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Creative Ideas Flourish As Windsor's Art & Craft Stores Pivot During Pandemic – windsoriteDOTca News

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With most people spending a lot of extra time at home these past months, Windsor’s art and craft establishments have helped to keep locals interested in fresh, new arts and crafts, all while pivoting their businesses for changing times.

There are many quality shops in town to nurture your crafting and creating needs, or to help start something new whether it is your first or hundredth project.

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From drawing to knitting, your crafting cravings can be satisfied in just a short drive around town while supporting local.

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Looking to have your imagination brought to life? Come see what’s going on at Beatnik Art Supplies…

Beatnik Art Supplies is an art store “by artists for artists,” as described by owner Katrina Rutter. The shop is run by her and her son, Julian Pawlaczyk, who are both well versed with many of the items they offer in-store.

A painter at heart, Rutter reflects on how everything has changed since the pandemic changed the world we are in. She closed Beatnik’s physical location in March as a lot of other businesses did, but “we started doing deliveries and curb-side pick up,” she explains. “So we never actually closed… just the store front.”

“We delivered as far as Cottam,” Rutter says.

Before they reopened the physical store, the set up had to be changed a bit to be able to follow guidelines and keep everyone safe.

“Everything was all open before…but not we have to be behind the [Plexiglas] barrier,” Rutter says.

The store sells a variety of paints, including watercolour, gouache, and oil, as well as charcoal, graphite, pen and ink, block printing, and much more.

With a lot more people staying home, Rutter noticed some new clientele popping by.

“We’ve noticed people who want to try art because they have the extra time to do it right now,” she says. “There have been a lot of beginners looking to try something new.”

“We both have a good art background and give good suggestions of what would be good for anyone who comes in of any skill-level,” Rutter says. “We don’t want people to waste their money.”

The shop stocks higher-end paints and products as well as items more suited for beginners and those wanting to try a craft out. “We try and supply stuff that is popular in the local area,” she explains.

“It was a bit difficult to get supplies at the start of the pandemic,” Rutter mentions. “There was a good five months where there was no art paper, due to a pulp shortage. We just started to receive paper again.”

The pandemic also halted classes that would have taken place at the store.

“There was also the issue that some supplying factories had just completely shut down,” Rutter says, mentioning that she noticed a shortage of paints, mediums, and various other items.

Like many local business, however, the team at Beatnik Art Supplies has persevered and has enjoyed welcoming back artists in to their storefront.

“We used to have the Beatnik Café in California,” Rutter says. “It was a really fun time. We had all sorts of musicians come, and fabulous open-mic nights. Beatnik is all about music and art — we did the music, so now we’re doing the art.”

Rutter says since opening two-and-a-half years ago, the neighbourhood has been incredibly welcoming and friendly. She says many locals wave hello when walking by.

“We get a lot of questions from continuing artists that come in,” Rutter says. “Which is great because we are helpful as we are artists as well. Some customers even call us on the phone with questions, varying from the paint application to mediums.”

“Everyone comes in here with a common interest; we all have art in common,” she says. “We’re all friends because of art.”

The pair hopes to eventually host demonstrations on their social media accounts, including their Facebook which you can find here.

Bring your imagination to life and visit Beatnik Art Supplies at 224 Erie Street West.

Gearing up for the colder weather and thinking about becoming a maker? Little Sheep Boutique might just be up your alley…

Little Sheep Yarn Boutique aims to create an environment where everyone feels they can be comfortable in creativity.

Store owners Kate Rosser-Davies (left) and Susan Garrett stand in their store.

“Everybody has the capacity for creativity,” says co-owner Kate Rosser-Davies. “So we are focused very much so on helping people with whatever type of creativity they have and helping them figure out what they want to do.”

The yarn store offers a huge selection of yarns in both natural and synthetic varieties, as well as the tools a maker would be seeking. There is also finished goods on the floor for sale, as well as accents for projects like buttons and pom-poms. Items for both knitting and crocheting can be found at Little Sheep Yarn Boutique, as well as a small amount of sewing notions.

