Art
Art lovers remain drawn to Altona's Gallery in the Park – PembinaValleyOnline.com
The Gallery in the Park continues to be an amazing attraction for Altona.
According to Frank Friesen, Chair of the Gallery’s Operations Committee, the facility logged 4,500 visitors during its 2023 season, spanning from June through September. “It continues to be a hot draw for the art lovers in the community and even outside the community. The grounds continue to be well-kept and it’s just a very attractive place.”
The season opened with a collection of historic Kroeger Clocks from across the world, put together by the Kroeger Clock Heritage Foundation. This exhibit, noted gallery curator, Susie Fisher, in a year-end newsletter sent to donors, demonstrated the unique combination of both function and beauty that would have been present in Mennonite homes of the past. The spring exhibit also featured photography by Barb Bottle, pottery by Jozanna Loewen, and paintings by Candace Propp.
On two separate occasions this season, around 600 people came through in one day. One of those days was the Saturday of the Manitoba Sunflower Festival.
“We partnered with the Manitoba Sunflower Festival operating committee to host a silent disco on our beautiful grounds, which drew a diverse crowd. Families, individuals, couples, and young people alike joined us to dance the evening away by listening to pre-programmed playlists on special long-range wireless headphones. Lights and a disco ball lit up the patio. It was a blast!” said Fisher.
The second occasion was the Blue House Market craft sale held in September on the Saturday of the weekend-long Pembina Valley Studio Tour. Meantime, Sunday feature artist Particia Eschuk participate in an artist talk, touring gallery-goers through her exhibit.
August saw the opening of the Gallery’ second exhibit of the season, featuring work by Winnipeg painter, Patricia Eschuk, on the main floor. On the second floor, photographs by Kerry Enns, paintings by Rosalie Olson, drawings by Callen Froese, and paintings by Paulo Delgado were on display.
The month also included a workshop involving kids and youth from the Regional Connections summer day program. They explored new ways of painting with shadows and light.
“Amazingly good things are happening there and the interest continues to grow,” beamed Friesen. “The programming is growing under the direction of Fisher.”
In July, the Gallery also hosted the unveiling of the Orange Bench Project. Launched by the local Steps Toward Reconciliation Committee, the Orange Bench is intended to tell stories from an Indigenous perspective, mostly from the Roseau River Anishinaabe First Nation. The event featured guest speaker, Elder Peter Atkinson, from Roseau River Anishinaabe First Nation. He offered up a creation story as the inaugural story told at The Bench.
Friesen says the committee is looking to expand on its Indigenous offerings in 2025. That includes the addition of a sculpture by a local Indigenous artist, representing the ongoing walk along the path of reconciliation, and an indoor exhibit featuring work by Manitoba Indigenous artists.
Meantime, this past summer was the first in several years where a new sculpture wasn’t added to the grounds. “But there’s plans in place again for next year and the year beyond,” assured Friesen. “I just want to reiterate that, with the support of the Town and the corporate community and the Friends of the Gallery.”
Additionally, the heritage Schwartz House that serves as the gallery is slated for a few exterior updates in the next year or so. That includes new shingles and siding.
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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”
On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.
Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”
The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.
Blaze in the West Wing
The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.
About Somerset House
Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.
Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.
Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.
Sudbury’s annual art and music festival is marking a significant milestone this year, celebrating its long-standing impact on the local cultural scene. The festival, which has grown from a small community event to a major celebration of creativity, brings together artists, musicians, and visitors from across the region for a weekend of vibrant performances and exhibitions.
The event features a diverse range of activities, from live music performances to art installations, workshops, and interactive exhibits that highlight both emerging and established talent. This year’s milestone celebration will also honor the festival’s history by showcasing some of the artists and performers who have contributed to its success over the years.
Organizers are excited to see how the festival has evolved, becoming a cornerstone of Sudbury’s cultural landscape. “This festival is a celebration of creativity, community, and the incredible talent we have here in Sudbury,” said one of the event’s coordinators. “It’s amazing to see how it has grown and the impact it continues to have on the arts community.”
With this year’s milestone celebration, the festival promises to be bigger and better than ever, with a full lineup of exciting events, workshops, and performances that will inspire and engage attendees of all ages.
The festival’s milestone is not just a reflection of its past success but a celebration of the continued vibrancy of Sudbury’s arts scene.
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