This is Mistletoe Market’s last week at the Rollin Art Centre.
Mistletoe Market showcases the amazing talent in the Valley, featuring all local artists, artisans and crafters. You will find something for everyone on your list: pottery, jewellery, scarves, photographs, original paintings, glass works, quilted stockings, holiday cards, ornaments and much more.
Mistletoe Market runs until Dec. 21. Gallery hours are Tuesday to Saturday, 11 a.m. to 4 p.m. We are located at the corner of Argyle Street and Eighth Avenue. We are also wheelchair accessible.
HOLIDAY EXTENDED HOURS
The Rollin Art Centre will remain open late on Friday, Dec. 20 from 11 a.m. – 8 p.m. Enjoy some holiday shopping in our gift shop and gallery.
The Rollin Art Centre will be closed starting Dec. 24 and will re-open Jan. 14 for our annual Winter Maintenance closure. We will re-open with a new art exhibit featuring photographs by Courtney Naesgaard and John Douglas from Jan. 15 – Feb. 8.
LAST KRAFT DAY
This is your last chance to join us at the Rollin Art Centre for an afternoon of Christmas krafts.
If you are between the ages of 7 and 13 and you are looking for a fun way to spend a Saturday afternoon, then join us for Krafty Kids Korner on Saturday from 1-3 p.m. Create some fun memories and crafts relating to Christmas.
No registration is required—just come on by. The cost is $15.
BOOK DONATIONS NOW ACCEPTED
The Community Arts Council is now accepting all gently used books for our giant book sale in May. Usually we don’t take them until February, so if you’re cleaning out your reading materials, now is a great time to make room for new ones by donating all those books to the Rollin Art Centre. Books can be dropped off Tuesday to Saturday, 11 a.m. – 4 p.m.
WINTER WONDER BANDS
Enjoy an evening of holiday music performed by the AV Community Band, Harbour City Big Band, ADSS R&B Band, and the 50+ member ADSS Choral Band on Wednesday, Dec. 18 at 7 p.m.
Admission is by donation with proceeds to “Kuu-us Crisis Line Society” to support youth in our community during what can be a hard time for families. A silent auction, with items created by the ADSS Art Department, will also be held. Proceeds go to Kuu-us Society, as well.
Enjoy a Winter Solstice Dance Party fundrasier at Char’s Landing on Saturday, Dec. 21 at 7 p.m. Dance to Mystic Groove Band & Cool House Tunes. All proceeds go to Char’s Landing and Alberni Art Rave.
Tickets are $10 and are on sale now by phone (778-421-2427) at the Rollin Art Centre and Gayle’s Fashions (cash only) or online (brownpapertickets.com).
BANNER PAINTING PROJECT
The Arrowsmith Rotary Club’s annual banner painting at Glenwood Centre will begin Feb. 6. Registration forms are now available at the Rollin Art Centre. The deadline to register is January 29. The cost is $35 to paint and keep your banner after they are taken down, or $10 just to paint a banner.
Painting dates are Thursday, Feb. 6, (4-8 p.m.), Friday, Feb. 7, (12-8 p.m.), Saturday, Feb. 8, (9 a.m. – 4 p.m.), Sunday, Feb. 8, (9 a.m. – 4 p.m.).
The Heart of Winter Group Exhibit runs through Feb. 21. All are welcome to mix and mingle whilst enjoying seasonal refreshments at the opening reception on Jan. 10 from 6-8 p.m.
Visit us online at www.drawgallery.com and at the corner of Melrose Street and Eighth Avenue. We’re open Tuesday through Friday, 12-5 p.m., and by appointment. Call 855-755-0566.
Melissa Martin is the Arts Administrator for the Community Arts Council, at the Rollin Art Centre and writes for the Alberni Valley News. Call 250-724-3412.
Estevan is to see a new carved art project attracting attention to contemporary soldiers – Estevan Mercury
Beloved chainsaw sculpture artist Darren Jones has been back in the Energy City bringing more art into the community.