“The store is for all skill-levels and all price-ranges,” Rosser-Davies says. “We would typically have classes. We love teaching people.”

“We try and feature local artists and makers wherever possible,” she says. “We carry several yarns that come from indie dyers in Ontario. We have featured yarns from Windsor to Muskoka to St. Thomas and beyond.”

“The first little while of the pandemic, right after the schools closed, we had a rush of people trying to stock up,” Rosser-Davies says. “We had to make sure we managed it to not have too many people in the store.”

Rosser-Davies says at times people were lining up to get yarn.

“People didn’t want to be bored at home with nothing to do,” she says. “Then in April, we shut down. We had to completely, from the ground up, change our website to allow for online sales. In late April, once the website was up, we started doing yarn deliveries. I delivered by bike, and we also had car-driven deliveries. We also shipped to a certain extent.”

“I probably biked over 500 kilometres doing deliveries,” Rosser-Davies recalls cheerily. She mentions her parents were also a great help to her and co-owner Susan Garrett when they were doing deliveries.

“Our customers stuck by us, too,” Rosser-Davies says. “That’s the part that gave us a lot of comfort. Our customers didn’t abandon us to get cheaper yarn — they know we are far and have a superior product.

“The small business community just completely depends on people in the area who care for us,” she says. “There’s no small business that will make it through this without customers who care, and we are so lucky to have that.”

The shop started offering kits early on in the summer to help keep people busy. The kits came with yarn and a pattern

“When customers bought our kits, they would send us well-wishes, saying how they missed us and missed our social knitting nights,” Rosser-Davies says.

Once able to, in the early summer, Little Sheep Yarn Boutique opened their doors — but only for a short time at their previous location to host a moving sale. The new location is larger and can hold more customers while safely following the guidelines. “We wanted to grow,” Rosser-Davies says. “The old location was small, meaning we couldn’t add more yarns and couldn’t host larger classes.”

“Our Wednesday night socials were always super popular,” she says. “When everything was shut down, we were sad and missed everyone. So we thought to try a Zoom call.”

Although it was a slow start, Rosser-Davies says they now have regulars who attend weekly, and new people popping in here and there.

“It’s been sort of nice, as we have been able to host people who weren’t able to come to the in-person socials previously,” she says.

Small, in-person classes are beginning to spring up once again, but in adjusted fashions and with all safety rules being followed; masks are mandatory.

Rosser-Davies welcomed new customers who found the shop during the pandemic and says they build a trust relationship with people at a higher risk of contracting COVID-19.

“A lot of makers were calling us who were in the habit of shopping for their yarn in big box stores,” she says, mentioning how customers were more comfortable to come to the much less crowded environment at Little Sheep.

“I like to think being a maker gives you a certain amount of community,” Rosser-Davies says. “Doing something with your hands, it feels good.”

“When the world outside is chaotic — and it is — the fact that you can sit with something and work on it, and have control over it, and suddenly, an evening has gone by and you’ve produced something beautiful,” she says. “I find it a great way to ease my anxiety; it’s an anxious time right now. It’s a privilege to be able to step away from that and put your hands to work and silence everything else. That’s the only way to keep your energy up for some people. It is very easy to feel the burden from the outside world, and for me anyway, this is how I recharge.”

Little Sheep Yarn Boutique welcomes yarn-loving customers of any skill-level, and of any specialty whether it be for knitting or crocheting or both (bi-stitchual, as they call it.) Rosser-Davies and Garrett love to help customers who visit in search of their next project, or who need help troubleshooting a current one.

Visit Little Sheep Yarn Boutique and get your stitch on at 521 Erie Street East, or visit them virtually on their website here, and their Facebook here.

Looking to start a unique new venture, or find the best gift ever? Lets check out Simply Stained Glass….

Simply Stained Glass does not simply give a local the ability to purchase amazing works of art — they also stocks supplies to allow the customer to become the artist if they so please.

