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City plans to decouple public art funding from project locations after blowback to highway art installations

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The city is putting the finishing touches on its new approach to public art, with a plan it says is more flexible and will help more local artists secure contracts.

The updated corporate art policy went before the city’s community development committee Wednesday morning.

The program was frozen in 2017 by city council amid ongoing controversy about art pieces.

The art program previously saw one per cent of any major infrastructure project’s budget put toward public art, but stipulated the art needed to be near the project. That resulted in pieces such as Travelling Light, better known as the big blue ring, perched atop a highway overpass near the airport.

Bowfort Towers near Canada Olympic Park and the Forest Lawn Lift Station were also panned by the public as bad art in poorly thought-out places.

The Bowfort Towers art installation along the Trans Canada Highway on Friday, Oct. 19, 2018. The city canceled the second part of Bowfort Road interchange art project.
The Bowfort Towers art installation along the Trans Canada Highway on Friday, Oct. 19, 2018. The city canceled the second part of Bowfort Road interchange art project. Photo by Al Charest /Postmedia

The city has since contracted out commissioning of its public art to a third party — Calgary Arts Development Authority — and the recommendations approved Wednesday aim to decouple funding from specific infrastructure projects.

Chima Nkemdirim, chair of the Calgary Arts Development Authority board, said the one per cent of project funding will still be collected, but that money will now find its way into communities instead of being restricted.

“Essentially, what this does is transfer funds from a restricted pool of money to an unrestricted pool of money,” he said, “which means that for artists, we can do more art projects in the community where the public can appreciate it, as opposed to in locations which perhaps weren’t suited for public art.”

He said communities have been requesting public art and changes to the policy will allow for that, as well as robust public engagement on future projects.

The changes should also allow more local artists to tap into tenders for future art projects, Nkemdirim said. The city is bound by international trade agreements on art projects but he said those contracts work both ways, allowing Calgary artists to bid on international projects.

However, Nkemdirim said new flexibility will allow them to commission smaller projects in more locations, which would sometimes put them below the threshold for international agreements.

“(We can) divide the money into smaller chunks like we did on 17th Avenue, and really engage local artists to create work and get that experience so they can go and compete internationally,” he said.

The Forest Lawn Lift Station sits with its public art light display in the setting sun in Calgary, Alta., on Sunday, Sept. 27, 2015.
The Forest Lawn Lift Station sits with its public art light display in the setting sun in Calgary, Alta., on Sunday, Sept. 27, 2015. Photo by Lyle Aspinall /Postmedia file

Committee chair Coun. Kourtney Penner said the changes will take art from the concrete jungle and instead embed it into communities.

“What this means is a public art program that is more responsive to the community and more about place-making in neighbourhoods and communities and public gathering spots, and less so tied to infrastructure projects such as interchanges or wastewater treatment plant upgrades or storm sewer upgrades.”

She said the one per cent funding can remain tied to project locations when it makes sense, such as on new recreation centres or libraries.

Council allocated $12.1 million in its capital budget last November to be used for public art over the next four years. That money will be decoupled from any restrictions if it passes final council approval.

The city also has a pool of $9 million from the one per cent funding from infrastructure projects since the program freeze. A city official said that money has been allocated and details on those art projects should come out once the policy update is approved by council.

The policy update passed committee in a 6-2 vote, with councillors Dan McLean and Sean Chu opposed.

brthomas@postmedia.com
Twitter: @brodie_thomas

 

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com

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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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