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Fur the love of beasties: Edmonton's rich tradition of animals in public art – Edmonton Journal

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Fur the love of beasties: Edmonton's rich tradition of animals in public art – Edmonton Journal



The late, great Joe Fafard’s Royal Sweet Diamond (2001) on jasper Avenue.


Fish Griwkowsky / Postmedia

Permanent monuments to animals within Edmonton follow a long, long trail, going back to our beginnings.

Animal worship and awe emerges from Palaeolithic times — some of our first depictions of anything were simplifications in paint and chipped stone of the mysterious creatures around us.

Today’s Edmonton is no exception in having our own complicated set of sculptural animal mythologies, carved and cast creatures in wood, stone and bronze — even ice now that it’s winter — all easy to fall in love with. From the Chinese lions at Lucky 97 to the tucked-away beaver in Amiskwaskahegan (Beaver Hills House Park) to the burro downstairs in City Centre Mall, they’re everywhere … once you start looking for them.

What follows is a personal-favourites checklist of animal statues. From granite bears to iron bison to bronze pronghorns — to a landlocked whale at the end of a mall — our ecosystem of animals immortalized in sculptural public art is indeed enviable.

Fur the love of beasties: Edmonton's rich tradition of animals in public art – Edmonton Journal


Joe Fafard’s Western Dancer (2004) on Jasper Avenue.

Fish Griwkowsky /

Postmedia

10. Joe Fafard’s Western Dancer and Royal Sweet Diamond (11214 and 11204 Jasper Ave.) — These two realistically painted heavy-lifters — a horse and a bull — are a reminder of the area’s agricultural roots, the late Fafard’s work appearing cross-country over the years including outside the National Gallery and on a series Canadian stamps. Let’s not forget paskwamostos (1999), his flat bison sculpture out behind Shaw Conference Centre — completing this unofficial triptych.

Fur the love of beasties: Edmonton's rich tradition of animals in public art – Edmonton Journal


Olle Holmsten’s Natural History Frieze (1967) at Glenora Building, the former RAM.

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Postmedia

9. Olle Holmsten’s Natural History Frieze (1967, Glenora Building, 12845 102 Ave.) — Basically a big sleepover of wonderful beasties on the east side of the former Royal Alberta Museum, this includes a mammoth, bear and bison. But it’s really the triceratops I’m crushing on here. Back in the ’60s Holmsten was paid $19,500 for this and a Human History frieze on the west side — but every cent of his prize money went to production, and was thus a true labour of love.

Fur the love of beasties: Edmonton's rich tradition of animals in public art – Edmonton Journal


Robin Bell’s Open Sea (1985) in West Edmonton Mall.

Fish Griwkowsky /

Postmedia

8. Robin Bell’s Open Sea (1985, West Edmonton Mall, Phase I, 8882 170 St.) — This would’ve ranked higher in its original spot before a sexy underwear store displaced it, when the whale still lived near the Ice Palace, and more appropriately in a fountain. Still, kudos to WEM for releasing this beloved interactive sculpture before I had to start a #savethewhale media campaign.

Fur the love of beasties: Edmonton's rich tradition of animals in public art – Edmonton Journal


John Weaver’s The Pronghorns (1970) — currently hidden away inside the Glenora Building.

Fish Griwkowsky /

Postmedia

7. John Weaver’s The Pronghorns at Glenora building (1970, 12845 102 Ave.) — Is something still public art if most people can’t actually get to it? The fate of the former Royal Alberta Museum is still unknown, but when asked, officials say so far the plan is to keep this incredible scene within the building (no promises). This one’s a local masterpiece — hope we can all access it again, as cattleman Ian Tyson puts it, someday soon. P.S., Weaver also made the Gretzky Statue.

Fur the love of beasties: Edmonton's rich tradition of animals in public art – Edmonton Journal


Mary Anne Barkhouse’s Reign in (ÎNÎW) River Lot 118 Indigenous art park.

Fish Griwkowsky /

Postmedia

6. Mary Anne Barkhouse’s Reign (2018, (ÎNÎW) River Lot 11) — This whole sculpture park is an incredible addition to the city, but my favourite piece is Barkhouse’s depiction of a hare and fox resting almost back to back. It’s a message of peace atop a band of dinosaur bones — reminding us where we all end up despite our struggles. Brilliant.

Fur the love of beasties: Edmonton's rich tradition of animals in public art – Edmonton Journal


Lionel A.J. Thomas’ The Migrants (1957) sits on the east side of City Hall.

