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Calamity at Queen’s: Provost’s panicked cuts consume a university older than Canada

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The institution is spiralling, with faculty and students calling the provost a hatchet man who is exaggerating its financial crisis

The gravest mistake so far of Queen’s University’s new Provost Matthew Evans, who is presiding awkwardly over an existential financial crisis at the Kingston, Ont., school, was to speak the truth but phrase it as a conditional.

“I’m concerned about the survival of this institution. Because unless we sort this out, we will go under,” he said.

It was true, on the whole, but provocatively put. And when he said this to faculty and staff at a town hall in December, it was received poorly. To their ears, it turned a sympathetic rallying cry into a callous death threat.

Even worse, when a recording of the private town hall leaked to the press, it called down the demon shadow of public attention upon them all, which is the last thing a university wants in its weaker moments, precisely because of the bias toward wildly exaggerated claims of imminent catastrophe.

Universities are not supposed to be in the headlines. Look at Harvard, not really the Queen’s of the South, but similar enough, scandalized by its own failed leader over a foreign war and a plagiarism scandal. They are supposed to be in the journals, not the papers. No news is good news in the ivory tower, and most news is bad.

So it is today with Queen’s, which used to swagger against McGill University and the University of Toronto, boasting all their academic heft without being in a big city. Now it is barely in the top dozen, and flirts with dropping out of the all-important U15.

The place is floundering, and campus tension is high. A hiring freeze is in place for the foreseeable future. Government support seems variously incompetent and hostile. Nearly all university revenue comes from tuition and government operating grants based on student numbers, but at the provincial level, tuition has been frozen by law for several years, costing Queen’s nearly a quarter of a billion dollars. At the federal level, just this week came news of a cap on international students, who pay four times the tuition charged to Canadians, and have not returned in pre-pandemic levels. By failing to meet projected targets for numbers of international students, with 152 fewer than planned, most in Arts and Science, the whole school has lost more than $12 million this year.

But this pressure and others, like inflation, apply to all Canadian universities, which has raised questions about why Queen’s is the only one spiralling. The common fear is that the administration is exaggerating the crisis and its urgency to drive through budget cuts too quickly, and ignoring pleas for clarity and patience.

Queen’s has got a deficit, not a death wish. Of course it won’t “go under,” which is why the provost’s threat has backfired so explosively. What will happen, which is what he meant all along, is they will make budget cuts whether faculty like it or not, such as eliminating any course that attracts fewer than ten students or five at the graduate level.

But this is easier said than done. National Post interviews with department heads and other Queen’s students and faculty reveal these cuts are being made in a hurried panic, dictated from on high without clear rationale, guided by blunt strategy that is laying waste to the traditional academic cornerstones of an ancient Canadian institution, older even than the country itself.

Some even see a wider effort to not only increase class sizes, but to force all undergraduates into a more streamlined curriculum, less specialized, denying them the chance to pursue their fields into the darker corners in their upper years. Nine students reading Kant each year, for example, might seem like a waste of a room. But none seems like a waste of a university.

“It defeats the point of a university education, particularly a liberal arts education,” said Ethan Chilcott, a senior student and teaching assistant in Classics and Archaeology, who has organized protest against cuts. “It’ll be like a big high school.”

Queen’s takes its liberal arts heritage seriously. When it opened its first classes in 1842, its first professor, the Reverend Peter Colin Campbell, taught classical literature. In its Memorial Room to the school’s war dead, there is an inscription around the wall, from Wordsworth, another provocative conditional: “We must be free or die, who speak the tongue that Shakespeare spake; the faith and morals hold which Milton held.”

Now, under the blanket ban on small classes, Queen’s Department of Classics and Archaeology has to cut all instruction in Latin and Ancient Greek beyond the first year introduction. Shakespeare would not approve. What’s a Classics department without Latin and Greek?

“Precisely. That’s the death of our department,” said department head Daryn Lehoux.

This will lead to the end of most upper-year language courses at Queen’s

Bronwyn Bjorkman, Queen’s head of Languages, Literatures and Cultures.

Interested in modern languages? Too bad. All second-year courses in Italian, Arabic and Hebrew will be cut next year, along with third-year Spanish and German. Upper-year Chinese barely makes it past the 10-student cut off with a dozen students on average, so it might survive. German is done a little differently and might still be available in connection with literature studies, but not for studying the language.

“That is as dire as it sounds,” said Bronwyn Bjorkman, department head of Languages, Literatures and Cultures. “This will lead to the end of most upper-year language courses at Queen’s.”

Over in Art History and Art Conservation, the class size cap will eliminate some of the technical courses in one of the only programs in Canada to offer technical art study, said department head Norman Vorano. “If we begin to see these types of restrictions on our graduate courses, I worry that it will seriously reduce our graduate art conservation program,” he said.

