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Cultural Representation: The Importance of Positive Portrayals of Black Canadians

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Cultural representation is an essential part of character and cultural reconciliation. Nonetheless, Black Canadians frequently face an absence of positive representation in media and cultural establishments. At the point when they are addressed, it is as often as possible through cliché or negative depictions. This article investigates the meaning of positive representation, the present status of Black Canadian representation, and the means expected to cultivate more comprehensive and exact depictions.

The Power of Representation

Representation in media and cultural organizations significantly affects how people and networks see themselves and are seen by others. Positive representation can enable minimized gatherings, cultivating a feeling of satisfaction and having a place.

The Impact of Stereotypes

Stereotypical depictions of Black Canadians can propagate unsafe fantasies and inclinations. These generalizations frequently decrease people to one-layered characters, disregarding the wealth and variety of their encounters. As per a recent report by the Canadian Broadcasting Corporation (CBC), Black Canadians are frequently portrayed as crooks, competitors, or performers, building up restricted and negative stereotypes.

The Importance of Positive Representation

Positive representation, then again, can challenge these generalizations and present a more nuanced and far reaching perspective on Black Canadians. A 2020 report by the Canadian Race Relations Foundation found that positive media depictions fundamentally work on open perceptions and improve social union. At the point when Black Canadians see themselves reflected emphatically in media, it improves their confidence and local area pride.

Current State of Black Canadian Representation

Underrepresentation in Media

Black Canadians are underrepresented in different media structures, including TV, film, and reporting. A 2018 report by the Canadian Media Guild uncovered that Black Canadians make up just 2.9% of the Canadian media labour force, despite addressing 3.5% of the general populace. This uniqueness brings about an absence of different points of view and stories in traditional press.

Negative Portrayals in Media

Black Canadians are frequently depicted in media in a negative light. For instance, a study conducted in 2019 by MediaSmarts found that Black characters in Canadian television shows are more likely than white characters to be involved in crime or violence. These negative depictions can build up racial inclinations and add to the underestimation of African American populations.

Cultural Institutions and Representation

Inclusion in Museums and Galleries

It is the duty of museums and galleries to reflect Canada’s diverse cultures and histories. Nonetheless, a 2020 review by the Canadian Museums Association viewed that just 12% of galleries had long-lasting shows committed to Dark Canadian history. Black Canadians’ contributions may be lost as a result of this lack of representation, perpetuating a narrow view of Canadian history.

Theatre and Performance Arts

Theatre and cultural expression can be effectively conveyed through theatre and performance arts. However, Black writers and entertainers frequently battle to track down open doors in these fields. As per a 2019 report by the Playwrights Guild of Canada, just 5% of plays delivered in significant Canadian venues were composed by Dark writers. This underrepresentation restricts the variety of stories told in front of an audience and limits open doors for Dark specialists.

Steps Toward Inclusive Representation

Supporting Black Creators

Supporting Black makers is fundamental for encouraging assorted and true narrating. Drives, for example, subsidizing awards, mentorship programs, and systems administration open doors can assist with blacking specialists gain permeability and assets. A 2021 report by the Canada Council for the Arts featured the progress of designated financing programs in expanding the quantity of Black-drove projects in human expression.

Promoting Diverse Hiring Practices

Advancing different employing rehearses inside media and social establishments is essential for guaranteeing a scope of points of view and voices. Executing variety and incorporation preparing, setting recruiting targets, and establishing steady work environment conditions can assist with accomplishing this objective. The Canadian Broadcasting Corporation (CBC)  has focused on guaranteeing that somewhere around 30% of its fresh recruits are from underrepresented gatherings, including Black Canadians, by 2025.

Educating Audiences

Educating crowds about the significance of different representations can likewise drive change. Public mindfulness crusades, local area studios, and school projects can assist with cultivating a more comprehensive mentality. A 2020 review by the Ontario Human Rights Commission saw that 70% of respondents accepted that expanded representation of Black Canadians in media would emphatically affect cultural mentalities towards racial variety.

The Role of Policy and Regulation

Strategy and guidelines can play a critical part in advancing comprehensive representation. States and administrative bodies ought to execute and authorize arrangements that support variety in media and social organizations.

Regulatory Standards

Setting administrative norms for variety in media creation can guarantee that a large number of voices and viewpoints are represented. The Canadian Radio-television and Telecommunications Commission (CRTC) has acquainted rules with advanced variety in communicating, including motivations for networks that meet variety targets.

Funding and Support

Government financing and backing for drives that advance Black representation in media and social foundations are pivotal. Projects, for example, the Canada Media Fund offer monetary help for different substance creation, assisting with enhancing Black voices in different media structures.

