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The Only Mental Acuity I'm Questioning These Days Is the Mainstream Media's – The New Republic

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Well, of course both The New York Times and The Washington Post led with stories Saturday morning about Joe Biden’s age and mental acuity. The story of special counsel Robert Hur’s report and its petty rhetoric about the president’s supposed memory lapses broke Thursday afternoon. It was the lead story in both papers Friday, perhaps understandably. But then it was still the lead Saturday. And even on Sunday both papers were still chewing it over, although to its credit, the Post’s Sunday piece didn’t just lazily extend the narrative with another beard-scratching “news analysis” about Democrats’ “deep concern” but reported on what actually happened during Biden’s two interviews with Hur. (Spoiler alert: Nothing occurred in the sessions to make White House aides think that attacks on Biden’s memory would feature in the report at all.)

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We’re at a fateful crossroads here. On one road, the Avenue of Responsible Sobriety traveled by the Times and the Post and most of the mainstream media, lies legitimate and necessary dialogue about whether any octogenarian, and this one specifically, is fit to be president. But the other road, the Mad Max Hellscape Expressway, has been taken over by the right-wing media, whose interest is not legitimate dialogue but the utter destruction of the octogenarian in question.

This is not a level playing field, folks. Where these roads meet, the souped-up Hummers of the Hellscape Expressway will overrun the dainty Priuses of Responsibility Avenue. I have my reservations about Biden—and in a better, more mature world, I’d love to air the necessary debate fully. We should have done this in 2020. But in the world we inhabit, dwelling on Biden’s capacity or lack thereof will frame this discussion in such a way that will accomplish only one thing. It will elect the man who just gave Vladimir Putin a green light to invade NATO allies. What’s the greater potential for havoc and destruction of our way of life—the things Biden forgets, or the things Trump remembers?

I have written what I’m about to write here probably 20 times in the last couple years, and I’ll write it 20 more or 200 more until I see people starting to get the point. In terms of how the American political media works, we have recently crossed a dark Rubicon. We now live in a world, which I believe we entered after January 6, 2021, in which the right-wing media sets the national agenda. The mainstream media follows.

Going way back in time, we had only a mainstream media—the Times and the Post and the Associated Press and the major networks. In the 1970s, after the famous Powell Memo, wealthy conservatives began funding their own media. For most of the last 50 years, even as the right-wing media grew, it remained clear that the mainstream media set the agenda—that is, it determined what we all talked about every day.

But recently, that flipped. This transformation has been in process for several years, but I date it to January 6 for two reasons. First, before that, the right-wing media didn’t have all-consuming power when it came to crunch time. They could not, for example, elect Donald Trump. There was still enough of a shred of news-gathering honesty at Fox News that it called Arizona for Joe Biden. Second, January 6 was a moment of choosing for the American right. Conservative politicians and the right-wing media could have woken up on January 7 and decided that enough was enough and they were captaining their MAGA-ized spaceship back down to planet Earth.

But we’ve seen how both of those matters sorted themselves out. Fox forced out the two people who made that Arizona call. You think this November Fox will be in the vanguard—it was the first network to give Arizona to Biden—of calling a purple state for the Democrat? It’s inconceivable. And on the second matter, with a few notable exceptions, virtually the whole party now embraces the January 6 “uprising” (or is too cowardly to say otherwise).

The right-wing media has followed suit, giving us a sprawling and enormously powerful messaging apparatus—Fox, Newsmax, One America, all those Sinclair radio and TV stations, Christian radio, most newspapers out there around the country, the majority of prominent opinion journals, most of the largest social media personalities, and more—that now sings from the same hymnal. They did before, but January 6 provided that extra kick; the grain alcohol in the punch. It gave these outlets a sense of mission that wasn’t quite so fully and recognizably there before.

So this is where we are. We have one media whose goal is still largely to educate, explore, and explain. And we have another media whose goal is to elect members of a certain political party. The first media will sometimes pursue stories at odds with the priorities of the second media—Donald Trump’s indictments, for example. But it will at other times pursue stories that fit perfectly into the second media’s agenda—Joe Biden’s age.

