Art

DC Knights call for Rupnik art removal

Published

6 months ago

April 16, 2024

A Washington, D.C., Knights of Columbus council has called for chapel mosaics created by disgraced artist Fr. Marko Rupnik to be removed from the area’s St. John Paul II Shrine, which is sponsored by the Knight of Columbus fraternal organization.

Friars pray Oct. 22, 2015, in the ‘Redemptor Hominis’ chapel of the National Shrine of St John Paul II in Washington DC, which was decorated with mosaics by Fr Marko Rupnik SJ. Credit:Lawrence OP via Flickr, CC BY SA 2.0

The Cardinal O’Boyle Council 11302 passed a resolution April 9 calling on Knights leadership to remove Rupnik’s artwork from the shrine’s Redemptor Hominis Church and the Luminous Mysteries Chapel.

The resolution notes that Rupnik has been accused of sexually abusing religious sisters in the context of creating his works of art.

“O’Boyle Council calls upon the executive leadership of the Washington, DC State Council of the Knights of Columbus (State Council) and the executive leadership of the Supreme Council of the Knights of Columbus (Supreme Council) to renovate the Shrine such that the mosaics in both the Redemptor Hominis Church and the Luminous Mysteries Chapel created by Fr. Rupnik are removed and replaced with liturgical art suitable to the celebration of the sacraments,” says the resolution, which was obtained by The Pillar.

The council calls on Knights national leadership to immediately publicize a plan for a removal of the artwork and to cover the images until a full renovation can begin.

“O’Boyle Council calls upon the executive leadership of the Washington, DC State Council and the executive leadership of the Supreme Council to immediately make a public apology to survivors of Fr. Rupnik’s abuse for the Order’s continued inaction in addressing the matter of the mosaics in the Shrine,” the resolution adds.

Rupnik is a well-known Slovenian priest, an artist, and a former member of the Jesuit order, the Society of Jesus.

The priest is at the center of a multi-faceted sexual abuse and cover-up scandal. Rupnik has been accused of spiritually, psychologically, and sexually abusing consecrated women in a Slovenian religious community. He was also briefly excommunicated in 2020, for attempting to sacramentally absolve a woman after a sexual encounter with her, a major crime in the Church’s canon law.

An initial examination of the allegations against Rupnik met a dead end when the Dicastery for the Doctrine of the Faith (DDF) declined to lift the statute of limitations on the allegations.

Amid widespread criticism, Pope Francis in October 2023 waived the statute of limitations on the claims against Rupnik, reopening the case against the priest, and allowing him to face a canonical process.

The DDF is currently investigating the allegations. Five new complaints of abuse were filed with the dicastery earlier this month.

The allegations against Rupnik have led to calls for the removal of his artwork, which is prominently featured in sacred spaces around the world, including the Basilica of the Sanctuary in Lourdes, France.

In December 2022, the Knights of Columbus said it was “reconsidering the place” of Rupnik’s work in the organization’s chapels. The Knights have already removed Rupnik’s art from their evangelization booklets and other published materials.

The O’Boyle Council resolution cites Sacrosanctum concilium’s exhortation that works of art which are “repugnant to faith, morals, and Christian piety” should be removed from sacred spaces.

“[T]he mosaics created by Fr. Rupnik in the St. John Paul II Shrine are repugnant to faith, morals, and Christian piety due and lack artistic worth due to the fact that Fr. Rupnik reportedly perpetrated his sexual abuse through the creation of his artwork,” the resolution states.

Rupnik’s mosaics are also featured in Holy Family Chapel, at the Knights of Columbus’ headquarters in New Haven, Connecticut.

The Knights of Columbus did not respond to The Pillar’s request for comment on the O’Boyle Council resolution.

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Art

A misspelled memorial to the Brontë sisters gets its dots back at last

Published

3 weeks ago

September 26, 2024

Anne Joseph

LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

Published

1 month ago

September 13, 2024

Harry Miller

In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.