and just 6 percent had actually restituted any objects to their original tribe. (The Art Newspaper)
American artist John Dugger Has Died – The itinerant artist has died at 72. He travelled extensively and was known for his avant-garde and highly political artworks and interventions. Most notably, he constructed the People’s Participation Pavilion at Documenta 5 in 1972 and founded the Banner Arts Studio in 1976, dedicated to the textile art form that came to define his practice. (Guardian)
A New Book Connects a New York Cult With the Demise of Jackson Pollock? – Alexander Stille, author of a new book that came out last month called The Sullivanians: Sex, Psychotherapy, and the Wild Life of an American Commune, has suggested there is a connection between Pollock’s untimely death and the Sullivan Institute, a cult based in the Upper West Side of Manhattan. Encouraged by art critic Clement Greenberg to join the group, which was known for encouraging drinking and sexual freedom, Stille suggests Pollock’s membership contributed towards his alcoholism and infidelity to Lee Krasner. He died in a car crash in 1956. (GQ, Daily Mail)
Artist Hsiao Chin Has Died – The Chinese-born pioneer of post-war abstraction in China has died at 88. He lived and worked in Europe for over six decades, fusing Western modernist movements with Eastern spirituality. He died peacefully on June 30 at a hospital in Taiwan, his London gallery confirmed in a press release. (Press release)
MOVERS AND SHAKERS
The First Van Gogh Buyer Gets Her First Solo Show – The Mu.ZEE modern art museum in Ostend, Belgium, is shining a spotlight on Belgian avant-garde artist Anna Boch with the new exhibition “Anna Boch, an Impressionist Journey.” It includes 96 paintings by the artist—the only woman in the Belgian artist group Les Vingt (The Twenty)—including an interior scene in which Boch included one of her two Van Gogh paintings, Peach Trees in Blossom. The Dutch artist infamously sold just one painting—The Red Vineyard—before his death by suicide, and Boch was the buyer. (The Art Newspaper)
More Layoffs in the Art Industry – Amid fears of an art market downturn, there has been a spate of layoffs at a number of prominent companies, including 35 staffers at Artsy—15 percent of its staff. Sotheby’s and LGDR have also reportedly made cuts, and there has been a great deal of staff turnover at online sales platform LiveArt. (The Canvas, ARTnews)
Half of Stolen NFTs Sold Within 3 Hours – A report by blockchain security firm PeckShield found that if you are the victim of an NFT theft, you need to move quickly if you want to reclaim your art, as half of all stolen NFTs are resold within three hours. In more positive news, thieves only made off with $2.27 million worth of NFTs in June 2023, an 85 percent decrease from the high of $16.2 million this February. (Coin Telegraph)
Skarstedt Gallery Hires – New York gallery Skarstedt has made two big hiring moves, snagging LGDR’s Françoise de Saint Phalle as sales director, and Sotheby’s veteran George O’Dell, most recently executive vice president of LiveArt, as senior sales director. (The Canvas)
FOR ARTS SAKE
Murals Celebrate the 125th Birthday Magritte – The city of Brussels is commemorating what would have been Magritte’s 125th birthday on November 21 this year by commissioning eight major murals as part of a new open-air exhibition. These tributes are inspired by the Surrealist’s best-known paintings and are the handiwork of French street artist Julien de Casabianca. (The Brussels Times)
Pedestrians walk in front of a mural reproduction of Rene Magritte’s work painted by artist Julien de Casabianca in Brussels. Photo: NICOLAS MAETERLINCK/BELGA/AFP via Getty Images.
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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”
On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.
Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”
The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.
Blaze in the West Wing
The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.
About Somerset House
Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.
Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.
Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.
Sudbury’s annual art and music festival is marking a significant milestone this year, celebrating its long-standing impact on the local cultural scene. The festival, which has grown from a small community event to a major celebration of creativity, brings together artists, musicians, and visitors from across the region for a weekend of vibrant performances and exhibitions.
The event features a diverse range of activities, from live music performances to art installations, workshops, and interactive exhibits that highlight both emerging and established talent. This year’s milestone celebration will also honor the festival’s history by showcasing some of the artists and performers who have contributed to its success over the years.
Organizers are excited to see how the festival has evolved, becoming a cornerstone of Sudbury’s cultural landscape. “This festival is a celebration of creativity, community, and the incredible talent we have here in Sudbury,” said one of the event’s coordinators. “It’s amazing to see how it has grown and the impact it continues to have on the arts community.”
With this year’s milestone celebration, the festival promises to be bigger and better than ever, with a full lineup of exciting events, workshops, and performances that will inspire and engage attendees of all ages.
The festival’s milestone is not just a reflection of its past success but a celebration of the continued vibrancy of Sudbury’s arts scene.
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