Well, here we are, hurtled pell-mell into the week before Christmas. Where did the time go?
I hope you have been enjoying all the Christmas arts and culture events I have been highlighting in my column and they have added to your enjoyment of the holiday season. I want to let you know I will be taking a short holiday break from the column, so the next one will be on Facebook on Jan. 8 in the evening and in the emailed headlines Jan. 9.
For those of us doing some last-minute Christmas shopping (and yes, I am including myself in that group), the galleries and shops in Orillia’s Arts District and downtown are open and ready for you with handcrafted, one-of-a-kind pieces for your special someones. Buy a gift from a real person and not a corporation this holiday season. Most galleries and shops are open Saturday all day. Some are open Sunday as well.
Local painter Will McGarvey is having a one-day studio sale this Saturday from 10 a.m. to 4 p.m. in his studio at 15 Peter St. S., upstairs (above Shadowbox). There are eight-inch-by-eight-inch original oil paintings on panels for only $150, limited editions for $100 with a $50 framing coupon from Shadowbox, and selected other pieces on sale. This is your chance to own one of Will’s stunning works. Come check it out!
Looking ahead to plan out your January, the City of Orillia parks, recreation and culture guide is out with lots of great courses to attend starting in January. Not just for sporty folks anymore, there are lots of cultural offerings as well, for all ages. For more information and to register, click here.
Also starting in January, the Orillia Museum of Art and History (OMAH) has a whole new line-up of workshops you can attend, again, for all ages. Check out still-life drawing classes, Monday crafternoons, wine and paint nights, lunch ’n’ learns, family fun drop-ins, and history speaker evenings, all at OMAH. For more information, go to https://www.orilliamuseum.org/programs.
January also brings the second part of the Mariposa Arts Theatre film nights, starting Jan. 15. Titles are coming soon. You can check the website for more details. Always a fun night and money goes to this great community theatre here in town.
Jan. 15 is also the deadline for submitting your proposal for the Mulcahy Publishing Initiative at OMAH. Submit your proposal involving a book about the history of the area, for publication. For more information, go here.
Lots of music at the bars over the next few days. At the Brownstone Café on Thursday: Great Women in Song, selected songs performed by Kayla Mahomed, Olivia Duck, Sam Johnston and Alex Rabbitson; Saturday: Warming Winter Solstice with Morgan Rider and The Doozies. At the Hog N’ Penny on Friday: Charlotte Unplugged; Saturday: Terry Savage. At Fionn MacCool’s on Friday: Derrick Zuber; Saturday: Shane Cloutier. At Lake Country Grill on Thursday: Jazz Standards. Saturday at ANAF Orillia (Army Navy and Airforce Hall) come to a dance with Wendy Whelan and band.
Have a wonderful holiday season and don’t forget to send me your 2020 events, at email@example.com, by Tuesdays at noon.
Toronto's outdoor museum for street art is a perfect activity for these pandemic times – blogTO
All murals can be explored virtually on the museum’s website, which includes info about the works and artists.
It was inspired by similar public space projects in places like The Bronx and Berlin.
One of the new initiatives from the museum is an app that you can download to your phone and use to make your way among the murals, finding out information about each piece and the artists that created it as you go.
As COVID-19 numbers continue to rise, finding safe, outdoor activities in Toronto is on many people’s to-do list and this outdoor museum might just be one that’s perfectly suited to the times.
Art as reconciliation: Ymir artist hosting BC Culture Days event – Nelson Star
It took Damian John decades to realize words weren’t always the best way to connect with people.
When John was in his 20s he became woke to the problems of the world and hoped to make a change. In his 30s, having failed to make that change, he struggled with depression and anxiety.
But four years ago the now 43 year old quit his career as a massage therapist to focus on his art. That choice led to an epiphany.
“I think the dialogue that we have with words is limited. You have this understanding of words, I have an understanding of words. Sometimes they don’t match up,” he says.
“We’re really bad at telling each other what we’re feeling and we’re really bad at understanding what the other person is saying to us in general, even with people we know well. So I thought, but what about having art do that for us and being creative with how we speak to each other.”
John, a Ymir-based artist, hopes to meld words and art into a new type of conversation when he hosts a workshop for BC Culture Days on Sept. 26. Jones was the only West Kootenay artist named ambassador to the annual event, which will run Sept. 25 to Oct. 25.
His livestream is titled Exploring Reconciliation Through Creativity, in which John plans to tell the story of how colonization affected his family and people before having participants create art based on the discussion.