Denise Presland, owner, describes Simply Stained Class as a place for artists and beginners adventuring in to the world of glass. “It’s a place for art-seekers,” she says.

The store stocks glass, various supplies for stained glass work as well as finished pieces for purchase. Presland had been introduced to the art about 18 years ago by her sister, and started off doing glass art and fusing glass.

She stepped out of the craft for a short time, and got back in to it full-throttle. “I was doing a lot of work out of my house and it made me realize I’m not the only one with an interest in this,” she explains.

Denise Presland (owner, right) stands with design assistant Elise Drouillard (left), who she runs the shop as well as with the manager (not photographed) Lori Foster.

Presland is able to offer repairs as well as custom orders in addition to her supplies that can be found in-store and online.

The shop also offers classes for the art, however, the pandemic had put that on hold for a bit. The first class since March took place in late September with a much smaller capacity.

“Normally we have classes from September through to April, during the cooler months,” Presland explains, as this year had to be cut short.

“Our website really picked up since April, while people had the time to get back to their projects,” she says. The store was shipping near and far for those seeking supplies.

“We closed in March, and opened back up once we were allowed to in-store,” Presland explains. “But our online shop never closed.”

“Shipments of supplies to the shop have been a bit slower since the pandemic, and some glass supplies are a bit more difficult to get, but it’s getting better,” she says.

The store sells traditional glass — imported from Mexico and Europe — which Presland says is the same as what’s used in churches. They receive large sheets of glass, and cut them in to the sizes that customers need. This glass is strictly flat panels.

Fusing glass, specifically “96 COE”, is also offered at Simply Stained Glass, which is used as an “art glass.” This can be used to make things such as bowls and platters, or also just kept flat, with the use of a kiln.

Both types of glass come in “all colours that you can think of,” Presland notes.

Odds and ends to be added in to glass projects, such as dichroic glass and bevels as well as powdered glass, are available to purchase.

Presland recommends taking a class before jumping into the glass arts, and carries items for those who have already tinkered in the craft to help continue their work.

“In my classes, everything is included…you just have to buy your own glass,” Presland says. “We also typically offer workshops which would be one-shots. Afterwards, we just put the piece in the kiln, and the participants can come by to pick it up later on. By the time you finish a beginners class, you’ll have enough knowledge to continue on your own.”

Although, with fusing projects, a larger kiln would be needed if at-home projects were being sought; only a small kiln is available for sale at the store.

In addition to supplies, the store sells jewelry, magnets, night lights, garden sticks, bowls, jewelry boxes and many already-finished projects. Custom orders are always welcome and Presland can accommodate people’s ideas and needs. She says kitchen cabinet doors have become quite popular lately.

Supplies for sale at Simply Stained Glass also include different coloured foils, brushes, smoke absorbers, specialized grinders, scissors, and scrap glass.

Presland points out how diverse glass work can be, including making stepping stone with glass mosaics, sun catchers, and so much more.

“I always tell people if they have never been in a stained glass store before to come and check it out to see what inspires you,” she says. “People don’t realize there’s such a variety of colours and textures. It’s not just a window: it’s art.”

Check out Simply Stained Glass for yourself at 3919 Seminole Street, or find out more on their website here.

Looking to keep the kid’s hands busy, or need some inspiration for some at-home art class? Art Lab has got you covered…

The Art Lab was typically a place for kids to gather and get a little messy while being able to express their creativity.

“Pretty much everything has change for us…in every way,” Samantha Walker, co-owner, explains, who has her own two children at home to think about.

Samantha Walker sits with one of her brand new art subscription boxes.

Walker, alongside her husband Matt Bolton, had to take a step back when the pandemic shut down everything in March.

The two had just obtained a larger space to be able to accommodate more people.

“We couldn’t have people in the studio anymore,” Walker says. “So we had to find a way to do what we do and bring it to people’s houses — and thankfully, we can do that.”

The establishment previously relied heavily on events such as field trips and parties, but the Art Lab team pivoted quickly in a direction that would still allow for local youth to get creative while stuck at home.