However, the second media will never, ever, ever pursue stories that might coincide with the first media’s priorities. And this imbalance—the mainstream media will sometimes do the bidding of the right-wing media, but the opposite will never happen—is the precise reason why the right-wing media has become the agenda-setting media in the United States.

Where does this leave us with respect to the Biden-age story? Well, I don’t think we should become exactly like them. They’re propaganda networks. Where Biden has done wrong, we should say so. And yes, we should discuss his mental acuity and the political risks it carries. If he loses a few more points in the polls because of this Hur report, whether fair or unfair, the topic of whether he can win is totally a fair one.

But we don’t need to dwell on it. There are a lot of other questions the mainstream media can be asking. Why did Hur issue this heavily editorialized report? Why did Merrick Garland approve its release? Does Hur have an agenda? He didn’t appear to when he was named, but I remember all too well the days when The Washington Post was telling me that Ken Starr was an upstanding man who had no agenda.

And: What about Donald Trump’s brain? For God’s sakes, he confused E. Jean Carroll with his ex-wife! He makes verbal gaffes all. The. Time. Just last Friday, in a speech before an NRA crowd, he made several. He slurred “subsidies” as “subsies.” He groused that it gets covered if he “said one word a little bit mispronunciation.” He confused Biden with Barack Obama (again). He said the Democrats were going to rename Pennsylvania (?!?).

He also said: “Nice Saturday afternoon. I could tell you, if I weren’t doing this, where I would have been, I would have been in a very nice location.”

It was Friday.

Night.

Can you imagine if Biden had done that? The Times covered the NRA speech, as did the Post. Neither piece made any mention of these malapropisms.

The Times emphasized Trump’s comments about Biden’s handling of classified documents, while the Post led with his promises to the crowd on guns. Those were legitimate news judgments by traditional standards. But I can’t help suspecting that if Biden had confused his days, it would have made it into their stories. Maybe even led them.

The mainstream media needs to come to terms with the fact that the traditional standards aren’t working anymore. With a candidate who lies (or at least baldly exaggerates) nearly every time he opens his mouth, with an avowedly ideological media whose agenda is plainly political, and with a leader and movement that is openly bragging about how it will attack democracy if it gains power again, hewing to traditional news standards will do nothing but play handmaiden to democracy’s demise. So sure, Joe Biden’s age is an issue. But I mean, come on.

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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Arizona man accused of social media threats to Trump is arrested

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Cochise County, AZ — Law enforcement officials in Arizona have apprehended Ronald Lee Syvrud, a 66-year-old resident of Cochise County, after a manhunt was launched following alleged death threats he made against former President Donald Trump. The threats reportedly surfaced in social media posts over the past two weeks, as Trump visited the US-Mexico border in Cochise County on Thursday.

Syvrud, who hails from Benson, Arizona, located about 50 miles southeast of Tucson, was captured by the Cochise County Sheriff’s Office on Thursday afternoon. The Sheriff’s Office confirmed his arrest, stating, “This subject has been taken into custody without incident.”

In addition to the alleged threats against Trump, Syvrud is wanted for multiple offences, including failure to register as a sex offender. He also faces several warrants in both Wisconsin and Arizona, including charges for driving under the influence and a felony hit-and-run.

The timing of the arrest coincided with Trump’s visit to Cochise County, where he toured the US-Mexico border. During his visit, Trump addressed the ongoing border issues and criticized his political rival, Democratic presidential nominee Kamala Harris, for what he described as lax immigration policies. When asked by reporters about the ongoing manhunt for Syvrud, Trump responded, “No, I have not heard that, but I am not that surprised and the reason is because I want to do things that are very bad for the bad guys.”

This incident marks the latest in a series of threats against political figures during the current election cycle. Just earlier this month, a 66-year-old Virginia man was arrested on suspicion of making death threats against Vice President Kamala Harris and other public officials.

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