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Digital all but killed film. Projectionist Robert Miniaci is fighting to preserve it

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Robert Miniaci is a master of a nearly lost art. He’s in his 60s, and says he is one of the few people capable of maintaining and repairing projection equipment in the world.

“I’m really the only one,” the Montreal-based projectionist told CBC Radio’s Craig Desson.

Miniaci builds, repairs and preserves all sorts of projectors. He makes sure they work properly, through periodic adjustment and cleaning.

He’s set up projectors at the Montreal Museum of Fine Arts and the Tate Museum in England, and done installations for big names such as the late actor and filmmaker Dennis Hopper.

“Almost every gallery on the planet has a projector and a loop that I built,” said Miniaci.

It can take time, and knowledge. But Miniaci has both. While he says there are some people who do what he does, most are retired, and few have the level of experience he has or the parts necessary for fixes.

And he’s hoping he can pass his knowledge on.

Miniaci says there’s something about a film projection that is more captivating than the digital movies people watch now. (Craig Desson/CBC)

Miniaci works out of his garage, but he used to have his own warehouse in the basement of a strip mall that was full of projectors and parts of all shapes, sizes and models.

It had tools that have been used since the 1950s, he said, and projectors he considers to be part of history. It even had a projector he built by hand when he was just a kid.

Miniaci was born in Italy and remembers his first time in a movie theatre. He was struck by the image being projected on screen, he said.

He was so fascinated that he wanted his own toy slide projector that would play cartoons, but knowing his parents were unlikely to oblige, he set out to make his own. After some work and a bit of trial and error, he was able to build it.

“I had a beautiful little projector working … and then my parents looked and said we should have [bought you one] but I said, ‘I’m glad you didn’t. I had a lot of fun making this.'”

A bunch of tools sit on a cart with film reel cases behind the card.
Miniaci says the tools he needs to fix projectors haven’t really changed much over time. (Craig Desson/CBC)

From motion to mundane

Miniaci is, unsurprisingly, a staunch defender of the experience that comes with film. Movies were first known as motion pictures, thanks to the frame by frame motion that was projected onto screen.

But, Miniaci said, the digital version doesn’t have that same beauty of movement.

“You’re getting something static, which is synthetically put together through zeros and ones.”

He remembers when his children were little, and he had a room set up downstairs with a projector. The children and their friends would be captivated by the latest Disney film.

And he said that same experience translates to cinemas.

A projector sits in the foreground with a man in the background going through boxes of equipment.
Miniaci has a catalog of projectors and tools to fix them. (Craig Desson/CBC)

“In the cinema, when you’re looking at it and you’re looking at film, you have that sense of believability that you’re actually transported into something that you’re not,” said Miniaci.

“The digital … it has a medical, technical quality to it, a very metallic look.”

He uses the example of the opening scene of The Godfather, which was shot in low light, showing mostly shadows as the mob boss listens to someone asking for a shady favour.

“Nobody can see anything.… But that was the whole point, that you saw shadows almost of the individual. The most important thing was what the words, and film allows you to do that in such a perfect way,” said Miniaci.

“When it’s digital … it can over-define things in a certain way and you lose that ability to create the artistic impact that you want to create.”

The push to digital began in the late 1990s, and it really started taking over in the 2000s. In 1999, Star Wars Episode I: The Phantom Menace was the first film in North America to be played through digital projection. Now digital movies are ubiquitous in commercial theatres across the continent.

An audience watches a movie in a darkened theatre.
The North American box office brought in $7.5 billion US in 2022, which is up about 65 per cent from 2021 but still far below pre-pandemic levels. (Evan Mitsui/CBC)

Martin Lefebvre, chair of the Mel Hoppenheim School of Cinema at Concordia University, said it was done as a cost-cutting measure.

It was expensive to film, edit and then ship large film reels to theatres across the globe. A digital file could be sent on a simple CD or transmitted through a satellite.

“Film is an art form, but it’s a business as well,” said Lefebvre.

But Lefebvre doesn’t believe there is a major difference in quality between having a projected film or a digital feature.

He acknowledges some of his colleagues prefer to watch a projected picture, but for him, it’s hard to pick out a difference. It can just come down to preference.

“Sometimes you make your wish come true. You think this is going to be better and it looks better and you feel better about it. So there’s a lot of mythology around the relationship between legacy media and new tools,” said Lefebvre.

“I can’t say it was definitely better on film. And I think that talented directors of photography can pull off digital filmmaking, and digital projection will live up to the work that they’ve done in making a film.”

Lefebvre said there is still value in keeping the skills Miniaci has alive, as there are some films that can only be viewed through a projector. At Concordia, Lefebvre said students learn how to use projectors and film.