“We totally closed for the first two weeks, and then came out with our art kits,” Walker explains.

The first art kits that Walker and the Art Lab team put together were dollhouse creating kits, donut making kits, and slime kits.

“The community was amazing when I first started the art kits; they were all over it,” says Walker. “I was selling out fast. Autism Ontario were buying a lot of kits for their families, which we are so thankful for…it really helped.”

Once they could re-open their storefront, the Art Lab slowly started taking small private bookings for things such as family birthday celebrations, private home school art sessions, slime making sessions, and splatter room bookings.

“We’re not rushing anything,” Walker says. “We’re not trying to put the community or kids at risk when we don’t have to.”

With kids missing out on art classes at school, the Art Lab is also hoping to fill the gap.

Now, with the future unpredictable, Walker has brought to fruition an Art Lab subscription box to fill that artistic void some children may be feeling, allowing them to lift their creative reach to be near and far.

“The subscription box was the perfect solution to keep the Art Lab alive,” Walker explains. “It allows us to connect with customers, and also lets me be present as a mom myself.”

“Subscription boxes come with four activities, which is designed for one activity per week,” she says.

Activities include dying items, measuring, mixing, has kids use fine motor skills, aids creativity and are self-esteem building.

“They’re all process-based activities,” Walker explains. “It’s more about the process than the final product. It’s for fun and we focus on how fun it is. The end result is still awesome.”

“We are trying to make it a learning through art sort of thing,” she says. “So not only is it fun, they get something valuable out of it.”

Each activity from the subscription box comes with a video “class” where Walker unboxes the project and teaches people how create the project as she would have during a regular in-person class.

“Art Lab is a place to get creative,” Walker says. “We believe art is a feeling and an experience.”

Get creative and find something fun for the whole family at the Art Lab located at 894 Ottawa Street, or visit them online on their website here and Facebook page here.

Crafting not your thing? Check out other hobby shops we took you shopping through here.

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Turner Prize shortlist includes art showcasing Scottish Sikh community

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A Scottish artist who uses cars, worship bells and Irn-Bru in her work is among the nominees for this year’s Turner Prize.

Glasgow-born Jasleen Kaur’s work reflects her life growing up in the city’s Sikh community.

She is up for the prestigious art award, now in its 40th year, alongside Pio Abad, Claudette Johnson and Delaine Le Bas.

Turner Prize jury chairman Alex Farquharson described it as a “fantastic shortlist of artists”

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Works by the nominated artists will go on show at London’s Tate Britain gallery from 25 September.

They will receive £10,000 each, while the winner, to be announced on 3 December, will get £25,000.

In a statement, Farquharson said: “All four make work that is full of life.

“They show how contemporary art can fascinate, surprise and move us, and how it can speak powerfully of complex identities and memories, often through the subtlest of details.

“In the Turner Prize’s 40th year, this shortlist proves that British artistic talent is as rich and vibrant as ever.”

The shortlisted artists are:

Pio Abad

Pio AbadPio Abad
[Pio Abad]
Pio Abad's installationPio Abad's installation
[Hannah Pye/Ashmolean]

Manila-born Abad’s solo exhibition To Those Sitting in Darkness at the Ashmolean Museum in Oxford included drawings, etchings and sculptures that combined to “ask questions of museums”, according to the jury.

The 40-year-old, who works in London, reflects on colonial history and growing up in the Philippines, where his parents struggled against authoritarianism.

The title of his exhibit is a nod to Mark Twain’s 1901 essay To the Person Sitting In Darkness, which hit out at imperialism.

Jasleen Kaur

Jasleen KaurJasleen Kaur
[Robin Christian]
Jasleen Kaur's installationJasleen Kaur's installation
[Keith Hunter]

Kaur is on the list for Alter Altar at Tramway, Glasgow, which included family photos, an Axminster carpet, a classic Ford Escort covered in a giant doily, Irn-Bru and kinetic handbells.