“Students come to Queen’s for the chance to work in close proximity to internationally recognized experts and this often occurs in upper-year undergraduate seminars. Some upper-year seminars are capped because of lab requirements. Other seminars are small because they involve student travel and field research. Other seminars have low enrolments because they offer highly specialized and deep subject matter engagement, precisely why students come to Queen’s,” Vorano said.

Queen's university students protest cuts
Queen’s University Master of Public Administration students Sarah Homsi and Thomas Goyer inside the Queen’s School of Policy Studies. The students are concerned about the potential temporary suspension of their program following a program review. Jan Murphy/Postmedia Network

The School of Music and Drama is in a similar situation, and so are some upper-year chemistry laboratory courses, among many others.

“We’re facing the devastation of the Faculty of Arts and Science,” said Samantha King, head of the School of Kinesiology and Health Studies.

“There’s still no sense of a vision for the university or for Arts and Science,” King said. “And there is an implicit devaluing of Arts and Science whenever leaders are asked about the vision that’s driving this and what we’re looking at at the other end. That’s a real concern.”

“There’s no pedagogical justification for making classroom sizes larger, they’re already too large,” said Dax D’Orazio, a postdoctoral fellow in political studies.

He said junior lecturers like him are at risk of losing the teaching experience that is crucial to graduate student training and a key part of the skills that traditionally transfer from graduate education to professional jobs, such as managing conflict and giving and receiving feedback.

“From my perspective as junior scholar, research is part of the heart of the institution but it’s not everything,” D’Orazio said.

There’s still no sense of a vision for the university or for Arts and Science

Samantha King, head of Queen’s School of Kinesiology and Health Studies.

As word of this calamity has spread through the residence halls and back home to tuition-paying parents, students and their parents have recently been calling professors in panic, wondering whether their department, or even their school, will exist by the end of their undergraduate degree. Reassurance is not always available.

For an old school in Canada’s first capital, this has been a painful existential exercise, not just reflecting changes in post-secondary education and how it is funded in Canada, but reflecting its own peculiar evolution from a Victorian theological college to an establishment liberal arts school and top research institution to an almost bankrupt winter camp for clever rich kids from Toronto, Ottawa and Shanghai.

Evans’ work so far has seemed to make things worse on the way to hopefully making them better. Hired last August, he has developed a reputation as a hatchet man who answers questions with rebuttals and provocations. In the faculty town hall in December, he was remarkably chippy for a crisis meeting, telling people that their questions were “predicated” on plainly ridiculous assumptions, such as that he can manipulate the Board of Trustees or that there is some secret stash of endless money.

You could not miss the scolding tone.

“Everyone was happy about it,” Evans said of the period a few years ago when the school was in surplus, before the provincial government imposed a tuition freeze, when Queen’s was flush with money from high-paying international students. “Now, when we’re in a situation where we have deficit, faculties, some faculties, are complaining about the fact that they have a deficit. Well, you didn’t complain about it when you were making surpluses and hanging on to those surpluses. So, you now have to deal with it when you have a deficit.”

By “some faculties” he meant Arts and Science, which is the biggest, but also carries a disproportionate amount of the deficit. Queen’s overall deficit this year was projected to be more than $62 million, but has now been revised down to $48 million, of which the Faculty of Arts and Science accounts for $37 million.

Evans said the urgency of the budget cuts is due to two reasons. One is that last May, the Board of Trustees signed off on a deficit budget for this year with a condition that in 2024-25 there be a deficit of no more than five per cent, with a balanced budget the next year. The other, as he put it to an audience member at the faculty town hall: “Frankly, if we don’t do it in that time, we will run out of money… Yes, we will… Do you want me to answer the question or not?… Honesty you’re getting. That’s your problem.

“If we carry on spending at that rate, we will run out of reserves by 2025-26. This faculty (Arts and Science) in fact will run out of reserves earlier than that. This faculty will run out of reserves next year,” he said.

In a presentation to the Queen’s Senate to discuss the operating budget and Queen’s academic mission and priorities for “rebalancing,” Evans said a “tax” of 1.5 per cent has been levied on all the school’s faculties and shared services to create a “deficit mitigation fund” that will be used to help the Faculty of Arts and Science eliminate its deficit on time. He also anticipates having to negotiate with other faculties and schools — applied science, business, medicine, law, education — for one-off subsidies to Arts and Science, which will test just how much the school values its largest faculty.

He denied there was any reserve money that could be spent to spread the cuts over a longer period. He said they cannot touch endowments, money for research or funds set aside for a new building.

“They have to be used for the purposes they were given. In the end, that’s why Laurentian went down,” Evans said at the December town hall. (Laurentian University in Sudbury filed for creditor protection in 2021, closing many of its programs.)