The Impact of Positive Representation

Positive representation of Black Canadians in media and social establishments can transformative affect people and society. It encourages deep satisfaction and having a place among Black Canadians, challenges generalizations, and advances social union.

Empowering Individuals

Seeing positive depictions of oneself in media and social spaces can unquestionably engage. It approves the encounters and characters of Black Canadians, adding to higher confidence and mental prosperity. As indicated by a recent report by the University of Toronto, positive media representation is connected to expanded versatility and lower levels of pressure among Black youth.

Conclusion

In conclusion, accomplishing positive and comprehensive representation of Black Canadians in media and social organizations is fundamental for encouraging a more equitable and firm society. By testing generalizations, praising accomplishments, and enhancing different voices, we can engage Black Canadians and advance a more extensive comprehension of their commitments to Canadian culture. Through cooperative endeavours in strategy, training, and local area commitment, we can make a social scene that reflects and regards the extravagance of Black Canadian encounters.

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In late response, Vatican ‘deplores the offense’ of Paris Olympics’ opening ceremony tableau

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ROME (AP) — The Vatican said Saturday it “deplored the offense” caused to Christians by the Olympic Games opening ceremony, a scene of which evoked Leonardo da Vinci’s “The Last Supper” and featured drag queens.

A week after a storm of criticism erupted around the event, the Holy See issued a statement in French that it was “saddened by certain scenes at the opening ceremony” and joined those who had been offended.

“At a prestigious event where the whole world comes together to share common values, there should be no ridiculous allusions to religion,” it said.

To critics, the scene during the July 26 ceremony evoked Jesus and his apostles in Da Vinci’s famous painting. It featured DJ and producer Barbara Butch — an LGBTQ+ icon — wearing a silver headdress that looked like a halo while flanked by drag artists and dancers. France’s Catholic bishops said it made a mockery of Christianity.

The ceremony’s artistic director Thomas Jolly has repeatedly denied he had been inspired by the “Last Supper,” saying the scene was meant to celebrate diversity and pay tribute to feasting and French gastronomy. Paris Olympics organizers apologized to anyone who was offended by the tableau.

The Vatican spokesman didn’t immediately respond when asked why the Holy See was only responding now, a week after the event and after Catholic leaders around the world had expressed outrage at the scene.

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AP Olympics:

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Canadian star swimmer Summer McIntosh wins gold in Olympic 200-metre IM

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PARIS – Summer McIntosh is Canada’s first triple gold medallist in an Olympic Games.

The Toronto swimmer won her third gold in Paris with a victory in the 200-metre individual medley in an Olympic-record time of two minutes 6.56 seconds.

She also won the 400-metre medley and the 200-metre butterfly.

Kate Douglass of the United States was second, and Australia’s Kaylee McKeown third.

Alex Walsh of the U.S. appeared to win silver before being disqualified.

McIntosh’s medal was also her fourth in Paris after a silver medal in the 400-metre freestyle to kick off the meet.

She matched swim teammate Penny Oleksiak’s record of four medals at a Summer Games.

McIntosh could do one medal better if she races the medley relay in Sunday’s swimming finale in Paris.

This report by The Canadian Press was first published Aug. 3, 2024.

The Canadian Press. All rights reserved.



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Canada’s Auger-Aliassime falls to Italy’s Musetti in bronze-medal match

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PARIS – Canada’s Felix Auger-Aliassime fell short of a second bronze medal at the Paris Olympics with a 6-4, 1-6, 6-3 loss to Lorenzo Musetti of Italy in the men’s singles third-place match.

Up 2-1 in the third set, Musetti earned two break-point opportunities, but Auger-Aliassime held him off to even the set.

Canada's daily Olympic medal comparison

Musetti finally broke a few games later to go up 5-3 after Auger-Aliassime hit the net. He then held serve to take bronze.

The 23-year-old Auger-Aliassime of Montreal lost in straight sets to Carlos Alcaraz of Spain in the semifinal Friday. Alcaraz was scheduled to meet top seed Novak Djokovic of Serbia in Sunday’s final.

Also Friday, Auger-Aliassime won bronze alongside Ottawa’s Gabriela Dabrowski in mixed doubles play. They defeated Demi Schuurs and Wesley Koolhof of the Netherlands 6-3, 7-6 (2).

Canada’s only Olympic tennis medal before Paris came in 2000, when Daniel Nestor and Sébastien Lareau beat the heavily favoured Australian duo of Todd Woodbridge and Mark Woodforde in the men’s doubles final at the Sydney Games.

This report by The Canadian Press was first published Aug. 3, 2024.

The Canadian Press. All rights reserved.



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