Fish Griwkowsky /

Postmedia

5. Lionel A.J. Thomas’ The Migrants (1957, City Hall, 1 Sir Winston Churchill Sq.) — The outrage over this $16,000 modern sculpture of flying geese far exceeded panic attacks over Talus Dome. It was quickly dubbed Spaghetti Tree by haters, and even inspired a mocking novelty song. But now this gentle beauty sits with quiet dignity on the west side of City Hall, just a hop over from the Gretzky statue.

Fur the love of beasties: Edmonton's rich tradition of animals in public art – Edmonton Journal


Earl Muldoe with Chester MacLean and Victor Mowat’s ‘Ksan Totem Pole (1983) at Glenora Building.

Fish Griwkowsky /

Postmedia

4. Earl Muldoe (Gitxsan Master Carver) with Chester MacLean and Victor Mowat’s ’Ksan Totem Pole (1983, Glenora Building, 12845 102 Ave.) — Carved and raised for Universiade ’83, this red cedar log totem pole features Owl, Bear, Salmon, Raven and Frog (relating to the Gitxsan creation story), and Strong Man. You might remember WUGIE, Universiade’s owl mascot, but I like Owl here a little better — even if it didn’t get its own disco theme song pressed on 45.

Fur the love of beasties: Edmonton's rich tradition of animals in public art – Edmonton Journal


Craig LeBlanc’s Henri (2010) won an international art award.

Fish Griwkowsky /

Postmedia

3. Craig LeBlanc’s Henri at Terwillegar Rec Centre (2011, 15204 23 Ave.): While there are a number of lions around town, this sleeping cat suspended in a net hammock is local artist Craig LeBlanc’s masterpiece, a subtle reminder that for all our running and heavy lifting, resting is as important a part of exercise as pushing it to the limit.

Fur the love of beasties: Edmonton's rich tradition of animals in public art – Edmonton Journal


Roy Leadbeater’s 1968 Rod of Asclepius at U of A Hospital is technically untitled.

Fish Griwkowsky /

Postmedia

2. Roy Leadbeater’s Untitled (1968, 112 Street entrance, University of Alberta Hospital, 8440 112 St.) — This heavy-metal party snake used to hang over at the Faculty of Medicine, its double helix, exploding Maple Leaf and hissing mouth making it look like a logo for an Marvel-movie evil corporation. Rediscovering this evocative Rod of Asclepius over at U of A Hospital was pure pleasure.

Fur the love of beasties: Edmonton's rich tradition of animals in public art – Edmonton Journal


One half of Brandon Vickerd’s two-statue Wildlife (2015) at 10234 96 St.

Fish Griwkowsky /

Postmedia

1. Brandon Vickerd’s Wildlife (2015, 10234 96 St.) — Philosophically, there’s just so much going on with these two humanoid figures made up of animals, hanging around day and night in the Quarters. Cast in bronze, Vickerd used taxidermy animals as models for his final sculptures, and they really do comment on how urban environments are an ever-rotating system of displacement for all animals, including us.

fgriwkowsky@postmedia.com

@fisheyefoto

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Visit the city's tiniest art gallery: Five things to do in Saskatoon this weekend – Saskatoon StarPhoenix

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Visit the city's tiniest art gallery: Five things to do in Saskatoon this weekend – Saskatoon StarPhoenix


In an effort to help Saskatoon residents share art with one another, Suzy Schwanke has created the Free Little Art Gallery YXE outside her home at 332 Hilliard St. E.

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Whether you’re interested in art, a virtual party, some outdoor activities or cleaning up around the house, there’s a little bit of something for everyone this weekend in Saskatoon.

1. Visit the Free Little Art Gallery

In an effort to help Saskatoon residents share art with one another, Suzy Schwanke has created the Free Little Art Gallery YXE outside her home at 332 Hilliard St. E. Designed in the style of community libraries and kitchen boxes, visitors to the gallery can take a piece of art, leave a piece of art, or do both. You can check out some of the artwork on Instagram @Freelittleartgalleryyxe.

Art teacher Suzy Schwanke is hoping to bring “a little joy to the community” by installing a tiny art gallery on her front lawn in Saskatoon’s Queen Elizabeth neighbourhood.
Art teacher Suzy Schwanke is hoping to bring “a little joy to the community” by installing a tiny art gallery on her front lawn in Saskatoon’s Queen Elizabeth neighbourhood. Photo by Matt Smith /Saskatoon StarPhoenix

2. Hit up The Bassment’s virtual party

Featuring the music and talents of eight Saskatoon bands, The Bassment presents InTune 2021 — a free online party playing from 2 to 9 p.m. on Saturday and Sunday. The shows will be streamed live through the Bassment’s Facebook and YouTube pages.

