A new art exhibition at the Inglewood Bird Sanctuary Nature Centre in Calgary is highlighting the work of local Indigenous artists and their connection to the land.
Divine Feminine is the summer instalment of a year-long rotating art exhibition series from the City of Calgary called Land is Home.
Jessica McMann, the Indigenous curator for the city’s public art program, said just three per cent of the city’s entire public art collection is by Indigenous artists.
Through the Land is Home project, McMann wants to bring more Indigenous creations into the public eye.
“It starts people on that path toward reconciliation when they see artwork that they can resonate with, and it may not look how they think Indigenous artwork looks,” said McMann.
“We have all these unique pieces … and [they] will bring those conversations and encourage people to make those connections and reach out and start to learn about the Treaty 7 nations in this area.”
Zoe Buckskin from Kainai Nation is one of three artists being profiled in this season’s exhibition.
“That’s a view I see all the time,” Buckskin explained about one of her sculptures. “So, it’s reflected in a lot of my art pieces with the patterns and colours and objects that are used.”
“I used moon, mountain and teepee structures to represent home for me,” said Buckskin, who recently graduated from the artisan entrepreneur program at Portage College where she learned different forms of artwork like welding.
The exhibition also includes the digital art of Kelsey Twoyoungmen from Stoney Nakoda Nation as well as the work of Hali Heavy Shield, Buckskin’s aunt.
“She was actually the one that sent me the link to apply for this exhibition, and it was cool because my uncle actually applied for it as well, and he’s featured here at the Bird Sanctuary,” said Buckskin, whose grandmother inspired her to begin her journey as an artist.
Celebrating Indigenous women artists
McMann said she’s happy with how the selection of artists in this round of the exhibition came together.
“It really made sense to have them in the summer when we celebrate women, we celebrate the Earth, we celebrate the summer,” said McMann.
“All of their artwork seemed to really speak to each other, especially with their themes: Kelsey Twoyoungmen with her women’s empowerment, then we have the Divine Feminine, which the exhibit is named after, and then you have the home and that connection to the home, and the Land is Home, literally in the name of Zoe’s sculpture.”
The summer exhibition will be open until Sept. 29. McMann said there are plans for a permanent space for Indigenous art once the Bird Sanctuary finishes some renovations.
Entry to the Inglewood Bird Sanctuary is free.
What Makes Kazimir Malevich’s Black Square (1915) Not Just Art, But Important Art
Who created the first work of abstract art has long been a fraught question indeed. Better, perhaps, to ask who first said of a work of art that a kid could have made it. A strong contender in that division is the Russian artist Véra Pestel, whom history remembers as having reacted to Kazimir Malevich‘s 1915 painting Black Square with the words “Anyone can do this! Even a child can do this!” Yes, writes novelist Tatyana Tolstaya a century later in the New Yorker, “any child could have performed this simple task, although perhaps children lack the patience to fill such a large section with the same color.” And in any case, time having taken its toll, Malevich’s square doesn’t look quite as black as it used to.
Nor was the square ever quite so square as we imagine it. “Its sides aren’t parallel or equal in length, and the shape isn’t quite centered on the canvas,” says the narrator of the animated TED-Ed lesson above. Instead, Malevich placed the form slightly off-kilter, giving it the appearance of movement, and the white surrounding it a living, vibrating quality.”
Fair enough, but is it art? If you’d asked Malevich himself, he might have said it surpassed art. In 1913, he “realized that even the most cutting-edge artists were still just painting objects from everyday life, but he was irresistibly drawn to what he called ‘the desert,’ where nothing is real except feeling.” Hence his invention of the style known as Suprematism, “a departure from the world of objects so extreme, it went beyond abstraction.”
