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ART SEEN: What are better questions than Where do we go from here? – Vancouver Sun

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At the architectural, symbolic and conceptual centre of the Vancouver Art Gallery is a text-work by artist Nya Lewis.

Called Commit Us To Memory, the work’s central location in the rotunda on the third floor focusses attention on the Black art experience in Canada. As well, its siting made me think of the historical role the VAG has played as an institution in defining what constitutes art in B.C.

The text-based work is in the exhibition Where do we go from here? which was guest curated by Lewis.

In an interview, she talked about the work and explained how the VAG reached out to her last year to include her in the planning and selection of works for the exhibition.

You can read that story here.

The story is mostly a positive one about a visual arts institution reaching outside to bring in someone with expertise in historical and contemporary Black Canadian art. Maybe best of all, the VAG listened and created a better exhibition as a result.

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But everyone wasn’t in agreement about everything all the time. Not surprisingly, when intelligent people get together, they often have different opinions. During planning for the exhibition, one area of disagreement was over the exhibition title.

Untitled Redacted Text by Chantal Gibson is in Where do we go from here? at the Vancouver Art Gallery.
Untitled Redacted Text by Chantal Gibson is in Where do we go from here? at the Vancouver Art Gallery. PNG

Lewis said she challenged the VAG curators about the meaning of Where do we go from here?

For many Black Canadians, it’s like going backwards and posing a question that’s been asked before but never properly addressed.

“To me, it suggests that we haven’t been here before,” she said.

“We’re at this cross roads that for many non-Black people feels new but if you’ve lived thorough the Civil Rights movement, then it isn’t new.”

She said it’s also not new if you haven’t been recognized by an institution despite spending years making work as a Black artist.

The answer to the rhetorical question of the title, she said is “What’s missing? Who is missing?

“It’s not that we need to prove that voices aren’t important. We know that we are. But really we need to challenge the biases that would have them missing in the first place.”

Later on this year, Jan Wade is having a solo show at the VAG. Her vibrant textile-based works were one of the artists I was introduced to in Where do we go from here?

Lewis said that part of her contract with the VAG included requiring the institution to buy and collect work by Black artists during the next five years. As well, it included a commitment to hire someone on permanent staff and to have solo shows by Black artists.

“These were things that I required to work with them so it wasn’t a one-off situation,” she said.

“I left them to do that work.”

Nya Lewis is the guest curator of Where do we go from here? at the Vancouver Art Gallery. Photo: Francis Georgian/Postmedia.
Nya Lewis is the guest curator of Where do we go from here? at the Vancouver Art Gallery. Photo: Francis Georgian/Postmedia. Photo by Francis Georgian /PNG

Where do we go from here? continues through Black History Month in February until May 30 at the Vancouver Art Gallery.

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com

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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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