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Billionaire's looted art still on display at Israel Museum – Coast Reporter



JERUSALEM (AP) — One of the Israel Museum’s biggest patrons, American billionaire Michael Steinhardt, approached the flagship Israeli art institution in 2007 with an artifact he had recently bought: a 2,200-year-old Greek text carved into limestone.

But shortly after it went on display, an expert noticed something odd — two chunks of text found a year earlier during a dig near Jerusalem fit the limestone slab like a jigsaw puzzle. It soon became clear that Steinhardt’s tablet came from the same cave where the other fragments were excavated.

Last month, Steinhardt surrendered the piece, known as the Heliodorus Stele, and 179 other artifacts valued at roughly $70 million as part of a landmark deal with the Manhattan District Attorney’s office to avoid prosecution. Eight Neolithic masks loaned by Steinhardt to the Israel Museum for a major exhibition in 2014 were also seized under the deal, including two that remain exhibited at the museum.

Museums worldwide are facing greater scrutiny over the provenance — or chain of ownership — of their art, particularly those looted from conflict zones or illegally plundered from archaeological sites. There are growing calls for such items to be returned to their countries of origin.

Donna Yates, a criminologist specializing in artifact smuggling at Maastricht University, said that several recent scandals involving looted artifacts — such as the Denver Art Museum’s return of Cambodian antiquities — are “causing museums to reconsider the ownership history of some of the objects that they have.”

“They can’t really afford the public embarrassment of constantly being linked to this kind of thing, because museums aren’t wealthy and many of them hold a place of public trust,” she said.

In addition to the Heliodorus Stele and two of the ancient masks, at least one other Steinhardt-owned artifact in the Israel Museum is of uncertain provenance: a 2,800-year-old inscription on black volcanic stone. The museum’s display states the origin as Moab, an ancient kingdom in modern-day Jordan.

How it got to Jerusalem remains unclear.

Steinhardt gave the Royal Moabite Inscription to the museum on extended loan in 2002, shortly after buying it from a licensed Israel dealer in Jerusalem, said Amir Ganor, who heads the Israel Antiquities Authority’s theft prevention unit.

That dealer, who confirmed the deal but spoke on condition of anonymity because of the legal questions surrounding the item, told The Associated Press that he obtained the inscription from a Palestinian colleague in Bethlehem, in the Israeli-occupied West Bank, who didn’t specify its provenance.

“I don’t know how it got to the dealer in Jerusalem,” Ganor said. He said it could have come from the West Bank, neighboring Jordan or through Dubai, a longtime antiquities hub.

The Israel Museum declined interview requests and refused to show the artifact’s documentation.

But in a statement, it denied wrongdoing, saying it “consistently follows the applicable regulations at the time the works are loaned.” It said all displays are “in full cooperation” with the antiquities authority.

The Manhattan District Attorney’s Office said the Moabite Inscription wasn’t part of the Steinhardt investigation and declined to discuss the item.

James Snyder, who was the Israel Museum’s director from 1997 to 2016, said all artifacts coming to the museum have their provenance checked by the IAA before they’re exhibited, and that Steinhardt’s other looted artworks “came with documentation of legal ownership.”

“We were given documentation of legal purchase, it was approved to come in on loan and it was approved to be returned” by the authority, Snyder said.

Israel has a legal antiquities market run by some 55 licensed dealers. They are allowed to sell items discovered before 1978, when a law took effect making all newfound artifacts state property.

This market has provided an outlet for the laundering of smuggled and plundered antiquities from around the Middle East that are given fabricated documentation by dealers in Israel. Israel began closing that loophole in 2016, when it mandated a digital database of dealers’ artifacts.

Israel recently returned smuggled antiquities found in dealers’ stores to Egypt and Libya. Other antiquities stolen from Iraq and Syria — including thousands of cuneiform tablets purchased by Hobby Lobby owner Steve Green in 2010 — were smuggled to Israeli dealers before being sold to collectors with fraudulent documentation.

Morag Kersel, archaeology professor at DePaul University in Illinois, said the wanton plunder of archaeological sites across the Middle East ultimately “is all demand driven.”

“Looters do this because there’s someone like Steinhardt who’s willing to pay money and buy things that come straight out of the ground,” she said.

Under the deal, the Manhattan District Attorney seized 180 of Steinhardt’s artifacts and will repatriate them to their respective countries. Steinhardt also agreed to a lifetime ban from acquiring antiquities — though it is unclear how that ban will be enforced.

Steinhardt, 81, is a longtime patron of the Israel Museum and many other Israeli institutions, including a natural history museum at Tel Aviv University bearing his name. Since 2001, his family foundation has donated over $6.6 million to the Israel Museum, according to partial U.S. tax filings.

Steinhardt was not accused of plundering any items himself and has said he did not commit any crimes. But the DA’s office said he “knew, or should have ascertained by reasonable inquiry” that the antiquities were stolen.

