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Art on the go: A Corner Brook professor tows a printing press around western Newfoundland

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A man in his 20s or 30s with large glasses and a bright shirt and a baseball hat smiles at the camera. he is kneeling down next to a contraption that is about the size of a wheelbarrow but presses paper together to make prints.
Art professor Andrew Testa takes his travelling printing press to rural areas to encourage people to try printmaking. (Colleen Connors/CBC)

Andrew Testa bends down and grabs two handles on a device that resembles a wheelbarrow and drags it around his house to his backyard in Corner Brook.

The contraption has a large bike wheel on one side and a turning crank on the other. In the middle is a small printing press.

Testa, an assistant professor of printmaking at Memorial University’s Grenfell campus, is spending his summer dragging his portable printing press to rural areas like hiking trails and beaches all over Newfoundland’s west coast.

The project, Printshop in Tow, is taking art-making out of the studio and into the outdoors.

A man is bent over a device that looks similar to a bike. he is helping a child who is about 7 years old how to use the printing press and push the paper through.
Testa took his printing press to many locations this summer, showing children how to use it. (Andrew Testa )

“It’s about getting people really excited about making and whatever comes out of that making and showing that anyone can make,” said Andrew Testa.

The project has attracted about 100 participants, ranging in age from seven to 70.

Laine Skinner, Testa’s research assistant, brought the printing press on wheels to Gros Morne National Park. They were walking the printing press down the street when a bus filled with tourists drove by.

“A lot of people were eyeing what we were doing and skirting around it and were not really sure what to make of it,” they said.

The art-making device certainly stands out, Testa said, but it is surprisingly easy to use.

Testa mostly works with mono prints; the artist draws a picture on using water-soluble crayons, then Testa places a damp sheet of cotton rag paper over the picture and turns the crank wheel to press the inked surface on the damp paper, squishing them together to create a print.

Two pictures of a house and a fireplace. One picture is on a cloth material. The other is on a hard plastic material.
Prints are made by creating an image using water soluble crayons and then presses it on to wet rag paper. (Colleen Connors/CBC )

“Printmaking is really intimidating,” said Testa, since presses are generally large, and in studio spaces. “So usually there is a fear that people have when making a print for the first time, whereas one of the things I wanted to show with this press is how fun and easy it is to do.”

While the summer workshop series may be almost over, Testa says he isn’t done with his travelling printing press.

He plans to take it to outdoor areas with other artists this fall where they can talk and create art.

In the fall of 2024, many of the pieces created with the printing press will go on display at the Tina Dolter Gallery at the Rotary Arts Centre in Corner Brook.

“It is just something that’s really exciting … to continue to push the boundaries of what that is and how that works and being able to take a press on a hiking trail or to take it anywhere that I want to go,” said Testa.

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com

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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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