Malevich made bold claims for Suprematism in general and Black Square in particular. “Up until now there were no attempts at painting as such, without any attribute of real life,” he wrote. “Painting was the aesthetic side of a thing, but never was original and an end in itself.” As Tolstaya puts it, he “once and for all drew an uncrossable line that demarcated the chasm between old art and new art, between a man and his shadow, between a rose and a casket, between life and death, between God and the Devil. In his own words, he reduced everything to the ‘zero of form.’” She calls this zero’s emergence in such a stark form “one of the most frightening events in art in all of its history of existence.” If so, here we have an argument for not letting young children see Black Square and enduring the consequent nightmares — even if they could have painted it themselves.
New Spider-Man Art Features Web Slinger in Various Activities
Being Spider-Man is about so much more than webbing up bad guys. Spider-Man is the neighborhood guy. He gives back to the community. He protects the community. There’s swinging, there’s fighting, there’s dangling, and sure, sometimes he has to traverse the multiverse and see all his alternative versions.
In a new print series from artist Oliver Barrett though, we focus on the simple stuff. Spider-Man just being Spider-Man. Seven prints, available individually or as a series, each showing Spider-Man at his ground-level best. The pieces are from a collaboration Barrett did with Restoration Games/Unmatched and are being released via Bottleneck Gallery and Acme Archives on October 3.
Each piece is a hand-numbered, 10 x 10 inch giclée in various edition sizes and they’ll be available individually (for $30 each) or as a set (for $200) on the Bottleneck Gallery site at noon ET October 3. Check out all the images in our slideshow.
Kelsey Grammer Curates an Exquisite Art Collection New ‘Frasier’ Reboot Posters
Dr. Frasier Crane has always been an admirer of the finer things in life, and artwork is no different, which is why it feels fitting that, in preparation for his return to our screens, television’s most renowned psychiatrist poses alongside striking pieces of art in new posters designed to promote the launch of Paramount+’s upcoming reboot series, Frasier. The series follows Frasier Crane (Kelsey Grammer) as he enters the next chapter of his life. Viewers will see him return to Boston which will come with its own set of challenges, relationships, and even dreams. Frasier has finally re-entered the building.
While the first of two newly-released posters show Grammer next to a striking collection of statues, the second poster emphasizes the start of the new chapter in his life. In addition to Grammer, the new series stars Jack Cutmore-Scott as Frasier’s son Freddy; Nicholas Lyndhurst as Frasier’s old college buddy turned university professor Alan; Toks Olagundoye as Olivia, Alan’s colleague and head of the university’s psychology department; Jess Salgueiro as Freddy’s roommate Eve; and Anders Keith as Frasier’s nephew David.
The new iteration of Frasier comes from writers Chris Harris (How I Met Your Mother) and Joe Cristalli (Life in Pieces), who executive produce with Grammer, Tom Russo and Jordan McMahon. The series is produced by CBS Studios, in association with Grammer’s Grammnet NH Productions. The first two episodes of the new series are directed by legendary director and television creator James Burrows, who is best known for his work as co-creator, executive producer, and director of the critically acclaimed series Cheers, as well as the original Frasier series, Will & Grace and Dear John. The series is distributed by Paramount Global Content Distribution outside of the Paramount+ markets.
The Legacy of Frasier Crane
The original series, which aired from 1993 to 2004, had an impressive 11-season run and earned numerous awards and honors. It was a major success at the Primetime Emmy Awards, winning an incredible 37 Emmys throughout its time on the air. This accomplishment set a historic record for the most Emmys ever won by a TV show at that point in time. The awards covered a wide range of categories, including recognition for Outstanding Comedy Series, Lead Actor (Grammer), Supporting Actor (David Hyde Pierce in the role of Niles Crane), and Supporting Actress (Bebe Neuwirth as Lilith Sternin), among others.
The upcoming series will premiere in the U.S. and Canada on Thursday, October 12, with two episodes, and on Friday, October 13, in all other international markets where Paramount+ is available. New episodes will then drop weekly on Thursdays, exclusively on Paramount+ in the U.S. and Canada, and on Fridays, internationally. In addition, the CBS Television Network will broadcast a special airing of the first two episodes back to back on Tuesday, October 17, beginning at 9:15 p.m. ET/PT. Until then, check out the new posters below:
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