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Cariboo Art Beat workshops combine fire and art – Peace Arch News – Peace Arch News

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Art and culture, we know these go together, but who ever thought of combining art and cultural burning?

Peter Holub did.

Holub is the ecosystem restoration specialist for the British Columbia Ministry of Forests. Holub happens to live down the road from Tiffany Jorgensen, a Cariboo Art Beat artist, the local art collective and studio.

Conversation with Jorgensen sparked him to consider art as a way to help restore and rebuild relationships between local First Nations and government.

Holub is working to integrate more cultural burning practices into forest and range management, and he wants to learn from the elders and fire keepers in local communities.

He said he thought art could help “start the conversation again. The practice hasn’t happened for so long.”

Cultural burning is a term for the traditional practice of burning or prevention of burning for the health of particular plants and animals by Indigenous peoples, when the term is used in the context of forest management. The term cultural burning can also be used in other contexts with Indigenous practices.

While cultural burning was developed and used by First Nations on the landscape for generations, it fell out of practice and laws made its use more challenging after colonial settlement.

Generations of fire suppression and forest management on the landscape have now combined with climate change to help create the conditions which led to a succession of devastating wildfire seasons, including 2017 and 2018 when smoke filled the air and communities throughout the region were forced to evacuate their homes.

One of the realizations since these fire seasons has been the importance of low-intensity fires on the landscape. The integration of Indigenous practices and knowledge was one of the key recommendations identified in the Abbot/Chapman report produced after the 2017 wildfire season and an action plan based on its recommendations in 2018.

The challenge was how to regain the trust between government and the First Nations communities in order to learn and integrate these practices.

So the idea of creating art-based workshops to help rebuild bonds between the First Nation communities and government forest managers was born.

“I see this as a start to move forward,” said Holub.

Being able to spend time with the participants and hear stories, Holub said was “humbling” and he recognizes it will be a long process to be able to move forward with integrating more cultural burning practices.

“There’s a lot of steps from here to putting fire on the ground,” said Holub.

Four art-based workshops took place in the communities of Williams Lake First Nation at Sugar Cane and two at Yunesit’in (Stone) led by Cariboo Art Beat artist Sarah Sigurdson.

“It’s been fun to kind of sit back and go where it needs to go,” said Sigurdson, of the participant-led nature of the workshops.

Sigurdson said she learned a lot from leading the workshops, which she aimed at creating space for conversations.

“It was a really safe space,” she said. The workshops were tailored differently for each community and both integrated forest materials like juniper, sage, rosehips and burned bark from the 2017 wildfires.

She said while some participants, like her, didn’t know much about cultural burning or fire, everyone had a way to relate to it, whether it was from the 2017 fires or enjoying the local landscapes.

“It was really about connecting to the land and ourselves,” explained Sigurdson.

“I believe education and honest communication is how we can connect the past to the future in a positive way.”

bc wildfiresFirst NationsWildfiresWilliams Lake

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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