A member of Tl’azt’en First Nation near Prince George, John grew up with a family traumatized by the residential school system. His father attended nearby Lejac Residential School, a Catholic-run facility that operated from 1922 to 1976.
The school is partly remembered now for being the place four boys froze to death while trying to escape from in 1937.
“All of my family on that side is directly impacted by colonization, by residential school,” said John, “and that impacts us as his children, that affects nephews and generations that are coming after us. There’s a heavy, heavy impact mentally, health wise, relationally, all of these various components which would take a long time to talk to or speak to in a real strong way.”
First Nations art has always been a part of John’s life. His father brought pieces home, and John was later influenced by artists Robert Sebastian and Roy Henry Vickers.
John’s own art is vibrant, colourful and distinctly modern. In his work he’s found a place to explore his culture and voice concerns while also being in control of the outcome in a way he never felt he could in conversation.
“If I want to have a life that has any feelings of quality to it, I need to shift things,” he says. “So making things that I think are beautiful, and allowing people to engage in that space as well, felt useful.”
That’s how he hopes the people who take his workshop feel after creating their own work. John wants to inspire new ways of discourse about difficult topics despite personal differences, and he thinks art is the key.
“How do we bridge those spaces to come to a place of community and goodwill and conflict resolution?” he says. “In spite of being devastated by all the information out there I still have hope we can do things differently.”
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Outdoor art in a concrete jungle – Excalibur Online
Shaughn Clutchey | Arts Editor
Featured Image: Liz Magor’s “Keep” is located in the Central Square courtyard.
Photo Credit: Excalibur
Between Vari Hall and the Behavioural Sciences building is a set of three stone blocks. Two are made of concrete, and between them is a smaller piece of black cambrian granite.
Inconspicuous in form and inviting as a spot to lean or sit between classes, these blocks are not remnants of ongoing construction or a sort of chic patio furniture. As a unit, these blocks are titled “Noire Solaire, Basse” and were commissioned by Canadian sculptor Jocelyne Alloucherie in 1993.
Jocelyne Alloucherie’s “Noire Solaire, Basse” is located between Vari Hall and the Behavioural Sciences building. (Photo Credit: Excalibur)
“Noire Solaire, Basse” is just one installation in a collection of vibrant outdoor sculptures located across the York campus.
Although York began collecting sculptures as part of a campus beautification initiative in the early 1970s, new relevance has been given to this outdoor art collection in light of the cultural shift influenced by the COVID-19 pandemic. Modes of art consumption are changing—galleries, theatres, and other venues that have traditionally allowed for a direct, in-person relationship between art and audience can no longer operate in a traditional manner.
Allyson Adley is the collection and education assistant at the Art Gallery of York University (AGYU). With much of York’s campus being closed this semester, Adley agrees that the importance of this collection has increased as a reminder of campus community and culture.
“Engaging with artworks outdoors can be a meditative experience,” Adley explains. It can “provide students with an opportunity to slow down and practice mindfulness by observing the artworks and their relationship to the surrounding landscape and architecture.”
A third-year environmental studies student at York, who wishes to remain anonymous, agrees. “I love the idea of having art exhibits on campus,” they say. “It’s important to have art that can inspire or present the opportunity to admire creativity in normally bland areas.”
Mark Di Suvero’s “Sticky Wicket” is located near the Atkinson building. (Photo Credit: Excalibur)
Adley iterates that completing a self-guided tour is a useful way to explore the collection. It is also an opportunity to acquaint or reacquaint with campus.
“Following a self guided tour is an excellent way to get to know the campus and explore our outdoor collection,” Adley says.
Adley adds: “Although the tour can provide information about the artist’s interests and motivations behind the creation of a given work, students are encouraged to consider their own personal responses. What comes to mind when standing next to a work? How does the work make you feel? Instead of relying on prescribed interpretations, can you bring your own perspectives into your process of meaning making and trust your own instincts and insights?”
These interpretations and perspectives can be related to the culture and society COVID-19 has created.
One piece that stands out in this regard is Liz Magor’s “Keep,” conveying the idea of a natural retreat, particularly as a last resource. “Keep” consists of a bronze cast of a willow tree trunk with a rubber sleeping bag protruding from one end.
Liz Magor’s “Keep” is located in the Central Square courtyard. (Courtesy of AGYU)
“The piece speaks of the need to escape from densely inhabited urban settings and find refuge in nature,” Adley explains .
“I think in the current climate and context of the pandemic, social distancing and isolation has not been freely chosen but rather encouraged in communities across the world in an effort to protect people’s health and slow the spread of the virus.”
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