But he doesn’t foresee a return to film on a mass scale.

The future of film

Miniaci still has hope for his art form. He’s sold systems to places in Los Angeles that have opened strictly analog theatres.

He said the push is coming from young people, and from organizations such as the Academy of Motion Picture Arts and Sciences, which promotes watching films and the preservation of analog. The Cinémathèque québécoise, a film conservatory in Montreal, does the same.

“I think they definitely want to have a distinction between their iPhone and a theatre experience,” said Miniaci.

Business has been good for Miniaci. Almost too good, as he struggles to keep up. Many of his former colleagues are in their 80s, and no longer working.

A man with grey hair and glasses holds a reel of film.
Miniaci loves reel-to-reel film, and he hopes to pass that knowledge on to the next generation. (Craig Desson/CBC)

“I am not stopping. You know, it’s as simple as that. I said, ‘I’ll stop when everything stops,'” said Miniaci.

But he knows he won’t be around forever, and he wants to make sure his knowledge lives on. Film schools have approached him to work on passing along those skills.

“I do have a plan in place that I want to hopefully get this knowledge transferred to younger people. And it’s possible. It’s not impossible. They’re not stupid,” said Miniaci.

“You just have to have the time. And right now, unfortunately … I don’t have the time that it takes to really train meticulously.”

 

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Ottawa orders TikTok’s Canadian arm to be dissolved

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The federal government is ordering the dissolution of TikTok’s Canadian business after a national security review of the Chinese company behind the social media platform, but stopped short of ordering people to stay off the app.

Industry Minister François-Philippe Champagne announced the government’s “wind up” demand Wednesday, saying it is meant to address “risks” related to ByteDance Ltd.’s establishment of TikTok Technology Canada Inc.

“The decision was based on the information and evidence collected over the course of the review and on the advice of Canada’s security and intelligence community and other government partners,” he said in a statement.

The announcement added that the government is not blocking Canadians’ access to the TikTok application or their ability to create content.

However, it urged people to “adopt good cybersecurity practices and assess the possible risks of using social media platforms and applications, including how their information is likely to be protected, managed, used and shared by foreign actors, as well as to be aware of which country’s laws apply.”

Champagne’s office did not immediately respond to a request for comment seeking details about what evidence led to the government’s dissolution demand, how long ByteDance has to comply and why the app is not being banned.

A TikTok spokesperson said in a statement that the shutdown of its Canadian offices will mean the loss of hundreds of well-paying local jobs.

“We will challenge this order in court,” the spokesperson said.

“The TikTok platform will remain available for creators to find an audience, explore new interests and for businesses to thrive.”

The federal Liberals ordered a national security review of TikTok in September 2023, but it was not public knowledge until The Canadian Press reported in March that it was investigating the company.

At the time, it said the review was based on the expansion of a business, which it said constituted the establishment of a new Canadian entity. It declined to provide any further details about what expansion it was reviewing.

A government database showed a notification of new business from TikTok in June 2023. It said Network Sense Ventures Ltd. in Toronto and Vancouver would engage in “marketing, advertising, and content/creator development activities in relation to the use of the TikTok app in Canada.”

Even before the review, ByteDance and TikTok were lightning rod for privacy and safety concerns because Chinese national security laws compel organizations in the country to assist with intelligence gathering.

Such concerns led the U.S. House of Representatives to pass a bill in March designed to ban TikTok unless its China-based owner sells its stake in the business.

Champagne’s office has maintained Canada’s review was not related to the U.S. bill, which has yet to pass.

Canada’s review was carried out through the Investment Canada Act, which allows the government to investigate any foreign investment with potential to might harm national security.

While cabinet can make investors sell parts of the business or shares, Champagne has said the act doesn’t allow him to disclose details of the review.

Wednesday’s dissolution order was made in accordance with the act.

The federal government banned TikTok from its mobile devices in February 2023 following the launch of an investigation into the company by federal and provincial privacy commissioners.

— With files from Anja Karadeglija in Ottawa

This report by The Canadian Press was first published Nov. 6, 2024.

The Canadian Press. All rights reserved.

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Here is how to prepare your online accounts for when you die

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LONDON (AP) — Most people have accumulated a pile of data — selfies, emails, videos and more — on their social media and digital accounts over their lifetimes. What happens to it when we die?

It’s wise to draft a will spelling out who inherits your physical assets after you’re gone, but don’t forget to take care of your digital estate too. Friends and family might treasure files and posts you’ve left behind, but they could get lost in digital purgatory after you pass away unless you take some simple steps.

