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Cycling, art, mines and vineyards in Belgium’s Limburg province

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It feels strange to be cycling along a sunken path, my head at the same level as the ducks and swans swimming on the still waters of the pond beyond the walls. But Cycling Through Water, part of a biking trail in the Bokrijk forest, is another surprise on a trip to Belgium’s Limburg province.

Close to the border with the Netherlands, this unspoilt area is less than two hours’ drive from Brussels. Soon after picking up a car at Brussels Midi, I’m driving through luxuriant countryside passing dense woodland, cornfields and shaded lakes. With about 1,250 miles (2,000km) of paved, mostly car-free trails, Limburg is a paradise for bike enthusiasts – and easily navigable thanks to a clearly numbered junction system on its innovative cycle network. Difficult even for amateurs like me to get lost.

Peaceful countryside on the way to Limburg.

I check into Park Molenheide, a campsite with a small area for tents, caravans or campers and a wide selection of comfortable self-catering chalets, well spaced out under pine trees. The clientele is mainly cyclists and families (it’s particularly popular with the Dutch). There’s lots for children: giant indoor swimming pools, a fantasy adventure park, mini golf and fishing. For cyclists, Molenheide is a great base, with bike hire onsite.

The next day I start by hitting the path through De Wijers, a sprawling wetlands nature reserve with more than 1,000 tiny ponds and lakes. Near Zonhoven, a network of narrow paths wind past the water, and I discover a look-out tower for birdwatching. I head on through oak and fir trees and continue for another half-hour to De Plas, a long sandy beach by a tree-fringed lake, totally untouched by tourism apart from a simple bar serving ice-cold beers, chips and waffles. It’s a perfect place to relax before a leisurely cycle back to camp.

Cycling in De Wijers nature reserve

While the campsite’s restaurants offer mainly comfort cuisine – big portions of moules-frites or hearty plates of pasta – I discover some great foodie locales nearby. Just off the main road leading to the town of Hasselt, Ter Dolen is a craft brewery and beer garden in the courtyard of a 16th-century castle, serving tasty plates of cheeses and charcuterie, perfectly paired with tangy Kriek ale, made from cherries grown in the area’s famous fruit orchards.

A 10-minute cycle from camp is Restaurant Enfin, a surprising 20-seater dining room, where chef Benny Dreesen’s small seasonal menus feature Flemish ingredients such as locally grown vegetables, venison and beef, and fresh sole and cod from the North Sea. Less than half an hour’s drive away, Brasserie ’t Stasjon is an old train station converted into a fun diner serving salads and burgers, rich beef carbonnade stew or delicious spareribs. ’T Stasjon is also an entrance point to the vast Hoge Kempen national park, another great option for cyclists. I chat to one, Stefano Farraci, who’s taking a breather on a 50km (31 miles) ride. “My friends and I often rent a house here for a week of cycling. Limburg is very different from the rest of Flanders: few tourists, and amazing bike trails though stunning landscapes.”

Artworks at Koen Vanmechelen’s Labiomista.

But Limburg is not just about cycling. South of the campsite towards the town of Genk – pronounced “Henk” – the bucolic scene is broken by the stark winding towers of former coalmines, soaring high above the trees. At the beginning of the last century, Limburg had a flourishing coal industry. The mines finally closed in the late 1980s, but two sites have been transformed into remarkable creative centres. C-Mine (which stands for Creative Mine), lies a couple of miles north-west of Genk. Its 60-metre towers and massive redbrick buildings have been transformed into a hybrid venue hosting artist residences, student workshops, creative start-ups, a school of contemporary art, dance, cinema and temporary exhibitions. The mine can still be visited (Tues-Sun, €10/€6), with animations, holograms and sound bringing the space to life, as can the top of the tower, for views across the countryside.

beach with trees and sailing boat

A couple of miles away is Labiomista, another artistic initiative in a former colliery. Genk’s progressive mayor, Wim Dries, offered the site to controversial artist Koen Vanmechelen, who is known for projects featuring taxidermy and glass. A vast park filled with animals and 70 of his giant sculptures is open from April to November each year (Tues-Sun, €10/€6), and Koen’s huge studio exhibition space is opened to the public once or twice a year. It’s a weird and wonderful collection: artworks include a stuffed goat with a unicorn coming out of its forehead.

Limburg reserves a last surprise on the drive back to Brussels: a wine-tasting detour to the sleepy hamlet of Helshoven. This was traditionally a fruit growing region, but a young generation of Limburgers are planting vineyards as climate change sees winemaking spread throughout Belgium. At Domaine Helshoven, an 18th-century manor house surrounded by vines, Jeroen Houten makes tipples from chardonnay to fashionable orange wines, apple and pear bubblies and even a craft gin. There’s camping and glamping on site in wine barrel-shaped cabins (from €90 a night for two). Sounds like the perfect place to stay, next time round.

The trip was provided by VisitLimburg. Two nights in a four-person bungalow at Parc Molenheide costs from €229 in September. Bike rental €15 a day or €32 for 3 days

 

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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Sudbury art, music festival celebrating milestone

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Sudbury’s annual art and music festival is marking a significant milestone this year, celebrating its long-standing impact on the local cultural scene. The festival, which has grown from a small community event to a major celebration of creativity, brings together artists, musicians, and visitors from across the region for a weekend of vibrant performances and exhibitions.

The event features a diverse range of activities, from live music performances to art installations, workshops, and interactive exhibits that highlight both emerging and established talent. This year’s milestone celebration will also honor the festival’s history by showcasing some of the artists and performers who have contributed to its success over the years.

Organizers are excited to see how the festival has evolved, becoming a cornerstone of Sudbury’s cultural landscape. “This festival is a celebration of creativity, community, and the incredible talent we have here in Sudbury,” said one of the event’s coordinators. “It’s amazing to see how it has grown and the impact it continues to have on the arts community.”

With this year’s milestone celebration, the festival promises to be bigger and better than ever, with a full lineup of exciting events, workshops, and performances that will inspire and engage attendees of all ages.

The festival’s milestone is not just a reflection of its past success but a celebration of the continued vibrancy of Sudbury’s arts scene.

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