Some of his local historical art pieces, such as the Soldiers’ Tree and Forever in the Clouds monuments, are well known not only in the province but also attracted attention from all across the country. Other creations such as tributes to Estevan’s industries and sports along with other private projects Jones completed became locals’ favourite sites.
This time he came to fulfill another valuable project, that is meant to bring light to the contemporary soldiers coming back from missions and living among us, often carrying emptiness and trauma inside.
Lester Hinzman, a man behind the ideas for the Soldiers’ Tree, Forever in the Clouds and now this piece, said that to him this monument is about love.
“Soldiers’ Tree is a story of war. Forever in the Clouds is the story of a terrible accident. And this is a story of love,” said Hinzman.
He went on to explain that the soldiers today fight for others and the Canadian values in peacekeeping missions, and they need help returning to normal life after they come back. But often they can’t ask for it, struggling with it in the silence of their own lives. So Hinzman wanted to do something to tell their story, as he saw what it takes for a man to come back from war first hand.
“This man fought for his country and his belief system,” said Hinzman explaining his idea of the project.
Hinzman came up with an idea to attract more attention to contemporary soldiers and the trauma they deal with a while ago. Then the wheels started turning and things started coming together like a puzzle. Jones came to Estevan to work on this and a few other projects about a month ago, and going by Hinzman’s idea and passion, he developed the idea and created a unique monument that tells a story of love, trauma and ignorance at the same time.
“I’m doing a returning soldier memorial to show appreciation for what they do,” Jones said. “They need assistance and we need to bring some awareness to veterans and returning soldiers and problems that they have. And we need to take care of them.”
Through his art, Jones wanted to show the real feeling behind Hinzman’s idea. He wanted to make something bigger than just a memorial.
“I’m doing the returning soldier and there is an Afghan child giving him a hug for giving him a book because we don’t make war, we should be peacekeepers. That’s the first part that you are going to see, a returning soldier getting appreciation from people he helped when he was overseas.
“But I also wanted to bring to attention to that the fellow sitting in the very front on the bench that you can sit with. He is the one that’s already returned and that’s been forgotten,” Jones explained.
Thus, the new monument consists of two parts. There is a soldier with a prostatic leg that is planned to be made out of steel hugging the Afghan child with a book in his hands, which represents the service and feats of Canadian soldiers. In front of them, there is a smaller monument of another contemporary soldier, who came back from a mission and ended up on the street, alone and forgotten, with a little help board in his hands. The bench next to the monument will allow people to sit next to the forgotten soldier and look closer at him, reminding them that it’s everybody’s part to remember and help the soldiers who’ve been protecting others paying a very high price.
Jones added that he’ll make the top part look like a real-life scene, and the bottom will be an actual monument, bringing the big idea down to earth and raising awareness about a serious problem that exists in the society.
“We need to support them and they don’t get the support. There is a lot of them that have problems dealing with the horror of it all, and the nightmares that they get. Sometimes they can’t tell the nightmare from reality. And they drink or (use drugs), which doesn’t help. It’s the way to escape it for a while, but they need help,” said Hinzman.
Jones used a picture of an Estevan man, who served in Canadian troops and was a part of one of the Canadian peacekeeping missions, as a prototype for the contemporary military working uniform.
The idea of the monument was inspired by a quatrain poem Hinzman wrote, which will be a part of the carved statue.
“The scars run deep, not all you see,
But like a root it’s still a part of the tree.
The pain is there, it’s part of life
It’s our duty to help with the strife,” Hinzman’s poem reads.
Hinzman explained that the monument represents what contemporary soldiers do and also different levels of trauma soldiers deal with.
“You can see the loss of a leg, but you can’t see the pain that’s in his heart and his soul. And like the root, it’s still part of that tree, and you don’t see it, but it’s an intercut part of that tree … And the pain is there every day. And it’s our job to help with that,” Hinzman said.
Jones added that the forgotten soldier monument at the base of the composition represents that inner trauma.
“There is going to be an underlying theme between the tree and the soldiers, and the memorial,” Jones said.
