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Artists Lose First Round of Copyright Infringement Case Against AI Art Generators

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Artists suing generative artificial intelligence art generators have hit a stumbling block in a first-of-its-kind lawsuit over the uncompensated and unauthorized use of billions of images downloaded from the internet to train AI systems, with a federal judge’s dismissal of most claims.

U.S. District Judge William Orrick on Monday found that copyright infringement claims cannot move forward against Midjourney and DeviantArt, concluding the accusations are “defective in numerous respects.” Among the issues are whether the AI systems they run on actually contain copies of copyrighted images that were used to create infringing works and if the artists can substantiate infringement in the absence of identical material created by the AI tools. Claims against the companies for infringement, right of publicity, unfair competition and breach of contract were dismissed, though they will likely be reasserted.

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Notably, a claim for direct infringement against Stability AI was allowed to proceed based on allegations the company used copyrighted images without permission to create Stable Diffusion. Stability has denied the contention that it stored and incorporated those images into its AI system. It maintains that training its model does not include wholesale copying of works but rather involves development of parameters — like lines, colors, shades and other attributes associated with subjects and concepts — from those works that collectively define what things look like. The issue, which may decide the case, remains contested.

The litigation revolves around Stability’s Stable Diffusion, which is incorporated into the company’s AI image generator DreamStudio. In this case, the artists will have to establish that their works were used to train AI system. It’s alleged that DeviantArt’s DreamUp and Midjourney are powered by Stable Diffusion. A major hurdle artists face is that training datasets are largely a black box.

In his dismissal of infringement claims, Orrick wrote that plaintiffs’ theory is “unclear” as to whether there are copies of training images stored in Stable Diffusion that are utilized by DeviantArt and Midjourney. He pointed to the defense’s arguments that it’s impossible for billions of images “to be compressed into an active program,” like Stable Diffusion.

“Plaintiffs will be required to amend to clarify their theory with respect to compressed copies of Training Images and to state facts in support of how Stable Diffusion – a program that is open source, at least in part – operates with respect to the Training Images,” stated the ruling.

Orrick questioned whether Midjourney and DeviantArt, which offers use of Stable Diffusion through their own apps and websites, can be liable for direct infringement if the AI system “contains only algorithms and instructions that can be applied to the creation of images that include only a few elements of a copyrighted” work.

The judge stressed the absence of allegations of the companies playing an affirmative role in the alleged infringement. “Plaintiffs need to clarify their theory against Midjourney — is it based on Midjourney’s use of Stable Diffusion, on Midjourney’s own independent use of Training Images to train the Midjourney product, or both?” Orrick wrote.

According to the order, the artists will also likely have to show proof of infringing works produced by AI tools that are identical to their copyrighted material. This potentially presents a major issue because they have conceded that “none of the Stable Diffusion output images provided in response to a particular Text Prompt is likely to be a close match for any specific image in the training data.”

“I am not convinced that copyright claims based a derivative theory can survive absent ‘substantial similarity’ type allegations,” the ruling stated.

Though defendants made a “strong case” that claim should be dismissed without an opportunity to be reargued, Orrick noted artists’ contention that AI tools can create material that are similar enough to their work to be misconstrued as fakes.

Claims for vicarious infringement, violations of the Digital Millenium Copyright Act for removal of copyright management information, right of publicity, breach of contract and unfair competition were similarly dismissed.

“Plaintiffs have been given leave to amend to clarify their theory and add plausible facts regarding “compressed copies” in Stable Diffusion and how those copies are present (in a manner that violates the rights protected by the Copyright Act) in or invoked by the DreamStudio, DreamUp, and Midjourney products offered to third parties,” Orrick wrote. “That same clarity and plausible allegations must be offered to potentially hold Stability vicariously liable for the use of its product, DreamStudio, by third parties.”

Regarding the right of publicity claim, which takes issue with defendants profiting off of plaintiffs’ names by allowing users to request art in their style, the judge stressed that there’s not enough information supporting arguments that the companies used artists’ identities to advertise products.

Two of the three artists who filed the lawsuit have dropped their infringement claims because they didn’t register their work with the copyright office before suing. The copyright claims will be limited to artist Sarah Anderson’s works, which she has registered. As proof that Stable Diffusion was trained on her material, Anderson relied on the results of a search of her name on haveibeentrained.com, which allows artists to discover if their work has been used in AI model training and offers an opt-out to help prevent further unauthorized use.

“While defendants complain that Anderson’s reference to search results on the ‘haveibeentrained’ website is insufficient, as the output pages show many hundreds of works that are not identified by specific artists, defendants may test Anderson’s assertions in discovery,” the ruling stated.

Stability, DeviantArt and Midjourney didn’t respond to requests for comment.

On Monday, President Joe Biden issued an executive order to create some safeguards against AI. While it mostly focuses on reporting requirements over the national security risks some companies’ systems present, it also recommends the watermarking of photos, video and audio developed by AI tools to protect against deep fakes. Biden, at a signing of the order, stressed the technology’s potential to “smear reputations, spread fake news and commit fraud.”

“The inclusion of copyright and intellectual property protection in the AI Executive Order reflects the importance of the creative community and IP-powered industries to America’s economic and cultural leadership,” said the Human Artistry Campaign in a statement.

At a meeting in July, leading AI companies voluntarily agreed to guardrails to manage the risks posed by the emerging technology in a bid by the White House to get the industry to regulate itself in the absence of legislation instituting limits around the development of the new tools. Like the executive order issued by Biden, it was devoid of any kind of reporting regime or timeline that could legally bind the firms to their commitments.

 

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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Sudbury art, music festival celebrating milestone

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Sudbury’s annual art and music festival is marking a significant milestone this year, celebrating its long-standing impact on the local cultural scene. The festival, which has grown from a small community event to a major celebration of creativity, brings together artists, musicians, and visitors from across the region for a weekend of vibrant performances and exhibitions.

The event features a diverse range of activities, from live music performances to art installations, workshops, and interactive exhibits that highlight both emerging and established talent. This year’s milestone celebration will also honor the festival’s history by showcasing some of the artists and performers who have contributed to its success over the years.

Organizers are excited to see how the festival has evolved, becoming a cornerstone of Sudbury’s cultural landscape. “This festival is a celebration of creativity, community, and the incredible talent we have here in Sudbury,” said one of the event’s coordinators. “It’s amazing to see how it has grown and the impact it continues to have on the arts community.”

With this year’s milestone celebration, the festival promises to be bigger and better than ever, with a full lineup of exciting events, workshops, and performances that will inspire and engage attendees of all ages.

The festival’s milestone is not just a reflection of its past success but a celebration of the continued vibrancy of Sudbury’s arts scene.

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