3. Check out local performers

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Watch as some of Saskatoon’s performing artists share their work in Episode 1 of Persephone Theatre’s Open Stage, which was published earlier this month. The episode is available to watch whenever you want at persephonetheatre.org and features Peace Akintade, Kathie Cram, Amanda Trapp, Sketchy Bandits, Carla Orosz and Ellen Froese.

4. Have some family fun

The Fuddruckers Family Fun Centre (2910 8th St. E) is open from 10 a.m. to 11 p.m. Monday through Sunday, weather permitting. Families can practice their skills on the 18-hole Putt N’ Bounce miniature golf course, reach new heights on The Rock climbing wall or take a swing at the Grand Slam batting cages. More information is available at fudds.ca or by calling 306-477-0808.

5. Drop off your hazardous waste

The City of Saskatoon is holding its first Hazardous Household Waste Drop Off of the year on Sunday from 9 a.m. to 3:30 p.m. at the Civic Operations Centre (57 Valley Rd.). The drop off is open to Saskatoon residents from residential properties only. Products eligible for drop off include aerosols, automotive fluids, batteries, cleaners, light bulbs, yard chemicals and more. Learn more at saskatoon.ca/hazardouswaste.

  1. Art teacher Suzy Schwanke is hoping to bring

    Little art gallery brings colour, connection to Queen Elizabeth neighbourhood

  2. Persephone Theatre in Saskatoon

    Persephone Theatre brings in community co-leads for new Artists’ Working Group

The news seems to be flying at us faster all the time. From COVID-19 updates to politics and crime and everything in between, it can be hard to keep up. With that in mind, the Saskatoon StarPhoenix has created an Afternoon Headlines newsletter that can be delivered daily to your inbox to help make sure you are up to date with the most vital news of the day. Click here to subscribe.

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YK ARCC celebrates 10 years by pushing for NWT art gallery – Cabin Radio

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YK ARCC celebrates 10 years by pushing for NWT art gallery – Cabin Radio



Its trailer doubles as one of the NWT’s only art galleries. Now, the Yellowknife Artist-Run Community Centre is turning 10 years old.

The group, YK ARCC for short, formed in 2011 in a downtown Yellowknife church scheduled for demolition. “There was always something going on,” recalled Métis artist Rosalind Mercredi, owner of the city’s Down to Earth Gallery, who was YK ARCC’s first president.

“I think it was so good to be able to have a space where people wanted to work on stuff and, if they had bigger projects they wanted to do, there was a space to do it. It was pretty vibrant times, I would say, for art.”

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Though the organization stayed in the church for less than a year, it has brought art and shows to Yellowknife since. Temporary homes have included an apartment above a Vietnamese restaurant and empty spaces in the Centre Square Mall.

Casey Koyczan, a Tłı̨chǫ artist from Yellowknife pursuing a Master of Fine Arts degree at the University of Manitoba, held some of his first shows with YK ARCC’s help.

“It really helped to be able to show work within an environment that was conducive to more of a fine arts aesthetic as opposed to … a coffee shop, or a pub, or something like that,” said Koyczan, who was on YK ARCC’s board.

“YK ARCC felt like it was getting to more of a formal-exhibit kind of feel.”

‘We need a territorial gallery’

The group made headlines shortly after opening a mobile art gallery in a trailer. At the beginning of the pandemic, the team took art to residents by accepting reservations through Facebook then driving the gallery to make house calls in different neighbourhoods.

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Fur the love of beasties: Edmonton's rich tradition of animals in public art – Edmonton Journal

“Because it’s so small, we might be the only gallery in Canada that didn’t have to close,” said longtime board member Sarah Swan. “It has a limited capacity. We knew we could still operate it safely.”

YK ARCC’s first home is pictured in 2011. Photo: Submitted
Casey Koyczan stands in front of a painting at a YK ARCC show in 2014. Photo: Submitted

Yet the trailer’s success simultaneously illuminated what YK ARCC’s members believe is a glaring deficiency in the NWT: the absence of a territorial gallery.

The cost of rent makes it difficult for the non-profit to hold on to one space for any length of time. Many of the spaces that are available in Yellowknife don’t work well for art shows.

“We need a territorial gallery,” former board member Dan Korver said.

