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Freeland accused of being ‘smug’, ‘clueless’ after Disney+ comment

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Once upon a time, Chrystia Freeland attempted to relate to Canadians’ cost-of-living concerns with a personal anecdote – and it didn’t produce a fairy-tale ending.

“I personally, as a mother and wife, look carefully at my credit card bill once a month, and last Sunday I said to the kids, ‘You’re older now. You don’t watch Disney anymore. Let’s cut that Disney Plus subscription,”’ Freeland told Global News in an interview that aired on The West Block with Mercedes Stephenson on Nov. 6.

She went on to say: “I believe that I need to take exactly the same approach with the federal government’s finances, because that’s the money of Canadians.”

Maybe Freeland meant to show that managing a $430-billion budget is not all that different from handling a household one.

But as word of the clip spread throughout the land, and was viewed nearly a million times in just a couple of days, so did outrage.

Emails sent to her office and obtained by The Canadian Press under access-to-information law show that Freeland’s attempt to connect with Canadians made her a villain to thousands.

“This advice is about as wise as boomers telling younger folks if only they skipped the avocado toast then they could afford a house,” said one person. The names of the senders are redacted in the documents.

Some commenters felt the minister’s attempt to blend in missed the mark, like when Princess Jasmine visited the market in “Aladdin” and encountered a less-royal way of life.

Messages accused Freeland of being “smug,” “elitist,” “clueless” and “entitled.”

One person accused her of underestimating the platform’s offerings. “There is more than just Disney movies on Disney Plus, so you are actually depriving your children of the things their friends might watch.”

The person added that Freeland was doing so “when we all know you can easily afford that.”

Federal cabinet ministers will earn just over $289,000 this year. The median household income in Ontario in 2020 was $79,500, according to Statistics Canada.

Someone wrote to say they’d already cut Disney Plus and wanted to know how to “cancel my portion of the CBC subsidy.” CBC’s $1.2 billion in government funding in 2022 works out to about $30 per Canadian per year.

Others were less sarcastic, noting that “poverty is not a choice.”

One email urged the government to better manage inflation.

“If you are out of ideas on how I do this, might I humbly suggest your office consider a more aggressive approach to regulating the skyrocketing profits in the grocery industry?”

Another writer, who described herself as a single mother on disability, said that she sometimes goes without food to ensure that her 10-year-old son doesn’t.

“That was an absolute slap in the face to people who are truly struggling,” she wrote.

“Like I tell my son: You need to think before you speak.”

One would-be knight in shining armour did come to Freeland’s defence, emailing to say they, too, had cut out TV channels — along with beauty treatments, travel and cellphones, among other things.

They argued: “Inflation means lifestyles must be changed!”

Staff in the Finance Department did a social media scan on Nov. 7, the day after Freeland’s series of interviews about the fall economic statement.

Over two days, there were 13,000 mentions of Freeland and Disney Plus, and “coverage was predominantly negative,” an official in charge of media monitoring wrote in an email.

A word cloud graphic attached to the email showed the phrases “tone-deaf” and “high inflation” featured prominently.

Freeland walked back her remark the next day, telling reporters that “Like other elected federal leaders, I am paid a really significant salary, and I know that that puts me in a really, really privileged position.”

Her office did not respond to questions this week about the feedback she received, instead pointing to her comments in the Nov. 7 press conference.

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Bad traffic, changed plans: Toronto braces for uncertainty of its Taylor Swift Era

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TORONTO – Will Taylor Swift bring chaos or do we all need to calm down?

It’s a question many Torontonians are asking this week as the city braces for the arrival of Swifties, the massive fan base of one of the world’s biggest pop stars.

Hundreds of thousands are expected to descend on the downtown core for the singer’s six concerts which kick off Thursday at the Rogers Centre and run until Nov. 23.

And while their arrival will be a boon to tourism dollars — the city estimates more than $282 million in economic impact — some worry it could worsen Toronto’s gridlock by clogging streets that already come to a standstill during rush hour.

Swift’s shows are set to collide with sports events at the nearby Scotiabank Arena, including a Raptors game on Friday and a Leafs game on Saturday.

Some residents and local businesses have already adjusted their plans to avoid the area and its planned road closures.

Aahil Dayani says he and some friends intended to throw a birthday bash for one of their pals until they realized it would overlap with the concerts.

“Something as simple as getting together and having dinner is now thrown out the window,” he said.

Dayani says the group rescheduled the gathering for after Swift leaves town. In the meantime, he plans to hunker down at his Toronto residence.

“Her coming into town has kind of changed up my social life,” he added.

“We’re pretty much just not doing anything.”

Max Sinclair, chief executive and founder of A.I. technology firm Ecomtent, suggested his employees avoid the company’s downtown offices on concert days, saying he doesn’t see the point in forcing people to endure potential traffic jams.

“It’s going to be less productive for us, and it’s going to be just a pain for everyone, so it’s easier to avoid it,” Sinclair said.

“We’re a hybrid company, so we can be flexible. It just makes sense.”

Swift’s concerts are the latest pop culture moment to draw attention to Toronto’s notoriously disastrous daily commute.

In June, One Direction singer Niall Horan uploaded a social media video of himself walking through traffic to reach the venue for his concert.

