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G/O Media Shutters Jezebel After Abandoning Sale Efforts

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G/O Media, the holding company led by dipshit media parasite Jim Spanfeller, abruptly suspended the operation of Jezebel and laid off the site’s entire editorial team Thursday morning. The move comes two days after Spanfeller dismissed G/O Media editorial director Merrill Brown, and amid a round of layoffs expected to eliminate 23 jobs across the company.

Jezebel, the popular feminist publication that launched in 2007, survived the collapse of Gawker Media and the sale of its network of sites to Univision in 2016, and then the ominous transition of ownership to private-equity firm Great Hill Partners in 2019. Under Spanfeller’s oversight, the site had seen its staff whittled down to the bare minimum. At the time of its shuttering, Jezebel’s masthead (which evidently hadn’t been fully updated in the past year) included one full-time editor, Lauren Tousignant, who in addition to regular editing duties was standing in as interim editor-in-chief, while Brown and deputy editorial director Lea Goldman worked through a protracted search for a permanent replacement.

Laura Bassett, the former EIC who resigned in August, said at the time that her hand was forced by leadership’s refusal “to treat my staff with basic human decency.” Among Bassett’s concerns was the company’s top-down decision to start using AI-written content, which the network’s union described as “computer-generated garbage” that undermined the work of staff and the publications’ editorial missions.

Communication under the Spanfeller regime has always been poor. (The founders of Defector, who worked for him before resigning en masse in 2019, can confirm this firsthand.) As Jezebel was allowed to stagnate, with an overworked staff and an interim EIC stretched to the limit, rumors swirled about the future of the publication. Two Jezebel staffers who spoke with Defector on Thursday said that staff demanded and received a meeting with Brown and Goldman several weeks after Bassett’s departure, and asked “point-blank” whether G/O Media was planning to sell Jezebel. The staffers, who asked for anonymity due to uncertainty about severance in the aftermath of the site’s shutdown, said Brown and Goldman were evasive and non-committal, offering vague statements about working to put Jezebel on firm footing, which at least one staffer took to be a no. This seemed to contradict a rumor that had circulated among G/O Media editorial staff: that Brown, acting on G/O Media’s behalf, had earnestly offered the site to Bassett at the time of her resignation. In any case, shortly after Brown and Goldman seemed to downplay or even deny any effort by the company to offload Jezebel, Axios reported the opposite: G/O Media was searching for a buyer for the site, and Goldman was in charge of leading the effort. According to the two Jezebel staffers, this was the first official confirmation that they received about the plan.

As the effort to sell Jezebel became common knowledge, the staffers who spoke with Defector began to notice a marked decrease in attention from G/O Media leadership. Where previously oversight had been hands-on to the point of micro-management, the sources said that starting in September it suddenly seemed like no one really cared about what went on at the site, either on the page or behind the scenes. Concerns about traffic and output suddenly melted away, and staffers began to suspect that this meant G/O Media had given up on running the site. Editorial leadership appeared to make no real effort to find a new crew of editors or diversify the staff, and the current staffers could only gather “scraps of information” about what might be happening with the sale. The failure of editorial leadership to staff up one of the network’s flagship publications was no longer a surprise, according to these staffers, who had grown accustomed to working in a bare-bones operation.

In the absence of better information, staff began to tie the two overlapping conditions together: Goldman and Brown were dragging their feet on hiring because they were either occupied with the sale or because they assumed the site would be easier to offload with lower payroll commitments. The reverse also seemed possible: that the reputation of G/O Media was so spoiled that even in a brutal media job market, people “would rather starve” than work for it.

Staffers were optimistic that a sale would eventually be completed, even in the absence of any concrete updates. One Jezebel staffer told Defector that they had been assured in no uncertain terms that a failure to sell Jezebel would not lead to layoffs. There was still no indication, as Jezebel went into its final hours of operation this week, that the site was nearing its end. On Tuesday night, staff worked off-hours to cover the 2023 elections; on Wednesday night, the site was again staffed off-hours to provide updates on the GOP primary debate in Miami. On Thursday morning, editorial leadership sent notice of a meeting scheduled for 10 a.m. At the meeting, the handful of Jezebel staffers were given three pieces of news: The effort to sell the site had fallen through and been abandoned as of Tuesday; Jezebel would be shuttered, effective immediately; and they would all be out of a job. The Jezebel staffers told Defector that within minutes of that meeting, they were removed from company Slack channels and had their email access terminated.

Laid-off Jezebel staffers continue to harbor doubts about the seriousness of Goldman’s effort to sell the beloved website. The firewall between editorial and sales had long been permeable enough at G/O Media for editorial staffers to have internalized that Jezebel could be a tough sell for advertisers, a business-side concern that Spanfeller reinforced in a memo distributed to staff Thursday, announcing Jezebel’s shuttering. Spanfeller said that G/O Media’s “business model and the audiences we serve across our network did not align with Jezebel’s,” which one staffer understood to be a more-or-less true statement of the gap between the enthusiast content mills Spanfeller prefers and the outspokenly left-leaning work that forms Jezebel’s editorial outlook, which has historically made it a tougher fit with advertisers.