Even though Jones had some pictures that he is using as an idea, he is trying to keep both soldiers’ faces pretty generic as they represent many returning soldiers and their stories.
“I want it to really touch some people’s hearts. And maybe that’s going to inspire someone to stand up and do something for them,” Jones said.
For the monument, Jones used a dry, 108-year-old black poplar that was leaning over the road in the Estevan area. When the carving work is done, Jones will stain and colour the wood, making a transition between the real-life and the monument parts of the composition.
At the time of the interview, it wasn’t decided where the monument will be located after it’s completed. Follow the Mercury for more updates on the progress on the monument and its future.
And while Jones spent about a month in Estevan so far, the work on the soldier monument has been going pretty slow. Jones said that first, the emotion and passion behind the monument has to be captured and performed properly.
“I’m not rushing this one, but it’s coming out beautifully,” Jones said.
But the popular in this area artist also had several other projects to accomplish. Jones brought the refurbished benches back to Estevan Soldiers’ Tree site and together with some community members placed themn where they belong by the courthouse. He also worked on private projects in Hitchcock, Manor and Estevan.
“Since I got here I’ve done well over a hundred feet (30 metres) of curved sculpture. I worked every single day. I’ve carved a tattoo. I’ve carved a memorial bench for a lady in Manor for her husband that passed. It’s actually a tribute to their farm from trees that were on the farm,” Jones said.
Another person asked him for a totem pole, and he made a statue with wildlife, a lot of which was inspired by local animals he saw while driving around the area. There is also a bench at the bottom, making it functional. Jones also carved an eagle and a crocodile for other community members.
Once Jones is done with projects in the area, he will head back to Alberta, but he said he is going to be back again as he has really warm feelings for Estevan and the people here.
A new way to connect to Winnipeg's world of art – CTV News Winnipeg
The Winnipeg Arts Council is rolling out a new app that helps bring the city’s art right to your phone.
Over the last several months, the Winnipeg Arts Council has been working on making Winnipeg’s art world more accessible and fun. Tamara Rae Biebrich, senior public art project manager for the Winnipeg Arts Council, said there are usually guided walking and bike tours through the summer, but due to the COVID-19 pandemic, things had to change.
(‘Metis Land Use’ by Tiffany Shaw-Collinge at Markham Station. Photo by Anna Mawdsley)
“We thought this is really the right time to create a mobile app so that people can have a self-guided experience, so that they have a safer social distance way to explore the city and to kind of make sense of the strange times we are living in,” says Biebrich.
The Winnipeg Public Art Works app features art and murals all over the city. Biebrich says along with maps, there are also interactive elements, including trivia questions, fun facts about each piece, and even clips from the artists talking about their work.
Each art piece that is included in the project has been commissioned by the City of Winnipeg’s Public Art program.
(“Bokeh” by Takashi Iwasaki and Nadi Design in Kildonan Park. Photo by D Works Media)
“We have been working with artists and city administration and community members for the last 15 years, creating art work throughout our city,” Biebrich said. “So, we included all of those pieces that are owned by the City of Winnipeg and are part of the city’s collection.”
You can find the app by searching for Winnipeg Public Art Works in the App Store or Google Play.
(Monument by Michel de Broin. Photo by Michel de Broin)
Creative minds for reimagined times; PG Art Scene lives on – CKPGToday.ca
PG Art Scene
Sep 29, 2020 4:09 PM
PRINCE GEORGE – The arts are alive and well in the Northern Capital according to the Executive Director of the Community Arts Council of Prince George and District.
“In an odd way, demand for art and culture, and hands-on participatory in arts and culture, has never been this high,” stated Sean Farrell, Executive Director fo the Community Arts Council.
Farrell says they’re seeing people buying tickets to events that they never had any intention in attending, but are wanting to support local.
“I think a big goal for Prince George’s thriving arts and culture and entertainment community is to preserve this year,” said Farrell. “There’s a real effort right now, let’s get through to the other side and make sure what we had going into the pandemic and the shutdown gets through to the other side. It’s really interesting to see how many organizations like ours are reimagining how they can do things.”
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