“Traffic’s too bad in Toronto, so we’re walking to the venue,” he wrote in the post.

Toronto Transit Commission spokesperson Stuart Green says the public agency has been working for more than a year on plans to ease the pressure of so many Swifties in one confined area.

“We are preparing for something that would be akin to maybe the Beatles coming in the ‘60s,” he said.

Dozens of buses and streetcars have been added to transit routes around the stadium, and the TTC has consulted the city on potential emergency scenarios.

Green will be part of a command centre operated by the City of Toronto and staffed by Toronto police leaders, emergency services and others who have handled massive gatherings including the Raptors’ NBA championship parade in 2019.

“There may be some who will say we’re over-preparing, and that’s fair,” Green said.

“But we know based on what’s happened in other places, better to be over-prepared than under-prepared.”

Metrolinx, the agency for Ontario’s GO Transit system, has also added extra trips and extended hours in some regions to accommodate fans looking to travel home.

A day before Swift’s first performance, the city began clearing out tents belonging to homeless people near the venue. The city said two people were offered space in a shelter.

“As the area around Rogers Centre is expected to receive a high volume of foot traffic in the coming days, this area has been prioritized for outreach work to ensure the safety of individuals in encampments, other residents, businesses and visitors — as is standard for large-scale events,” city spokesperson Russell Baker said in a statement.

Homeless advocate Diana Chan McNally questioned whether money and optics were behind the measure.

“People (in the area) are already in close proximity to concerts, sports games, and other events that generate massive amounts of traffic — that’s nothing new,” she said in a statement.

“If people were offered and willingly accepted a shelter space, free of coercion, I support that fully — that’s how it should happen.”

This report by The Canadian Press was first published Nov. 13, 2024.



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‘It’s literally incredible’: Swifties line up for merch ahead of Toronto concerts

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TORONTO – Hundreds of Taylor Swift fans lined up outside the gates of Toronto’s Rogers Centre Wednesday, with hopes of snagging some of the pop star’s merchandise on the eve of the first of her six sold-out shows in the city.

Swift is slated to perform at the venue from Thursday to Saturday, and the following week from Nov. 21 to Nov. 23, with concert merchandise available for sale on some non-show days.

Swifties were all smiles as they left the merch shop, their arms full of sweaters and posters bearing pictures of the star and her Eras Tour logo.

Among them was Zoe Haronitis, 22, who said she waited in line for about two hours to get $300 worth of merchandise, including some apparel for her friends.

Haronitis endured the autumn cold and the hefty price tag even though she hasn’t secured a concert ticket. She said she’s hunting down a resale ticket and plans to spend up to $600.

“I haven’t really budgeted anything,” Haronitis said. “I don’t care how much money I spent. That was kind of my mindset.”

The megastar’s merchandise costs up to $115 for a sweater, and $30 for tote bags and other accessories.

Rachel Renwick, 28, also waited a couple of hours in line for merchandise, but only spent about $70 after learning that a coveted blue sweater and a crewneck had been snatched up by other eager fans before she got to the shop. She had been prepared to spend much more, she said.

“The two prized items sold out. I think a lot more damage would have been done,” Renwick said, adding she’s still determined to buy a sweater at a later date.

Renwick estimated she’s spent about $500 in total on “all-things Eras Tour,” including her concert outfit and merchandise.

The long queue for Swift merch is just a snapshot of what the city will see in the coming days. It’s estimated that up to 500,000 visitors from outside Toronto will be in town during the concert period.

Tens of thousands more are also expected to attend Taylgate’24, an unofficial Swiftie fan event scheduled to be held at the nearby Metro Toronto Convention Centre.

Meanwhile, Destination Toronto has said it anticipates the economic impact of the Eras Tour could grow to $282 million as the money continues to circulate.

But for fans like Haronitis, the experience in Toronto comes down to the Swiftie community. Knowing that Swift is going to be in the city for six shows and seeing hundreds gather just for merchandise is “awesome,” she said.

Even though Haronitis hasn’t officially bought her ticket yet, she said she’s excited to see the megastar.

“It’s literally incredible.”

This report by The Canadian Press was first published Nov. 13, 2024.

The Canadian Press. All rights reserved.



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Via Rail seeks judicial review on CN’s speed restrictions

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OTTAWA – Via Rail is asking for a judicial review on the reasons why Canadian National Railway Co. has imposed speed restrictions on its new passenger trains.

The Crown corporation says it is seeking the review from the Federal Court after many attempts at dialogue with the company did not yield valid reasoning for the change.

It says the restrictions imposed last month are causing daily delays on Via Rail’s Québec City-Windsor corridor, affecting thousands of passengers and damaging Via Rail’s reputation with travellers.

CN says in a statement that it imposed the restrictions at rail crossings given the industry’s experience and known risks associated with similar trains.

The company says Via has asked the courts to weigh in even though Via has agreed to buy the equipment needed to permanently fix the issues.

Via said in October that no incidents at level crossings have been reported in the two years since it put 16 Siemens Venture trains into operation.

This report by The Canadian Press was first published Nov. 13, 2024.

Companies in this story: (TSX:CN)

The Canadian Press. All rights reserved.



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