Ehiko: The Multidisciplinary Artist Shaping Decolonization Through Art

Ehiko, a multidisciplinary artist born in Lagos, Nigeria, now calls Toronto, Ontario, her home. An OCAD University graduate, she has gained recognition for her powerful and evocative works that delve into the complexities of decolonization, health and wellness, spirituality, sexual violence, and the representation of melanated hair.

Ehiko’s artistic journey began in the vibrant city of Lagos, where the rich cultural heritage and traditional artistry influenced her deeply. This foundation blossomed in Toronto, where she continued to experiment and manipulate raw canvas due to its flexibility. Her expressive palette and the use of various textiles pay homage to traditional Nigerian craftsmanship, creating a unique blend of contemporary and ancestral art forms.

Her works are not just visually striking but also laden with profound messages. Ehiko’s exploration of decolonization is evident in her large-scale multi-medium paintings, performances, drawings, and installations. Each piece she creates is a testament to her commitment to unravelling spirituality linked to traditional Afrakan masks, presenting a dialogue between the past and present.

One of the central themes in Ehiko’s work is health and wellness, particularly within the context of the Black community. She addresses the often-overlooked aspects of mental health and the importance of wellness practices rooted in African traditions. Through her art, Ehiko encourages a reconnection with these practices, promoting healing and resilience.

Sexual violence is another critical subject Ehiko tackles with sensitivity and boldness. Her works often depict the pain and trauma associated with such experiences while also highlighting the strength and resilience of survivors. By bringing these issues to the forefront, she fosters conversations that are essential for societal change and healing.

The representation of melanated hair in Ehiko’s art is a celebration of Black identity and beauty. Her pieces challenge societal norms and stereotypes, presenting Black hair in its diverse and natural forms. This representation is not only about aesthetics but also about reclaiming cultural identity and pride.

Ehiko’s exhibitions in Lagos and Toronto have garnered significant attention, and her private collection of purchased work is available upon request. Her contributions to the art world extend beyond her creations; she is also an advocate for using art as a tool for social change and empowerment.

In every piece, Ehiko weaves her experiences, heritage, and vision, creating a tapestry that speaks to the heart and mind. Her work is a powerful reminder of the role of art in decolonization and healing, and her journey continues to inspire and influence the global art community.