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Fallout TV Show Image Looks Like AI 'Art' Or A Messy Photoshop – Kotaku

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Pip Boy gives the thumbs up in a 1950s-style ad for the Fallout TV show.

Amazon recently revealed that its Fallout TV show will begin streaming in 2024 by tweeting a 1950s-looking postcard from Los Angeles, California with Vault Boy giving the thumbs up. Upon closer inspection, fans have noticed a lot of weird anomalies that have some thinking it might actually be AI-generated.

At first I paid the image no mind. It was tweeted out on August 23 while a teaser for the show debuted for attendees at Gamescom 2023. Then I saw this tweet by a developer who goes by “Kenney” and makes free game assets. “Amazon ($514 billion dollar in revenue) is incapable of hiring an actual artist,” they wrote. The tweet’s replies were filled with observations of strange wrinkles in the art that make it seem an awful lot like AI may have had a hand in making it, or at least someone who’s very sloppy with Photoshop.

First, there’s the palm tree in front of the yellow building that’s clearly disjointed.

An image shows a wonky palm tree.

Then there’s the woman’s legs on the left. She has three of them and one disappears into some white flowers.

A woman has three legs.

The red taxi near the front is all backwards. The headlights and hood are in the rear, while the driving wheel is in the front.

A red car faces backwards.

The central boulevard with the pedestrians is also confusing. The sidewalk is as wide as the street, and then there are cars on the other side of it that are going in the same direction.

People walk in the middle of the street.

Plus, as you go further into the background, the cars get messier and messier, and appear to just be alternating patterns of blue and red like they were stacked on top of one another and then stretched into the horizon.

Cars repeat similar patterns.

It’s not hard to find other suspicious deficiencies, too.

“I’ve been staring at this picture for quite a while and still people find new weird stuff,” Kenney tweeted. “Also there’s still people saying it’s not AI…” Even if it’s not AI it’s still not great. To Kenney’s original point, it reeks of a company cheaping out instead of paying talented people to do what they’re good at.

“It’s a shame that Amazon took the cheapest route by generating the artwork without even taking the time to do any sort of quality control,” Kenney commented to Kotaku. “I’m sure a lot of artists would’ve absolutely loved the opportunity to do the art for this. There’s a long history of film and TV adaptations that didn’t pay enough respect to their source material, but I think generating art using AI is the most disrespectful thing that could be done. It’s the lowest of effort, it’s literally not doing any effort.”

Amazon and Bethesda did not immediately respond to a request for comment.

Read More: AI Creating ‘Art’ Is An Ethical And Copyright Nightmare

The Fallout TV show is being led by Westworld co-creator Jonathan Nolan, and wrapped up filming earlier this year. While the promotional art references Los Angeles and Vault 33, little else is known about the series, which was previously confirmed to be separate from the main storyline of the hit post-apocalyptic open-world RPG series. After watching the recent closed-doors teaser, IGN wrote, “While we only had a very small look at the show, it’s clear that the production values are high, with the visual effects looking impressive.”

Even more bizarre, then, that the first official art delivers the opposite impression. The timing also couldn’t be worse. Hollywood writers and actors are both on strike right now over streaming royalties and concerns about the use of AI in filmmaking, including by Amazon. The Writers Guild of America blasted the company along with the other streaming giants in a recent report, accusing them of anti-competitive mergers and vertical integrations. These historic strikes passed the 100-day mark earlier this month.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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