Here’s how you can prepare your digital life for your survivors:

Apple

The iPhone maker lets you nominate a “ legacy contact ” who can access your Apple account’s data after you die. The company says it’s a secure way to give trusted people access to photos, files and messages. To set it up you’ll need an Apple device with a fairly recent operating system — iPhones and iPads need iOS or iPadOS 15.2 and MacBooks needs macOS Monterey 12.1.

For iPhones, go to settings, tap Sign-in & Security and then Legacy Contact. You can name one or more people, and they don’t need an Apple ID or device.

You’ll have to share an access key with your contact. It can be a digital version sent electronically, or you can print a copy or save it as a screenshot or PDF.

Take note that there are some types of files you won’t be able to pass on — including digital rights-protected music, movies and passwords stored in Apple’s password manager. Legacy contacts can only access a deceased user’s account for three years before Apple deletes the account.

Google

Google takes a different approach with its Inactive Account Manager, which allows you to share your data with someone if it notices that you’ve stopped using your account.

When setting it up, you need to decide how long Google should wait — from three to 18 months — before considering your account inactive. Once that time is up, Google can notify up to 10 people.

You can write a message informing them you’ve stopped using the account, and, optionally, include a link to download your data. You can choose what types of data they can access — including emails, photos, calendar entries and YouTube videos.

There’s also an option to automatically delete your account after three months of inactivity, so your contacts will have to download any data before that deadline.

Facebook and Instagram

Some social media platforms can preserve accounts for people who have died so that friends and family can honor their memories.

When users of Facebook or Instagram die, parent company Meta says it can memorialize the account if it gets a “valid request” from a friend or family member. Requests can be submitted through an online form.

The social media company strongly recommends Facebook users add a legacy contact to look after their memorial accounts. Legacy contacts can do things like respond to new friend requests and update pinned posts, but they can’t read private messages or remove or alter previous posts. You can only choose one person, who also has to have a Facebook account.

You can also ask Facebook or Instagram to delete a deceased user’s account if you’re a close family member or an executor. You’ll need to send in documents like a death certificate.

TikTok

The video-sharing platform says that if a user has died, people can submit a request to memorialize the account through the settings menu. Go to the Report a Problem section, then Account and profile, then Manage account, where you can report a deceased user.

Once an account has been memorialized, it will be labeled “Remembering.” No one will be able to log into the account, which prevents anyone from editing the profile or using the account to post new content or send messages.

X

It’s not possible to nominate a legacy contact on Elon Musk’s social media site. But family members or an authorized person can submit a request to deactivate a deceased user’s account.

Passwords

Besides the major online services, you’ll probably have dozens if not hundreds of other digital accounts that your survivors might need to access. You could just write all your login credentials down in a notebook and put it somewhere safe. But making a physical copy presents its own vulnerabilities. What if you lose track of it? What if someone finds it?

Instead, consider a password manager that has an emergency access feature. Password managers are digital vaults that you can use to store all your credentials. Some, like Keeper,Bitwarden and NordPass, allow users to nominate one or more trusted contacts who can access their keys in case of an emergency such as a death.

But there are a few catches: Those contacts also need to use the same password manager and you might have to pay for the service.

___

Is there a tech challenge you need help figuring out? Write to us at onetechtip@ap.org with your questions.

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Google’s partnership with AI startup Anthropic faces a UK competition investigation

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LONDON (AP) — Britain’s competition watchdog said Thursday it’s opening a formal investigation into Google’s partnership with artificial intelligence startup Anthropic.

The Competition and Markets Authority said it has “sufficient information” to launch an initial probe after it sought input earlier this year on whether the deal would stifle competition.

The CMA has until Dec. 19 to decide whether to approve the deal or escalate its investigation.

“Google is committed to building the most open and innovative AI ecosystem in the world,” the company said. “Anthropic is free to use multiple cloud providers and does, and we don’t demand exclusive tech rights.”

San Francisco-based Anthropic was founded in 2021 by siblings Dario and Daniela Amodei, who previously worked at ChatGPT maker OpenAI. The company has focused on increasing the safety and reliability of AI models. Google reportedly agreed last year to make a multibillion-dollar investment in Anthropic, which has a popular chatbot named Claude.

Anthropic said it’s cooperating with the regulator and will provide “the complete picture about Google’s investment and our commercial collaboration.”

“We are an independent company and none of our strategic partnerships or investor relationships diminish the independence of our corporate governance or our freedom to partner with others,” it said in a statement.

The U.K. regulator has been scrutinizing a raft of AI deals as investment money floods into the industry to capitalize on the artificial intelligence boom. Last month it cleared Anthropic’s $4 billion deal with Amazon and it has also signed off on Microsoft’s deals with two other AI startups, Inflection and Mistral.

The Canadian Press. All rights reserved.

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