The 37-year-old, who lives in London, had previously showcased her work at the Victoria and Albert Museum by looking at popular Indian cinema.

Delaine Le Bas

Delaine Le BasDelaine Le Bas
[Tara Darby]
Delaine Le Bas's installationDelaine Le Bas's installation
[Iris Ranzinger]

Worthing-born Le Bas is nominated for an exhibition titled Incipit Vita Nova. Here Begins The New Life/A New Life Is Beginning. Staged at the Secession art institute in Vienna, Austria, it saw painted fabrics hung, with theatrical costumes and sculptures also part of the exhibit.

The 58-year-old artist was inspired by the death of her grandmother and the history of the Roma people.

The jury said they “were impressed by the energy and immediacy present in this exhibition, and its powerful expression of making art in a time of chaos”.

Claudette Johnson

Claudette JohnsonClaudette Johnson
[Anne Tetzlaff]
Claudette Johnson's installationClaudette Johnson's installation
[David Bebber]

Manchester-born Johnson has been given the nod for her solo exhibition Presence at the Courtauld Gallery in London, and Drawn Out at Ortuzar Projects, New York.

She uses portraits of black women and men in a combination of pastels, gouache and watercolour, and was praised by the judges for her “sensitive and dramatic use of line, colour, space and scale to express empathy and intimacy with her subjects”.

Johnson, 65, was appointed an MBE in 2022 after being named on the New Year Honours list for her services to the arts.

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Turner Prize: Shortlisted artist showcases Scottish Sikh community

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Turner Prize shortlist includes art showcasing Scottish Sikh community

Jasleen Kaur's installation
Jasleen Kaur’s installation includes a classic Ford Escort covered in a giant doily

A Scottish artist who uses cars, worship bells and Irn-Bru in her work is among the nominees for this year’s Turner Prize.

Glasgow-born Jasleen Kaur’s work reflects her life growing up in the city’s Sikh community.

She is up for the prestigious art award, now in its 40th year, alongside Pio Abad, Claudette Johnson and Delaine Le Bas.

Turner Prize jury chairman Alex Farquharson described it as a “fantastic shortlist of artists”

300x250x1

Works by the nominated artists will go on show at London’s Tate Britain gallery from 25 September.

They will receive £10,000 each, while the winner, to be announced on 3 December, will get £25,000.

In a statement, Farquharson said: “All four make work that is full of life.

“They show how contemporary art can fascinate, surprise and move us, and how it can speak powerfully of complex identities and memories, often through the subtlest of details.

“In the Turner Prize’s 40th year, this shortlist proves that British artistic talent is as rich and vibrant as ever.”

The shortlisted artists are:

Pio Abad

Pio Abad
Pio Abad's installation

Manila-born Abad’s solo exhibition To Those Sitting in Darkness at the Ashmolean Museum in Oxford included drawings, etchings and sculptures that combined to “ask questions of museums”, according to the jury.

The 40-year-old, who works in London, reflects on colonial history and growing up in the Philippines, where his parents struggled against authoritarianism.

The title of his exhibit is a nod to Mark Twain’s 1901 essay To the Person Sitting In Darkness, which hit out at imperialism.

Jasleen Kaur

Jasleen Kaur
Jasleen Kaur's installation

Kaur is on the list for Alter Altar at Tramway, Glasgow, which included family photos, an Axminster carpet, a classic Ford Escort covered in a giant doily, Irn-Bru and kinetic handbells.

The 37-year-old, who lives in London, had previously showcased her work at the Victoria and Albert Museum by looking at popular Indian cinema.

Delaine Le Bas

Delaine Le Bas
Delaine Le Bas's installation

Worthing-born Le Bas is nominated for an exhibition titled Incipit Vita Nova. Here Begins The New Life/A New Life Is Beginning. Staged at the Secession art institute in Vienna, Austria, it saw painted fabrics hung, with theatrical costumes and sculptures also part of the exhibit.

The 58-year-old artist was inspired by the death of her grandmother and the history of the Roma people.