There is a cold irony, then, in the school’s recent project to legally review several historical awards established with donor funding “to assess original donor intent and what changes or revisions may be permitted,” as internal correspondence describes it.

Lehoux, for example, said he got a call from a donor who wanted to top up the funds of the Wallace Near Prizes, founded by the late W.W. Near, Esq. of Toronto, but was told by school the money could not be directed so explicitly, to the study of Latin and Greek.

“So the money is gone, I can’t give those prizes anymore,” Lehoux said. “My department has always turned a profit. We have never had a budget deficit. And we’re on the chopping block as if we’re the problem. It’s just that we’re a soft target.”

A Queen’s spokesperson said the school is reviewing and updating 500 or so student awards across all faculties, worth more than $4-million. Some are many decades old and use “restrictive terms with old or outdated language,” sometimes by designating a student in a program that is no longer offered.

A statement read: “In order to change the terms of awards such as these, it is necessary in most cases to go through the courts who set a high bar in terms of making any changes the university may want to make to the original terms of these awards that were set when the original donation was made. We are working to update and adjust these terms to provide more flexibility so we can distribute all available funding to students while respecting the spirit of the original gift.”

The Faculty of Arts and Science is led by Dean Barbara Crow, who has a different reputation than Evans as a leader. She has barely answered any questions about this crisis, to the point of joining a town hall for the faculty’s undergraduate student society and sitting mum in the audience. She presided over the surplus years that Evans described, boosting salary spending for various new administrative positions.

Provost Evans declined an interview with National Post. Through a spokesperson, Dean Crow first declined an interview, then said she was reconsidering, then declined.

On Tuesday night this week, Evans was to address the student government assembly. It promised to be dramatic. Faculty planned to show up, as students had done at their fateful town hall in December. On the agenda was an item for discussion asking the Arts and Science Undergraduate Society executive why they have not lobbied Dean Crow for answers, given her lack of transparency. “When will there be an opportunity for students to get answers? How do we know she will actually attend?”

Barely 24 hours before it was to begin, the provost cancelled, according to a report by the Queen’s Journal, the student paper that has closely followed the saga.

The provost’s withdrawal, abrupt and late, recalled his curt exit from the town hall in December. At the end, he grimaced as he noticed students walking into the auditorium, silently protesting the cuts at the meeting from which they had been formally excluded, holding signs and wearing campus merch.

“Oh god,” Evans muttered, exasperated, then stood up and left.

 

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Bad traffic, changed plans: Toronto braces for uncertainty of its Taylor Swift Era

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TORONTO – Will Taylor Swift bring chaos or do we all need to calm down?

It’s a question many Torontonians are asking this week as the city braces for the arrival of Swifties, the massive fan base of one of the world’s biggest pop stars.

Hundreds of thousands are expected to descend on the downtown core for the singer’s six concerts which kick off Thursday at the Rogers Centre and run until Nov. 23.

And while their arrival will be a boon to tourism dollars — the city estimates more than $282 million in economic impact — some worry it could worsen Toronto’s gridlock by clogging streets that already come to a standstill during rush hour.

Swift’s shows are set to collide with sports events at the nearby Scotiabank Arena, including a Raptors game on Friday and a Leafs game on Saturday.

Some residents and local businesses have already adjusted their plans to avoid the area and its planned road closures.

Aahil Dayani says he and some friends intended to throw a birthday bash for one of their pals until they realized it would overlap with the concerts.

“Something as simple as getting together and having dinner is now thrown out the window,” he said.

Dayani says the group rescheduled the gathering for after Swift leaves town. In the meantime, he plans to hunker down at his Toronto residence.

“Her coming into town has kind of changed up my social life,” he added.

“We’re pretty much just not doing anything.”

Max Sinclair, chief executive and founder of A.I. technology firm Ecomtent, suggested his employees avoid the company’s downtown offices on concert days, saying he doesn’t see the point in forcing people to endure potential traffic jams.

“It’s going to be less productive for us, and it’s going to be just a pain for everyone, so it’s easier to avoid it,” Sinclair said.

“We’re a hybrid company, so we can be flexible. It just makes sense.”

Swift’s concerts are the latest pop culture moment to draw attention to Toronto’s notoriously disastrous daily commute.

In June, One Direction singer Niall Horan uploaded a social media video of himself walking through traffic to reach the venue for his concert.

“Traffic’s too bad in Toronto, so we’re walking to the venue,” he wrote in the post.

Toronto Transit Commission spokesperson Stuart Green says the public agency has been working for more than a year on plans to ease the pressure of so many Swifties in one confined area.

“We are preparing for something that would be akin to maybe the Beatles coming in the ‘60s,” he said.

Dozens of buses and streetcars have been added to transit routes around the stadium, and the TTC has consulted the city on potential emergency scenarios.