That doesn’t mean a commercial gallery geared toward profit, he clarified. Instead, Korver wants a space where artists can show their work and engage with an audience “for art’s sake.”

The Prince of Wales Northern Heritage Centre is the only large-scale, non-commercial, gallery fitting that bill in the NWT. It hosts two fine art exhibits a year.

“It’s just simply not enough,” said Swan. “There are so many more artists and so much more work out there to show, so many more ideas.”

“We created the mobile gallery in the first place to feel that exhibition gap, but also, we created it to be a piece of agitation in itself. That’s why we called it the Art Gallery of the Northwest Territories.

“It’s really pathetic that our territorial gallery is a trailer. We all joke that if there ever is a real gallery of the Northwest Territories that’s not in a trailer, we’ll happily give the name back.”

YK ARCC debuted its mobile gallery in the summer of 2019. Pictured are board member Brian McCutcheon and artist Terry Pamplin. Photo: Submitted
<img data-attachment-id="36682" data-permalink="https://cabinradio.ca/yacc_12/" data-orig-file="https://cabinradio.ca/wp-content/uploads/2020/05/YACC_12.jpg" data-orig-size="3556,2000" data-comments-opened="0" data-image-meta=""aperture":"0","credit":"","camera":"ILCE-7M3","caption":"","created_timestamp":"1588887697","copyright":"sarah pruys","focal_length":"0","iso":"400","shutter_speed":"0.0025","title":"","orientation":"0"" data-image-title="Art by Shelley Vanderbyl is displayed in Yellowknife’s mobile gallery in May 2020. Sarah Pruys/Cabin Radio" data-image-description="

mobile art gallery, yk arcc

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Art by Shelley Vanderbyl is displayed in Yellowknife’s mobile gallery in May 2020. Sarah Pruys/Cabin Radio
A YK ARCC show in 2018, called Social Fabric, was held inside a former bank in the Centre Square Mall. Thirty-two artists were featured and 800 people attended. Photo: Submitted

Koyczan described obstacles in establishing his career that stemmed directly from the lack of a territorial art gallery.

“Back when I was showing at YK ARCC, it wasn’t recognized by the Canada Arts Council,” he said. “Therefore, when you go to apply for grants and funding … and you provide your CV saying that you showed work at YK ARCC, they check their records and say the show basically didn’t exist because they don’t recognize it as a legitimate gallery.

“I’ve had to work really hard on exporting myself and making artwork that is impactful so that, regardless of where I was located, it would be recognized by people in the south, or around North America, or internationally.

“The NWT needs a contemporary gallery. It’s just holding us back, not having that space.”

‘No GNWT mandate’ for a gallery

In a written statement to Cabin Radio, the territorial Department of Education, Culture, and Employment said it has no plan to create a territorial gallery.

The department said it “does not have a mandate to create physical infrastructure for the arts.”

“However,” the response continued, “the GNWT would be happy to work with regional organizations to see how the GNWT can support their plans.”

Korver believes government involvement in creating an artist-run centre or non-commercial gallery should be limited to provision of funding, so any gallery can remain community-driven and independent.

“We need that physical space, but how do you run it?” he wondered. “Is it better to just provide a grassroots organization – or organizations, maybe there shouldn’t just be one – with stable funding so they can provide those spaces and run those spaces?”

More spaces that can host art are on the way.

Makerspace YK moved into the old After 8 pub this January and is planning workshops and exhibits. The City of Yellowknife expects to open a visitor centre in the Centre Square Mall that would include art displays.

Meanwhile, the territorial government is set to release its updated NWT Arts Strategy this June. The previous territorial arts strategy, released in 2004, had identified a need for more arts spaces.

As a gallery owner, Mercredi said she is curious to see how the strategy is implemented.

YK ARCC staged an outdoor installation in 2017. Photo: Submitted
Rosalind Mercredi, first president of YK ARCC, at the mobile gallery. Photo: Submitted

“You can make a strategy but if the plan doesn’t have an implementation idea behind it, then really just sits,” she said. “How do you implement it when most of the arts organizations don’t have enough infrastructure or people to put those things together?”

Swan said YK ARCC will continue to run its mobile gallery while celebrating its 10th anniversary this year. Members have applied for funding to run a series of “emerging curator workshops.”

“Art is our passion,” Swan said. “I think there’s just this drive to share.

“Because we know how good art can be, or how amazing and fully developed it can be, we want to fight for that. We want to try to grow the art community in Yellowknife.”

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