The suddenness of the abandonment of the sale effort and the abrupt shuttering seem to confirm what one Jezebel staffer described to Defector as a suspicion, starting with Bassett’s departure back in August and growing stronger in the months to follow, that G/O Media had already decided to nuke the site. The search for a buyer, by this interpretation, was less about capitalizing on the reputation of a legacy publication and more about seeing if there was any last-minute value to extract from a property that management had come to view as garbage.

The closure of Jezebel rids G/O Media of the last site with a direct mandate to report and offer commentary on American politics, and shutters what a G/O Media pitch document described as “an outlier in G/O Media’s male-skewing portfolio of digital properties” according to Axios. Given the ongoing nationwide struggle to resist harsh state-level abortion bans and a 2024 presidential election cycle that is about to kick up into high gear, it’s an astonishing decision. There is no word yet on whether Spanfeller’s new robo-writers will have the latitude to acknowledge the shifting state of American democracy, as they scrape the work of all the journalists the company is chasing out into the street.

 

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Sutherland House Experts Book Publishing Launches To Empower Quiet Experts

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Sutherland House Experts is Empowering Quiet Experts through
Compelling Nonfiction in a Changing Ideas Landscape

TORONTO, ON — Almost one year after its launch, Sutherland House Experts is reshaping the publishing industry with its innovative co-publishing model for “quiet experts.” This approach, where expert authors share both costs and profits with the publisher, is bridging the gap between expertise and public discourse. Helping to drive this transformation is Neil Seeman, a renowned author, educator, and entrepreneur.

“The book publishing world is evolving rapidly,” publisher Neil Seeman explains. “There’s a growing hunger for expert voices in public dialogue, but traditional channels often fall short. Sutherland House Experts provides a platform for ‘quiet experts’ to share their knowledge with the broader book-reading audience.”

The company’s roster boasts respected thought leaders whose books are already gaining major traction:

• V. Kumar Murty, a world-renowned mathematician, and past Fields Institute director, just published “The Science of Human Possibilities” under the new press. The book has been declared a 2024 “must-read” by The Next Big Ideas Club and is receiving widespread media attention across North America.

• Eldon Sprickerhoff, co-founder of cybersecurity firm eSentire, is seeing strong pre-orders for his upcoming book, “Committed: Startup Survival Tips and Uncommon Sense for First-Time Tech Founders.”

• Dr. Tony Sanfilippo, a respected cardiologist and professor of medicine at Queen’s University, is generating significant media interest with his forthcoming book, “The Doctors We Need: Imagining a New Path for Physician Recruitment, Training, and Support.”

Seeman, whose recent and acclaimed book, “Accelerated Minds,” explores the entrepreneurial mindset, brings a unique perspective to publishing. His experience as a Senior Fellow at the University of Toronto’s Institute of Health Policy, Management and Evaluation, and academic affiliations with The Fields Institute and Massey College, give him deep insight into the challenges faced by people he calls “quiet experts.”

“Our goal is to empower quiet, expert authors to become entrepreneurs of actionable ideas the world needs to hear,” Seeman states. “We are blending scholarly insight with market savvy to create accessible, impactful narratives for a global readership. Quiet experts are people with decades of experience in one or more fields who seek to translate their insights into compelling non-fiction for the world,” says Seeman.

This fall, Seeman is taking his insights to the classroom. He will teach the new course, “The Writer as Entrepreneur,” at the University of Toronto, offering aspiring authors practical tools to navigate the evolving book publishing landscape. To enroll in this new weekly night course starting Tuesday, October 1st, visit:
https://learn.utoronto.ca/programs-courses/courses/4121-writer-entrepreneur

“The entrepreneurial ideas industry is changing rapidly,” Seeman notes. “Authors need new skills to thrive in this dynamic environment. My course and our publishing model provide those tools.”

About Neil Seeman:
Neil Seeman is co-founder and publisher of Sutherland House Experts, an author, educator, entrepreneur, and mental health advocate. He holds appointments at the University of Toronto, The Fields Institute, and Massey College. His work spans entrepreneurship, public health, and innovative publishing models.

Follow Neil Seeman:
https://www.neilseeman.com/
https://www.linkedin.com/in/seeman/

Follow Sutherland House Experts:

https://sutherlandhouseexperts.com/
https://www.instagram.com/sutherlandhouseexperts/

Media Inquiries:
Sasha Stoltz | Sasha@sashastoltzpublicity.com | 416.579.4804
https://www.sashastoltzpublicity.com

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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