The jury said they “were impressed by the energy and immediacy present in this exhibition, and its powerful expression of making art in a time of chaos”.

Claudette Johnson

Claudette Johnson
Claudette Johnson's installation

Manchester-born Johnson has been given the nod for her solo exhibition Presence at the Courtauld Gallery in London, and Drawn Out at Ortuzar Projects, New York.

She uses portraits of black women and men in a combination of pastels, gouache and watercolour, and was praised by the judges for her “sensitive and dramatic use of line, colour, space and scale to express empathy and intimacy with her subjects”.

Johnson, 65, was appointed an MBE in 2022 after being named on the New Year Honours list for her services to the arts.

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Claudette Johnson’s art for Cotton Capital nominated for Turner prize

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Claudette Johnson has been nominated for this year’s Turner prize for her work, which includes a portrait of the African-American slavery abolitionist Sarah Parker Remond commissioned as part of the Guardian’s award-winning Cotton Capital series.

Pio Abad, Johnson, Jasleen Kaur and Delaine Le Bas will compete for the £25,000 prize, while the nominated artists will each collect £10,000 as the prize returns to Tate Britain for the first time in six years.

Colonialism, migration, nationalism and identity politics are the key themes running through the 40th edition of the Turner prize, which the jury described as showing contemporary British art “is appealing and dynamic as ever”.

Alex Farquharson, the director of Tate Britain and chair of the Turner prize jury, said this year’s nominees were exploring ideas of identity and would be exhibited from 25 September, before the jury’s final choice.

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He said: “This year’s shortlisted artists can be broadly characterised as exploring questions of identity, autobiography, community and the self in relation to memory, or history or myth.”

Four paintings of people on grey gallery wall

The Turner prize, regarded as one of the art world’s most prestigious awards, is presented to an artist born or working in Britain for an outstanding exhibition or presentation of their work over the previous year.

Abad was nominated for his solo exhibition To Those Sitting in Darkness at the Ashmolean Museum in Oxford, with the jury commenting on the “precision and elegance” of his work, which takes its title from a Mark Twain poem of a similar name that critiques American imperialism the Philippines, his homeland.

The show also contains references to the Benin Bronzes, after Abad discovered that the punitive expedition of 1897 – during which British troops sacked Benin City and looted thousands of objects, of which about 900 are in the British Museum’ – set off from his home, Woolwich, in south London.

Red Ford Escort in gallery with doily on top

Johnson was nominated for her solo Presence exhibition at the Courtauld Gallery, which the Guardian said “brilliantly questions depictions of non-white figures by such revered painters as Gauguin and Picasso”. She was also recognised for her New York show, Drawn Out, at Ortuzar Projects, which included her Redmond portrait.

She is the latest black female artist who emerged in the Black Art Movement of the 1980s to be recognised by the Turner prize, following in the footsteps of Lubaina Himid (2017 winner) and Veronica Ryan (2022), while Ingrid Pollard and Barbara Walker have both been nominated.

The jury said Johnson had been nominated because of the “renewal of her practice”, after she stopped making work in the 1990s, and the fact she was still “taking risks and trying new forms of practice”.

Kaur’s work in the exhibition Alter Altar, which was shown at Tramway in Glasgow, features sculptures and soundscapes, including a red Ford Escort covered in a huge doily, which references her father’s first car and ideas of migration and belonging in Britain.

Long painted drapes and seated figure

Kaur grew up in Glasgow’s Sikh community in Pollokshields, and the jury said the exhibition was a breakout show that was “generous, celebratory, moving and alive to timely issues, speaking imaginatively to how we might live together in a world increasingly marked by nationalism, division and social control”.

Le Bas’s work, shown at the Vienna Secession exhibition, was described as a “response to social and political turmoil” and includes immersive performance art with theatrical costumes and sculptures.

Farquharson said there was a chance the show may travel to Bradford during its City of Culture year, following the precedent set by Coventry, which hosted the awards in 2021, although that was still “to be confirmed”.

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