The local art community has lost a leader, character and “Renaissance man” who showed other local artists how to succeed beyond Chatham-Kent.
Art
Chatham-Kent loses art community ‘pillar’ Leonard Jubenville at 82
Longtime friend and fellow artist Mike Ondrovcik believes Jubenville’s “persistence” and determination to produce the finest work influenced local artists.
He showed local artists you could succeed outside Chatham-Kent, “if you worked hard and you were true to your creative vision,” Ondrovcik said.
Though Jubenville had success at a higher level, he was a founding board member of ARTspace and participated in every group show at the local exhibition space, said LaurIe Langford, another another longtime friend and fellow artist.
“He was one of the pillars of our art community and he’s going to be really missed,” Langford said.
Ondrovcik, who met Jubenville while working part-time at the former Windmill Arts store as a high schooler, says he was already the consummate artist back then. His “fantastic” early still lifes “were just so detailed.”
Ondrovcik also recalled the many good times had when Jubenville rented studio space from him in downtown Chatham in the late 1980s and early ’90s.
“There was a lot going on (in the local art community),” Ondrovcik said. “I wish there was that much going on today.
“It’s really gone down a bit and without Leonard being a cornerstone and pushing, its going go down further,” he added.
As Thames Art Gallery curator, Jubenville often pushed the envelope “as much as he was allowed before somebody would rein him in and then he’d fight about it anyway,” Ondrovcik said.
And Jubenville loved a good argument, he added with a laugh. “He was a character . . . whether you agreed with him or not, he would argue the point – until the end.”
Carl Lavoy, who was hired by Jubenville as the gallery’s program co-ordinator and later become its curator, called Jubenville a “very complex person,” who loved both art and quantum physics, and had a passion for farming.
Lavoy believes a self-portrait with Jubenville in the middle surrounded by his farm and land, a DNA strand and the cosmos captures the “paradox that was Leonard Jubenville.”
“He was his own person and I don’t think he really cared that much about what people thought of him,” added Lavoy, who visited Jubenville recently.
“I just wanted to let him know how much I appreciated all the things he had done for me when he was at the gallery,” Lavoy said. “He was a good person . . . straight up and honest.”
“It was a fantastic show,” Langford said. “We were very happy that we were finally able to give him the accolades, locally, that he deserved.”
Jubenville was known for his Chatham-Kent landscapes, but those around Highway 401 and overpasses received great accolades, Langford said.
A graduate of the University of Windsor’s cultural anthropology program, Jubenville also was known as a “fearsome” director with Theatre Kent and a creative, inventive set designer, states his obituary.
Jubenville was “a Renaissance man,” good at many things, Langford said. “He was incredibly creative and incredibly visionary and there’s never, ever going to be another Leonard.”
Jubenville is survived by his wife, Sharon, two children and one grandchild, his obituary said.
Donations in his memory may be made to the Thames Art Gallery, it said.
A celebration of his life will be held later.
Art
40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com
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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate Cracked.com
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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca
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John Little, whose paintings showed the raw side of Montreal, dies at 96 CBC.ca
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A misspelled memorial to the Brontë sisters gets its dots back at last
LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.
More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.
The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.
They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.
“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”
It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.
Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”
Rebecca Yorke, director of the Brontë Society, welcomed the restoration.
“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.
The Canadian Press. All rights reserved.
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