Steinhardt declined an interview request. His office issued a brief statement saying the Manhattan DA “did not challenge Mr. Steinhardt’s right, title, or interest to any of the artifacts” other than those in the settlement.

The DA began investigating Steinhardt’s massive antiquities collection in 2017 after he loaned a Bull’s Head sculpture to the Metropolitan Museum of Art that had been plundered from a site in Lebanon.

The DA says the three items at the Israel Museum are “effectively seized in place,” and has opened talks with Israel to coordinate the return of 28 additional items. It said Steinhardt “has been unable to locate” the final nine items traced to Israel.

Of those 40 artifacts, more than half are believed to have been plundered from West Bank sites, according to court documents. An additional nine artifacts from Jordan, many sold to Steinhardt through Israel’s licensed antiquities market, are also being repatriated.

Neither the Jordanian government nor the Palestinian Tourism and Antiquities Ministry responded to requests for comment. Under interim peace deals in the mid-1990s, the fate of items taken from the occupied West Bank is to be part of a still elusive peace deal.

The Israel Museum said it had only recently learned about the settlement and is currently examining the matter.

For now, the plundered artifacts in the museum still bear Steinhardt’s name.


Follow Ilan Ben Zion on Twitter at

Ilan Ben Zion, The Associated Press

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Art thieves make off with sculptures from Kelowna gallery –



Kelowna RCMP are investigating a brazen early morning art heist at Gallery 421 in the city’s South Pandosy district.

Gallery co-owner Ken Moen said two masked men took a crowbar to the front doors just before 2 a.m. Saturday and made off with almost $70,000 of Canadian fine art.

“It was a total of three minutes. They were in, they were out,” he said.

“All things considered, we feel fairly lucky because they did zero vandalism. We have paintings on the walls they didn’t touch. It was very targeted.”

Moen said the criminals immediately ran for the most expensive, heaviest works on display at the back of the gallery: two bronze sculptures by noted Calgary area cowboy artist Vilem Zach, each weighing about 40 kilograms.

The thieves quickly loaded up a vehicle, re-entered and snatched three smaller bronze sculptures cast by Summerland’s Michael Hermesh, three glass bowls blown by Jeff Holmwood, and two soapstone bear carvings from Vance Theoret.

“They knew what they were getting,” Moen told CBC News.  

“I think someone has a shopping list and they sent them here … somebody probably said go grab the most expensive sculptures and get in and get out.”

Moen says the bronze has little value smelted down or sold as scrap. Selling the works of art will be difficult at any Canadian galleries or auction houses.

The break and enter was caught on the gallery’s security cameras.

The RCMP are seeking information on two male suspects.

“One suspect is described as wearing a red bandana over his face, a grey tuque, grey sweater, black track pants with white pin stripes and white shoes. The second male suspect is described as wearing a mask over his face, a black hoodie, grey sweatpants and with black Adidas shoes,” said RCMP Cst. Solana Paré.

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Cold comfort: film, music, art and more to combat the winter blues – The Guardian



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Cold comfort: film, music, art and more to combat the winter blues  The Guardian

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Letters: Art in the time of COVID – Richmond News



Dear Editor,

During WWII, Britain’s Prime Minister Winston Churchill was asked to cut the arts programs to adequately fund the war effort, to which he responded, “Then what are we fighting for?”

Many of us feel as though these past two years have been akin to a war, or at least a battle. If you are like me, it often feels like we take a few steps forward, followed by a few more steps back, particularly as new variants, such as Delta and Omicron, rear their ugly heads.

Two years later, I don’t think I am alone in feeling like I have been in the midst of a war zone, trying to keep myself, my family, my friends and my community safe during uncertain and unpredictable times.

While we collectively try to preserve and protect our physical health, we cannot lose sight of our mental wellness. At times during this pandemic, I have felt sad, scared, anxious, depressed, forlorn, hopeless, mad and defeated — often feeling more than one of these emotions at once.

Reflecting on Churchill’s quote, I have come to realize that the man was onto something, and art might be a much-needed respite to our ongoing struggle. Will we solve the world’s problems with a bit of paint and paper? No. Might art bring us some light and happiness in these dark, cold, Covid-laden days? Yes, I think so, and there is solid evidence to back this conviction.

Last month, I ordered some coloured pencils, crayons, and sketching paper on a whim. I hadn’t done much drawing and colouring since I left elementary school, but I thought, “what the heck!”

When it came in the mail, my heart was delighted, and as I started to colour my less than realistic, stick-figured tree, my soul felt lighter and happier.

I am not claiming that art can solve our problems, but it might help keep our spirits lifted and preserve our mental health. We must hold our public officials accountable for protecting us. But we must also work together to protect our physical and mental wellness so that we can emerge from this pandemic strong and ready to continue our pursuit of a better tomorrow.

Jack Trovato (he/his)


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