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David Berlin: As trust in the media falls, there may be no moral high ground left to take

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During a visit to the newly renovated New York Times offices some years ago, I asked the editor, Dean Baquet, why he thought it fit to publish all of President Donald Trump’s tweets, in spite of the fact that many seemed only about Trump’s insatiable need to remain cock of the walk, talk of the town.

Baquet, who was in a rush, did not cite journalistic integrity or executive privilege or the public’s right to know, but retaining the competitive edge: “If we don’t publish them, someone else will,” Baquet said.

The implication was that the Times needed to hold down its position as the paper of record and, even as the whale that it is, needed to swat off a hundred toothy minnows whittling away at a diminishing market. Editorial decisions, it seemed to me, were not necessarily aligned with responsible journalism but with business concerns.

Such reasoning, plus charges of niche marketing and unabashed partisan reporting, go to the heart of the issues raised in the 28th Munk Debate earlier this month which went forward on a resolution that people should not trust the mainstream media.

Matt Taibbi, a veteran journalist, former feature writer for Rolling Stone, Substack contributor, and author of several books including Insane Clown President, teamed up with British author and associate editor for the Spectator, Douglas Murray, to argue in favour of the resolution. Canadian journalist and New Yorker staff writer Malcolm Gladwell and New York Times columnist Michelle Goldberg argued against the resolution and in favour of continued trust in the mainstream media.

Goldberg is not an ideologue. On the contrary. Her opening remarks conceded grounds when she said that journalists “like the rest of us” sometimes miss things, get things wrong, and are overwhelmed by events that exceed expectations and perhaps their capacity to imagine the future in a whirlwind of events. After all, nobody, or hardly anybody, predicted the fall of the Soviet Empire. Nobody, or hardly anybody, imagined the 2008 financial crash. Nobody or hardly anybody predicted that Donald Trump would win the Republican Party primary, and even seasoned reporters such as David Frum were certain that Hillary Clinton would break the glass ceiling, leaving Trump locked out of office.

“We may screw up,” Goldberg said, “but when we do, we try to figure out what we did wrong and fix it.”

Gladwell expanded Goldberg’s argument, suggesting that “trust” is not about substance, which every journalist sometimes gets wrong, but about hardwired newsroom processes.

“When I worked at the Washington Post, which is the definition of mainstream media,” Gladwell said, “there were two things that were drilled into me. One was the importance of fairness. If you quoted someone denouncing someone else, you had to call up the person denounced and get a response. The second was accuracy.”

Gladwell went on to emphasize that processes including forensic analysis, cross-checking, oversight, and so forth have not changed. “If anything, many organizations like the New Yorker, spend more money on fact-checking than ever before, in part because there is so much more scrutiny and oversight.

Matt Taibbi was having none of this. Not because he was privy to shoddy practices, but because his issue was not the process but the “ethos” which justified niche journalism: preaching to the converted, killing stories, or burying them alive when they are not the kind of thing that your audience wishes to hear.

Being mainstream, according to Taibbi, means sitting comfortably on one side of the fence or the other. It means distrusting the people to reach their own conclusions. It means campaigning rather than reporting. Fox News and the legacy broadsheets are equally part of the problem. Rather than resist hyper-partisanship, they capitalize on and exploit a dangerous situation.

Taibbi quoted a Pew Center survey to wit: 93 percent of Fox’s audience vote Republican, while 95 percent of the MSNBC audience votes Democrat, and New York Times readers are 91 percent Democrats.

Reporters and journalists no longer bother to distance themselves from their own biases and political agendas, Taibbi claimed, adding that his journalist father had a saying “the story is the boss” which meant that you don’t lead but follow the story wherever it goes. Sadly, as he outlined, the story is no longer the boss. Taibbi left himself open to charges of sentimentalism when he looked back to the days when the CBS anchor, Walter Cronkite, was the most trusted person in the country.

“Who did Cronkite represent?” Gladwell fired back. Certainly not black people or women or immigrants or gay people or people with a mildly left-wing view. Gladwell could have added that Cronkite’s America was very different than America today. Not only were there so many more blue suits in the street back then, but the CBS anchor had hardly any competition, and none like Fox.

Douglas Murray came to Taibbi’s defense. Addressing Gladwell he said: “You did a little nasty jab at Matt…trying to pretend that he is desperate for an era of white men broadcasting.” Turning to Taibbi, he continued. “We’ve only just met, but you didn’t give off that vibe to me.” Taibbi motioned that he did not harbour such feelings.

More than the other three debaters, Murray stretched the truth and deployed ad hominem arguments (which Gladwell did as well). He quipped that “you really know that the world is in trouble when Canada becomes very interesting.” He claimed that in Canada “the government can tell the media what to do and the media does the bidding of the Canadian government.” This has not been my experience.

Murray claimed that the New York Times vilified the trucker protests, a charge which Goldberg proved entirely exaggerated. But when he raised the Hunter Biden laptop story, things heated up. Why didn’t the Washington Post and the Times follow up on the story published in the New York Post prior to Biden’s election?

“Why didn’t they call up people? Why didn’t they check whether the emails were accurate? Because they didn’t want Biden to lose the election. He was their guy, and they didn’t want to screw that up,” said Murray.

The moderator, Rudyard Griffiths, underscored Murray’s charge, pointing out that this was an important allegation. Everyone felt certain that the gloves were about to come off.