Green will be part of a command centre operated by the City of Toronto and staffed by Toronto police leaders, emergency services and others who have handled massive gatherings including the Raptors’ NBA championship parade in 2019.

“There may be some who will say we’re over-preparing, and that’s fair,” Green said.

“But we know based on what’s happened in other places, better to be over-prepared than under-prepared.”

Metrolinx, the agency for Ontario’s GO Transit system, has also added extra trips and extended hours in some regions to accommodate fans looking to travel home.

A day before Swift’s first performance, the city began clearing out tents belonging to homeless people near the venue. The city said two people were offered space in a shelter.

“As the area around Rogers Centre is expected to receive a high volume of foot traffic in the coming days, this area has been prioritized for outreach work to ensure the safety of individuals in encampments, other residents, businesses and visitors — as is standard for large-scale events,” city spokesperson Russell Baker said in a statement.

Homeless advocate Diana Chan McNally questioned whether money and optics were behind the measure.

“People (in the area) are already in close proximity to concerts, sports games, and other events that generate massive amounts of traffic — that’s nothing new,” she said in a statement.

“If people were offered and willingly accepted a shelter space, free of coercion, I support that fully — that’s how it should happen.”

This report by The Canadian Press was first published Nov. 13, 2024.



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‘It’s literally incredible’: Swifties line up for merch ahead of Toronto concerts

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TORONTO – Hundreds of Taylor Swift fans lined up outside the gates of Toronto’s Rogers Centre Wednesday, with hopes of snagging some of the pop star’s merchandise on the eve of the first of her six sold-out shows in the city.

Swift is slated to perform at the venue from Thursday to Saturday, and the following week from Nov. 21 to Nov. 23, with concert merchandise available for sale on some non-show days.

Swifties were all smiles as they left the merch shop, their arms full of sweaters and posters bearing pictures of the star and her Eras Tour logo.

Among them was Zoe Haronitis, 22, who said she waited in line for about two hours to get $300 worth of merchandise, including some apparel for her friends.

Haronitis endured the autumn cold and the hefty price tag even though she hasn’t secured a concert ticket. She said she’s hunting down a resale ticket and plans to spend up to $600.

“I haven’t really budgeted anything,” Haronitis said. “I don’t care how much money I spent. That was kind of my mindset.”

The megastar’s merchandise costs up to $115 for a sweater, and $30 for tote bags and other accessories.

Rachel Renwick, 28, also waited a couple of hours in line for merchandise, but only spent about $70 after learning that a coveted blue sweater and a crewneck had been snatched up by other eager fans before she got to the shop. She had been prepared to spend much more, she said.

“The two prized items sold out. I think a lot more damage would have been done,” Renwick said, adding she’s still determined to buy a sweater at a later date.

Renwick estimated she’s spent about $500 in total on “all-things Eras Tour,” including her concert outfit and merchandise.

The long queue for Swift merch is just a snapshot of what the city will see in the coming days. It’s estimated that up to 500,000 visitors from outside Toronto will be in town during the concert period.

Tens of thousands more are also expected to attend Taylgate’24, an unofficial Swiftie fan event scheduled to be held at the nearby Metro Toronto Convention Centre.

Meanwhile, Destination Toronto has said it anticipates the economic impact of the Eras Tour could grow to $282 million as the money continues to circulate.

But for fans like Haronitis, the experience in Toronto comes down to the Swiftie community. Knowing that Swift is going to be in the city for six shows and seeing hundreds gather just for merchandise is “awesome,” she said.

Even though Haronitis hasn’t officially bought her ticket yet, she said she’s excited to see the megastar.

“It’s literally incredible.”

This report by The Canadian Press was first published Nov. 13, 2024.

The Canadian Press. All rights reserved.



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Via Rail seeks judicial review on CN’s speed restrictions

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OTTAWA – Via Rail is asking for a judicial review on the reasons why Canadian National Railway Co. has imposed speed restrictions on its new passenger trains.

The Crown corporation says it is seeking the review from the Federal Court after many attempts at dialogue with the company did not yield valid reasoning for the change.

It says the restrictions imposed last month are causing daily delays on Via Rail’s Québec City-Windsor corridor, affecting thousands of passengers and damaging Via Rail’s reputation with travellers.

CN says in a statement that it imposed the restrictions at rail crossings given the industry’s experience and known risks associated with similar trains.

The company says Via has asked the courts to weigh in even though Via has agreed to buy the equipment needed to permanently fix the issues.

Via said in October that no incidents at level crossings have been reported in the two years since it put 16 Siemens Venture trains into operation.

This report by The Canadian Press was first published Nov. 13, 2024.

Companies in this story: (TSX:CN)

The Canadian Press. All rights reserved.



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