Goldberg took up the challenge: The person who wrote the New York Post story asked to have their name taken off it because they thought the story was unreliable. The people who had the hard drive would not give it to the Washington Post and the New York Times. The media has covered this, but they have also been careful, given the fact that this stuff still cannot be authenticated.”

The crux of her argument, it seemed to me, was just what she had stated earlier—that process trumped perception and though she and others were sorry that some readers believed that the Times had withheld the laptop business for scurrilous reasons, the truth is that the story was not ready for prime time.

Goldberg went on to cite many instances where the New York Times opted for counter-intuitional stories over reader-pleasing narratives. But she sounded defensive in part because she was reacting to a charge that she did not get in front of. She said that readers of the mainstream media were safer and better protected if they stuck with the mainstream and avoided the contrarians. Murray agreed that one should read the mainstream media, but “you just shouldn’t trust them.”

If I understood Murray’s point correctly (which I may not have) he meant that readers cannot and should not stop thinking for themselves. There is no way to coast, take in the news as if it were breakfast cereal (in the manner that was maybe possible in the 1950s). To me, it seems not at all clear that any of the news media can do anything to rectify the situation. To take the moral high ground does not seem possible. It is not even clear that such grounds exist any longer.

Taibbi, whose critique hinged on the possibility that journalists could do a whole lot better, closed with little hope. Regardless of how the chips fell in this debate, he said, the question as to whether to trust or not to trust the media has already been settled. Taibbi quoted from a recent Gallup poll, which found that just 7 percent of Americans have a great deal of trust in the media; 27 percent have a fair amount; 28 percent do not have much confidence; a full 38 percent have none at all in newspapers, TV, and radio.

According to a Reuters Institute 2022 report, trust in the Canadian news has dropped 13 percentage points since 2016. Only 42 percent of Canadian respondents trust most news, most of the time. But as low as the number is, it is significantly higher than the post-debate figure.

Murray and Taibbi managed to swing some 19 percent to their side, leaving only 33 percent trusting souls shuffling nervously out of Roy Thomson Hall.

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Sutherland House Experts Book Publishing Launches To Empower Quiet Experts

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Sutherland House Experts is Empowering Quiet Experts through
Compelling Nonfiction in a Changing Ideas Landscape

TORONTO, ON — Almost one year after its launch, Sutherland House Experts is reshaping the publishing industry with its innovative co-publishing model for “quiet experts.” This approach, where expert authors share both costs and profits with the publisher, is bridging the gap between expertise and public discourse. Helping to drive this transformation is Neil Seeman, a renowned author, educator, and entrepreneur.

“The book publishing world is evolving rapidly,” publisher Neil Seeman explains. “There’s a growing hunger for expert voices in public dialogue, but traditional channels often fall short. Sutherland House Experts provides a platform for ‘quiet experts’ to share their knowledge with the broader book-reading audience.”

The company’s roster boasts respected thought leaders whose books are already gaining major traction:

• V. Kumar Murty, a world-renowned mathematician, and past Fields Institute director, just published “The Science of Human Possibilities” under the new press. The book has been declared a 2024 “must-read” by The Next Big Ideas Club and is receiving widespread media attention across North America.

• Eldon Sprickerhoff, co-founder of cybersecurity firm eSentire, is seeing strong pre-orders for his upcoming book, “Committed: Startup Survival Tips and Uncommon Sense for First-Time Tech Founders.”

• Dr. Tony Sanfilippo, a respected cardiologist and professor of medicine at Queen’s University, is generating significant media interest with his forthcoming book, “The Doctors We Need: Imagining a New Path for Physician Recruitment, Training, and Support.”

Seeman, whose recent and acclaimed book, “Accelerated Minds,” explores the entrepreneurial mindset, brings a unique perspective to publishing. His experience as a Senior Fellow at the University of Toronto’s Institute of Health Policy, Management and Evaluation, and academic affiliations with The Fields Institute and Massey College, give him deep insight into the challenges faced by people he calls “quiet experts.”

“Our goal is to empower quiet, expert authors to become entrepreneurs of actionable ideas the world needs to hear,” Seeman states. “We are blending scholarly insight with market savvy to create accessible, impactful narratives for a global readership. Quiet experts are people with decades of experience in one or more fields who seek to translate their insights into compelling non-fiction for the world,” says Seeman.

This fall, Seeman is taking his insights to the classroom. He will teach the new course, “The Writer as Entrepreneur,” at the University of Toronto, offering aspiring authors practical tools to navigate the evolving book publishing landscape. To enroll in this new weekly night course starting Tuesday, October 1st, visit:
https://learn.utoronto.ca/programs-courses/courses/4121-writer-entrepreneur

“The entrepreneurial ideas industry is changing rapidly,” Seeman notes. “Authors need new skills to thrive in this dynamic environment. My course and our publishing model provide those tools.”

About Neil Seeman:
Neil Seeman is co-founder and publisher of Sutherland House Experts, an author, educator, entrepreneur, and mental health advocate. He holds appointments at the University of Toronto, The Fields Institute, and Massey College. His work spans entrepreneurship, public health, and innovative publishing models.

Follow Neil Seeman:
https://www.neilseeman.com/
https://www.linkedin.com/in/seeman/

Follow Sutherland House Experts:

https://sutherlandhouseexperts.com/
https://www.instagram.com/sutherlandhouseexperts/

Media Inquiries:
Sasha Stoltz | Sasha@sashastoltzpublicity.com | 416.579.4804
https://www.sashastoltzpublicity.com

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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